REVIEW: 'Book of Eli' Delivers God, Guns, and Guts
BIG HOLLYWOOD
By John Nolte on Milas Kunis
"One day I heard this voice, like it was coming from inside me. It led me to a place… I found this book, buried deep in the rubble… And the voice told me to carry it west…"
Credit where credit is due… Hollywood is trying. Granted, six years have passed since "The Passion" proved we Christians can be convinced to return to a medium that has spent decades taking great pleasure in insulting who we are and what we believe; and with that clinical Christmas card of a follow up called "The Nativity" it seemed as though they would never figure it out. But between the unapologetic Christian "Blind Side" and now the down and dirty "Book of Eli," there's reason to hope the Pagans of the Pacific might have just moved a little closer to cracking our code.
"The Book of Eli" isn't just Christian, it's off-the-rails Christian … literally. Heathens might as well hit the lobby at the end of the second act because the final act is all about the faith. You're more than welcome to stick around, but I have a feeling those of you with red strings tied 'round your wrist will be checking your watch for the last twenty-minutes. Not we Bible-thumpers, though. That's when it all comes together; and it's moving and smart and best of all, not some hyper-reverent snoozer.
So, thanks Hollywood. Oh, I'll be kicking your ass again in a sec, but for now… really, thanks.
The book is the King James Bible, it's the last one, and its protector is Denzel Washington's Eli, a man old enough to remember life during The Before, before the last war some thirty years ago. Ever since, through a post-apocalyptic America, he has made his way west, walking alone and honing his survival skills. Gangs of marauders with robbery on their mind are no safer than the few stray animals unfortunate enough to cross Eli when he needs a meal.
Eli doesn't understand the how or why of his mission. He just knows what God has called him to do, and in a touching act of faith has spent three decades of suffering and sacrifice to fulfill and complete something he instinctively understands is more important than himself — three decades of trudging through a desolate, colorless desert landscape where water is more precious than gold and cannibals are a constant threat. Like the book he carries, Eli is part Old Testament and New: Part Job, part St. Paul.
THE BOOK OF ELI
Carnegie (Gary Oldman) is a character right out of those great Westerns where one ruthlessly ambitious man runs a dusty old town and orders about a gang of gunslingers who cater to his every whim. Carnegie's primary whim, however, is something he has in common with Eli: an instinct. Only the voice he hears comes from a darker place and tells him that he can fulfill a mission to widen the hold on what's left of the world by using the Word of God as a weapon to "run the hearts and minds of the weak and desperate." Think of him as a community organizer – the Jeremiah Wright of The After.
Carnegie runs a blown-out saloon complete with prostitutes and a bar. But his real hold on power is due to a secret water supply. Paying off his henchmen with H2O and girls, he sends them out to murder and rob innocents in the hope of finding the Good Book.
Carnegie also runs Claudia (the ageless Jennifer Beal) and her daughter Solara (the absurdly fetching Milas Kunis). As is expected, the dynamics Carnegie has become accustomed to, relationship and otherwise, will be turned on their head when Eli strolls into town. Oh, Eli's not looking for trouble…
Like most of you, many years ago I decided that after the apocalypse it will be The Mighty Gary Oldman I'll choose as arch-nemesis to my Road Warrior (or Tina Turner). Oldman has a high-old time here, and what a credit to this great actor that he can perfectly inhabit the buttoned-down Commissioner Gordon one day and leave no scenery left un-chewed as Carnegie the next. Every line of dialogue, facial expression and movement is delivered for maximum impact. Oldman understands this genre, what it takes to be its villain, and succeeds in finding a place of his own.
And oh how I loves me some Denzel.
The Book of Eli
After exploding on the scene with their still-just-as-powerful 1993 directorial debut "Menace II Society," the Hughes Brothers (Albert and Allen, who have yet to make a bad film — this is their 5th) understand the iconic power of their star; the way he walks, talks, laughs, stands, and holds a weapon. In lesser hands the stoic Eli would barely register as a character. The power of an actor like Washington is in his unique and near-extinct movie star ability to fill the void of a character's silence with an emotional inner-life without saying a word – with pure presence.
The directorial touches are everywhere. Listen for a fitting nod to "Once Upon a Time in America" and check out the posters on walls. The directors get the big things right, as well. Thank the Good Lord, no shaky-cam. The actions set-pieces are extremely satisfying, especially an early one we see only in silhouette.
But make no mistake, this is a genre film. A B-film (with kind of a silly final twist). No molds are broken. You've seen it all a hundred times before. But this is a Christian genre film … a very Christian genre film with a fabulous cast and stylish direction. And I'm still thinking about it, still debating which choice of the Brothers Hughes I liked most…
….the all-kinds-of-awesome casting decision to put Tom Waits in a post-apocalyptic Western, or the film's most Christian moment – most generous moment – when a nod of respect is granted to our friends who have found God through other faiths. |
