I guess you are right about the director (most Germans do it that way: film title, star1, star2, the plot ....., in the end, and in small print, the director's name; and I am not a film buff).
The soundtrack was mainly relying on Grace Jones, and the film mainly on the soundtrack and Harrison Ford, confronted with a startlingly fascinating, intransparent-exotic world of Parisian underground (as invented by Hollywood!) of drug-addicts/dealers/prostitutes and spies.
Near an apex of tension and artistic slow-down scene: 'father phones home to find out whether everything is o.k. with the teenage kids' - only to find out that they are partying to the same tune 'slave to the rythm', disturbingly ...
Sure you could find better film-critics than me, :-)) |
