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Pastimes : Deadheads

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To: Tom Clarke who wrote (25159)2/9/2001 12:35:28 AM
From: SIer formerly known as Joe B.  Read Replies (1) of 49844
 
From NPR to PBS:

Dolly Parton Charms A Television
Audience

Superstar makes first ever appearance on 'Austin City Limits.'
sonicnet.com

AUSTIN — Dolly Parton brought both the charisma that's made her a superstar and
the singing and songwriting talent that have been the foundation of her career to
the stage of "Austin City Limits" Thursday evening, for her first ever appearance on
that show.

"I think I've been looking as forward to being here as you all have been to having
me, from what I hear," she said as the packed house of about 400 people in the
sixth floor studio of KLRU-TV clapped, stomped, and cheered her arrival on stage.
"And I wore my Texas outfit to prove it!"

Dressed in a tan leather skirt with fringe, a matching vest and a long
sleeved cream-colored blouse with peach and gold ornamentation, the
vibrant Parton opened her hour and a half set with a fast paced "Train,
Train," the story of a woman telling a man to go ahead and leave if he
must. In an intriguing twist, playing off the tempos of the two songs,
she included several verses from "Mule Skinner Blues (Blue Yodel No.
8)" (RealAudio excerpt).

"I see we have a few gray hairs in the audience, about my age," she said, "and some of you will
probably remember that was my first big country hit, back many years ago." (It reached #3 on
the Billboard country chart in 1970.)

With the informal humor that marked the evening, Parton commented, "I love to sing them old
sad songs. Even when I'm happy — or think I am — I love to suffer through those sad songs,
and to write them sad songs. Some are just plumb pitiful. Here's one — it's the title
from my new album Little Sparrow (RealAudio excerpt of title song).

"You listen and decide!" she said. In her heartfelt presentation of a betrayed love, Parton
brought the hushed audience to feel the sorrow of the story. At their applause, she laughed
and said, "Some people just deserve to suffer!"

Leading her listeners through moods happy and sad, Parton is clearly a woman who loves her
work and the chance to share her dreams and creations with an audience. That was apparent as
she introduced the next song, "Mountain Angel," which is also from Little Sparrow.

"I grew up in the Smoky Mountains. Back up in the mountains there was a lot of screaming, animals, strange
noises — and as kids we were sure that it was some woman who had died up there, a witch. That was too
good of a story not to tell in a song," Parton said.

After performing the ballad, which traces the story of a woman driven mad by a loss of a lover and loss of a
child, she explained, "It took me about two days to write that one and by the time I was done I thought I'd
become about as crazy as she did."

Parton also brought in audience participation, asking the group to do some "whoo -hoo" wailing on the song,
and approved of the result. "That would have scared the hell out of me back home!" she said.

"But all the songs I write are not sad!" she exclaimed, leading her band into the playful song "Marry Me."

Parton let the band show off on the Cole Porter tune "I Get a Kick Out of You," and quite a band it was,
including several Grammy nominees and bluegrass award winners: Parton's producer Steve Buckingham on
guitar, dulcimer, and autoharp; Stuart Duncan on fiddle; Chris Thile on mandolin; Jim Mills on banjo; Byron
House on bass; Bryan Sutton on guitar; Rob Ickes on dobro; and Claire Lynch and Keith Little on backup
vocals.

The group had a great time with Parton's medley of two Louvin Brothers tunes, "I Don't Believe You've Met
My Baby" and "Cash on the Barrel Head," the latter provoking much laughter as the star lost her way on the
words a couple of times, and, as the show was being taped for television, started it over again.

Wending her way through songs from her two acoustic albums, Parton explained that "This is not music that
came in through the back door, this is music that we sang on the front porch back home."

She took the listeners on a journey back to that home, with her classic "Coat of Many Colors" (RealAudio
excerpt). Closing her set — or so she thought — Parton also went back into her song bag, for a slow,
acoustic version of her hit "I Will Always Love You" (RealAudio excerpt), which she segued into a driving,
fast bluegrass romp. "It's my song, I can do what I want with it!" she said, as the crowd gave her a standing
ovation.

Those hoping for an encore got it. "We have to do the first song over for technical reasons," Parton said, on
returning to the stage.

While waiting for adjustments to be made for that, the audience and band sang "Happy Birthday" to the star,
who would turn 55 the following day.

"I try not to remember birthdays too much anymore," Dolly Parton said, " but this sure was a great way to
get to celebrate it."

— Kerry Dexter
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