Peck was the star to draw the audience. Dean was the rea; lead. Some BG from WIKI
Historical counterparts of charactersBrigadier General Frank Savage was created as a composite of several group commanders but the primary inspiration was Colonel Frank A. Armstrong, who commanded the 306th Bomb Group on which the 918th was modeled. [5] The name 'Savage' was inspired by Armstrong's Cherokee heritage.[ who?] While his work with the 306th, which lasted only six weeks, consisted primarily of rebuilding the chain of command within the group, Armstrong had earlier performed a similar task with the 97th Bomb Group. Many of the training and disciplinary scenes in Twelve O'Clock High derive from that experience.
Towards the end of the film, the near-catatonic battle fatigue that General Savage suffered and the harrowing missions that led up to it were inspired by the experiences of Brigadier General Newton Longfellow. However, the symptoms of the breakdown were not based on any real-life event but were intended to portray the effects of intense stress experienced by many airmen. [5]
Major General Pritchard was modeled on that of the VIII Bomber Command's first commander, Major General Ira C. Eaker. [6]
Colonel Keith Davenport was based on the first commander of the 306th Bomb Group, Colonel Charles B. Overacker, nicknamed 'Chip'. [6] Of all the personalities portrayed in Twelve O'Clock High, that of Colonel Davenport most closely parallels his true-life counterpart. The early scene in which Davenport confronts Savage about a mission order was a close recreation of an actual event, as was his relief.
Major (later Lieutenant Colonel) Harvey Stovall, who is a former World War I U.S. Army Air Service pilot who has returned to active duty as a non-flying adjutant, was modeled on William Howard Stovall, a World War I flying ace who returned to active duty as a Major in the U.S. Army Air Forces the week following Pearl Harbor and served as the non-flying Deputy Chief of Staff for Personnel for the 8th Air Force in England for his World War I comrades, Brigadier General Frank O'Driscoll Hunter and General Carl Spaatz.
2nd Lieutenant Jesse Bishop, who belly lands in the B-17 next to the runway at the beginning of the film and was nominated for the Medal of Honor, had his true life counterpart in Second Lieutenant John C. Morgan. [6] The description of Bishop's fight to control the bomber after his pilot was hit in the head by fragments of a 20 mm cannon shell is taken almost verbatim from Morgan's Medal of Honor citation. Details may be found in The 12 O'Clock High Logbook. Robert Patten had been a USAAF Navigator in World War II, the only member of the cast with aircrew experience.
Sergeant McIllhenny was drawn from a member of the 306th Bomb Group, Sgt Donald Bevan, [6] a qualified gunner who was assigned ground jobs including part-time driver for the commander of his squadron. Bevan had received publicity as a ' stowaway gunner' (similar to McIllhenny in the film), even though in reality he had been invited to fly missions. Like McIllhenny, he proved to be a 'born gunner'.
The 'tough guy' character Major Joe Cobb was inspired by Colonel Paul Tibbets who had flown B-17s with Colonel Armstrong. [6] [Note 1] Tibbetts was initially approved as the film’s technical advisor in February 1949 but was replaced shortly after by Colonel John H. deRussy, a former operations officer for the 305th Bomb Group. [7]
Production
Paul Mantz deliberately crash-lands B-17G AAF Ser. No. 44-83592 at Ozark AAF, Alabama, in June 1949 for the filming of Twelve O'Clock High. [8]
According to their files, Twentieth-Century Fox paid $100,000 outright for the [rights to the] book plus up to $100,000 more in escalator and book club clauses. Darryl Zanuck was apparently convinced to pay this high price when he heard that William Wyler was interested in purchasing it for Paramount. Even then, Zanuck only went through with the deal in October 1947 when he was certain that the United States Air Force would support the production. [9] The film made use of actual combat footage during the battle scenes, including some shot by the Luftwaffe. [9] A good deal of the production was filmed on Eglin Air Force Base and its associated auxiliary fields near Fort Walton, Florida. [10]
Source materialScreenwriters Bartlett and Lay drew on their own wartime experiences with Eighth Air Force bomber units. At the Eighth Air Force headquarters, Bartlett had worked closely with Colonel Armstrong, who was the primary model for the character General Savage. The film's 918th Bomber Group was modeled primarily on the 306th because that group remained a significant part of the Eighth Air Force throughout the war in Europe. [Note 2]
Casting Clark Gable was interested in the lead role of General Frank Savage. Gable, who had served in the USAAF during World War II, played a similar role in the 1948 film Command Decision. John Wayne was offered the leading role as well, but turned it down. Burt Lancaster, James Cagney, Dana Andrews, Van Heflin, Edmond O'Brien, Ralph Bellamy, Robert Preston, Robert Young, and Robert Montgomery were also considered for the role. Eventually, the role went to Gregory Peck, who initially turned it down because the script was similar to Command Decision. The reason Peck changed his mind was because he was impressed with director Henry King, finding his empathy with the material and the cast and crew appealing. The two would make five more films together: The Gunfighter (1950), David and Bathsheba (1952), The Bravados (1958), and Beloved Infidel (1959). [11]
FilmingVeterans of the heavy bomber campaign frequently cite Twelve O'Clock High as the only Hollywood film that accurately captured their combat experiences. [12] Along with the 1948 film Command Decision, it marked a turning away from the optimistic, morale-boosting style of wartime films and toward a grittier realism that deals more directly with the human costs of war. Both films deal with the realities of daylight precision bombing without fighter escort, the basic Army Air Forces doctrine at the start of World War II (prior to the arrival of long range Allied fighter aircraft like the P-51 Mustang). As producers, writers Lay and Bartlett re-used major plot elements of Twelve O'Clock High in later films featuring the U.S. Air Force, the 1950s-era Toward the Unknown and the early 1960s Cold War-era A Gathering of Eagles, respectively.
