Hilarious:
CAIR sues Abercrombie & Fitch:headscarf doesn't fit image
michellemalkin.com • August 2, 2008
Okay, this is ridiculous on many levels.
The Oklahoma chapter of the Council on American-Islamic Relations (CAIR-OK) announced today that it has filed an EEOC complaint on behalf of a Muslim woman who was allegedly denied employment at an Abercrombie Kids store in that state because of the applicant’s religiously-mandated headscarf, or hijab.
The woman told CAIR-OK that a district manager claimed he could not hire her because her Islamic headscarf “does not fit the Abercrombie image.”
What, wasn’t the OKC Hooters hiring? This plaintiff is fighting to preserve her modesty while going to work for a company that’s injected more soft porn into our cultural bloodstream than Cinemax?
Next up: the Bada Bing Strip Club gets sued for refusing to let their dancers shimmy inside a burqa.
Of course the plaintiff was going to work for Abercrombie Kids, which is a pretty creepy bit of branding synergy right there. I didn’t even know such a thing existed. But I can see the niche it fills–parents worried that modern society is too sheltering. Some dad’s out there going, “my kids are going to preserve their innocence too long…is there a store where I can get them a head start on that lucrative streetwalker career?”
I remember when Abercrombie and Fitch was basically like Cabela’s or Bass Pro Shops for the Weatherby and Orvis set. I still have a faded T-Shirt of theirs, with the rhino logo, from the late 1980s. It’s a great loss.
On the other hand, as with Jamal Miftah, this is radical Islam asserting itself yet again in the heartland. This isn’t Manchester or Khartoum or Basra. Based on the A&F store locator, this is apparently either Penn Square Mall, or Quail Springs, or Woodland Hills malls in Oklahoma.
Which shouldn’t be surprising–after all, terrorism expert Steven Emerson first encountered radical Islam at the Oklahoma City fairgrounds on Christmas day, 1992.
So whom do I root against? The worst reactionary impulses of the seventh century, or the engines of postmodern degradation? A pox on both their houses. |
