you know Gaghan certainly doesn't understand economics.
These scripts are written by leftiest intellectuals whose only knowledge of economics is a Marxist one. If you want to understand Hollywood, check your library for "The view from Sunset Boulevard: America as brought to you by the people who make television," by Ben Stein. Here is a great synopsis of it.
___________
Years before his role as a high school economics teacher in "Ferris Buller's Day Off", Ben Stein penned this short book about the view of America from the perspective of a small group of highly paid Hollywood writers and producers.
Whilst in law school, Ben Stein had read "From Caligari to Hitler" by Siegfried Kracauer. In this book, Herr Kracauer attempted to advance his theory that the films of the Weimar Republic reflected the attitudes and thinking of the German nation. The text was obviously a big influence on Mr. Stein. After practicing law, working as a Nixon speech writer and teaching college, he moved to Los Angeles and began working in and around television. Operating under the theory that television is the dominant mode of communication in America, he attempted to learn as much about the thoughts of the people who create it as possible. The author spent a lot of time working at Norman Lear's production company. He also interviewed many writers and producers. The result is an easily read, anecdotal study of the attitudes and beliefs of the men and women who were creating the television of the 1970s.
After giving us an introduction to what is involved in the making of a TV show, as well as the roles of writers and producers, we are given 12 chapters on various groups and their television archetypes. For example, there are chapters entitled "Businessmen on Television", "Police on Television", "Small Towns on Television", etc. The pattern of each chapter is to introduce the way in which the group currently under discussion is portrayed, cite supporting examples from television shows and then provide interviews with producers and writers that are illustrative of the attitudes that are reflected in the television portrayals. Those interviewed range from the famous (e.g. Gary Marshal) to the lesser known (e.g. Stephen Kandel). The chapter then concludes with a summation and interpretation provided by Ben Stein. The last two chapters of the book examine possible sources of Hollywood's attitudes and the new American culture that has developed.
Throughout the book, the author makes clear his fondness for the people that he worked with and interviewed and also for the business itself. This does not, however, prevent him from being chagrined at the eccentric and occasionally conspiracy-prone beliefs of those he interviewed. We see well-off, successful and educated adults proffering theories of there being a strong link between business (all business)and the mafia or the belief that 8 wealthy families rule the world. This book was published in 1979 and may seem dated to some who read it. All of the shows referenced in the book have long since disappeared from the television landscape and Jimmy Carter is no longer president. Cable was not widely available, video games were primitive and the modern Internet did not exist. On the other hand, it is interesting to note how many of the stereotypes created by television are extant. The superficially idyllic small town with dark secrets to hide is but one familiar example that persists today.
The conclusion that Mr. Stein draws is that to whatever extent Siegfried Kracauer's thesis was correct in regards to German movies of the 1920s and 1930s, a similar theory relating to 1970s American television does not hold. Television of the 1970s (and quite likely of today) is not a reflection of society, but instead of the experiences and beliefs of the relatively small group of writers and producers who are in creative control of it. The author concludes by writing that he doesn't have any great sense that something bad will result from the views of the TV community. I think it would be quite interesting to see if his views have changed. In any event, it is unfortunately the case that this book is no longer in print. I do recommend tracking down a copy and reading it. Doing so will very likely change, if not the amount of television you watch, then at least the way in which you watch it."
amazon.com |