Paul Mantz, Hollywood's leading stunt pilot, was paid the then-unprecedented sum of $4,500 to crash-land a B-17 bomber for one early scene in the film. [13] Frank Tallman, Mantz' partner in Tallmantz Aviation, wrote in his autobiography that, while many B-17s had been landed by one pilot, as far as he knew this flight was the first time that a B-17 ever took off with only one pilot and no other crew; nobody was sure that it could be done.“ [Note 3] The footage was used again in the 1962 film The War Lover. [16]
Locations for creating the bomber airfield at RAF Archbury were scouted by director Henry King, flying his own private aircraft some 16,000 miles in February and March 1949. King visited Eglin AFB on March 8, 1949 and found an ideal location for principal photography several miles north of the main base at its Eglin AFB Auxiliary Field No. 3, better known as Duke Field, where the mock installation with 15 buildings (including a World War II control tower) were constructed to simulate RAF Archbury. [6] [17] The film's technical advisor, Colonel John deRussy, was stationed at Maxwell Air Force Base, Alabama at the time, and suggested Ozark Army Air Field near Daleville, Alabama (now known as Cairns Army Airfield, adjacent to Fort Rucker). [17] King chose Cairns as the location for filming B-17 takeoffs and landings, including the B-17 belly landing sequence, since the light-colored runways at Eglin did not match wartime runways in England which had been black to make them less visible to enemy aircraft. When the crew arrived at Cairns, it was also considered as an "ideal for shots of Harvey Stovall reminiscing about his World War II service" since the field was somewhat overgrown. [6] [18]
Additional background photography was shot at RAF Barford St John, a satellite station of RAF Croughton[ citation needed] in Oxfordshire, England. Officially the airfield is still under Ministry of Defence ownership following its closure in the late 1990s as a Communications Station linked to the since closed RAF Upper Heyford. Other locations around Eglin AFB and Fort Walton also served as secondary locations for filming. [19] The crew used 12 B-17s for filming which were pulled from QB-17 drones used at Eglin and other B-17s from depot locations in Alabama and New Mexico. Since some of the aircraft had been used in the 1946 Bikini atomic experiments and absorbed high levels of radioactivity, they could only be used for shooting for limited periods. [6]
Twelve O'Clock High was in production from late April to early July 1949. [20] Although originally planned to be shot in Technicolor, it was instead shot in black and white, allowing the inclusion of actual combat footage by Allied and Luftwaffe cameras. [9]
ReceptionTwelve O'Clock High premiered in Los Angeles on December 21, 1949, and opened in New York on January 26, 1950. [21] It went into general release in February 1950. [22] An influential review by Bosley Crowther of The New York Times was indicative of many contemporary reviews. He noted that the film focused more on the human element than the aircraft or machinery of war. [23] The Times picked Twelve O'Clock High as one of the 10 Best Films of 1949 and, in later years, it rated the film as one of the "Best 1000" of all time. [24]
After attending the premiere, the Commander of the Strategic Air Command, General Curtis LeMay, told the authors that he "couldn't find anything wrong with it." It was required viewing at all the U.S. service academies, college/university Air Force Reserve Officer Training Corps detachments, Air Force Officer Training School, the U.S. Navy's former Aviation Officer Candidate School, and the Coast Guard Officer Candidate School, where it was used as a teaching example for the Situational leadership theory, although not currently used by the USAF. The film is also widely used in both the military and civilian worlds to teach the principles of leadership. [25]
In its initial release, the film took in $3,225,000 in rentals in the U.S. alone. [26]
AwardsTwelve O'Clock High won Academy Awards for Best Actor in a Supporting Role for Dean Jagger and Best Sound Recording. It was nominated for Best Actor in a Leading Role for Gregory Peck and Best Picture. [3] In addition, Peck received the New York Film Critics Circle Award for Best Actor, and the film was nominated for Best Picture by the National Board of Review. [24]
In 1998, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". [27] [28] |
