SI
SI
discoversearch

We've detected that you're using an ad content blocking browser plug-in or feature. Ads provide a critical source of revenue to the continued operation of Silicon Investor.  We ask that you disable ad blocking while on Silicon Investor in the best interests of our community.  If you are not using an ad blocker but are still receiving this message, make sure your browser's tracking protection is set to the 'standard' level.
Microcap & Penny Stocks : IATV - ACTV Interactive Television -- Ignore unavailable to you. Want to Upgrade?


To: BridgeTech who wrote (4612)6/17/1999 11:04:00 PM
From: art slott  Respond to of 4748
 
Rivalries, technologies confuse set-top market
By Jim Davis
Staff Writer, CNET News.com
June 17, 1999, 12:15 p.m. PT
news analysis CHICAGO--Despite the homilies and Industrial Age metaphors espoused at a big cable convention here, many roadblocks still stand in the way of mass use of the new TV set-top boxes, interactive television, and other services.

Many cable industry executives in attendance at their annual national convention, as well as officials from the Federal Communications Commission, latched onto railroad metaphors for describing how the infrastructure of the cable industry needs common ways of connecting and sending information.

Standardization, they remarked with great consistency, is the key to future prosperity. But back in the real world of the 20th century, frustrated software and content developers are finding more than a few potholes on the connection road and on-ramps that haven't been built yet.

And while there is a growing list of high-tech companies offering ways to implement interactive services, the content providers--i.e., cable and broadcast networks--are either standing on the sidelines waiting for standards to emerge or placing bets on a potpourri of technologies.

The reality is this: Combining television with interactive services is a still big gamble, but one many are willing to take for potentially astronomic returns.

The lure is inescapable. Interactive television mean networks and advertisers can potentially know more about who is watching (and doing) what, and what they are buying. More-targeted advertising with better response rates has long been a goal in the television industry. And what the industry is banking on are the new digital TV set-top boxes running new kinds of applications and content.

Placing bets on technology
Microsoft cofounder Paul Allen, the billionaire owner of cable operator Charter Communications, predicted in a speech at the convention that digital set-top boxes with increasing power and storage capacity will lead to a host of new applications.

"These advanced new set-top boxes are a whole new platform for applications," he said. "We can't predict what all those [applications] will be."

And therein lies the problem for content developers, who have to place bets on which software and hardware platform to target and on which pipeline to use. These pipelines include satellite, digital subscriber line, over-the-air broadcast, and cable.

Not only that, but content developers have to figure out whether to enhance a live broadcast, offer links from a program to a Web site, or if they want to be placed in, or create, a "walled garden," or virtual mall of interactive content related to programming. And the choice could be vital, because better consumer response to the right technical model means better advertising opportunities and more money.

No single answer
There isn't one answer, either, say industry insiders and observers alike.

"There will be a multitude of platforms and different operating systems for every [cable operator]. By its nature, there are different states of technology being deployed in different areas at different times," in the cable industry, said Hal Krisberg, chief executive of Worldgate Communications, a provider of interactive software technology to cable operators.

However, that's not a scenario content developers want.

Bob Zitter, senior vice president of new business development at HBO, said at a panel discussion this week that standardization of enhancement data and the handling of video-on-demand streams was a critical issue for developers, because they don't want to come up with 20 different screens of interactive content for one show.

Content providers are having a hard time figuring out what to do. Some, such as NBC, are betting on as many different technologies as they can. Others, such as cable network programmer Court TV, are being more circumspect.

"We're exploring all the usual options. Because we dominate our [program] niche, we have an incredible opportunity" in bridging commerce and content, said Betsy Vorce, senior vice president of communications at Court TV. However, "we have to plan for a realistic future. We will figure out what we want to do [in terms of building brand identity] and then decide what technology to use," she said.

In the meantime, the company has allied itself with Yahoo to do chat rooms based on legal issues and Broadcast.com to stream clips of trials to consumers.

A growing number of the film and music studios are letting Intertainer do the heavy lifting of working on what it calls its "broadband programming service." Studios such as Warner Brothers are working with the company, and a number of Disney's operations, including Buena Vista and the Disney Channel, are on board as well. Sony Music just signed on to provide videos for use on the service, although music won't be available for digital downloading just yet.

"We believe the history of interactive TV is just about to be written. What we need is a common language to write to," said Jonathan Taplin, Intertainer's co-chief executive at a press conference.

The need for a common language is important, because Intertainer is developing its service for use over both DSL and cable networks. It already runs on Scientific-Atlanta's Explorer 2000 TV set-top and will be available on General Instrument's DCT 5000 set-tops. The company just announced that they are working on making the service available on Microsoft's "TV Platform," which is basically what used to be called the WebTV platform, but is now being targeted for use in cable set-tops.

Despite fears that Microsoft will be able to come in and duplicate its command over the PC industry by spreading the use of the Windows CE platform, there is also a clear need for standardization, a factor which could aid Microsoft.

But various efforts in the industry mean it's not clear if Microsoft can duplicate its PC success. There are two main standardization efforts which could potentially limit its ability to dictate market trends. One, being worked on by CableLabs, the industry's research consortium, is attempting to set hardware and software standards that would make it easier for content and applications to run on any platform. That effort is progressing slowly, though, leaving room for a company to come in and set a de-facto industry standard merely by getting more companies to use their technology than others.

Another effort may produce results sooner. The Advanced Television Enhancement Forum (ATVEF), whose members include Microsoft, Disney, CNN, NBC, Intel, and many others, is getting ready to license its technology for use in combining Internet content with television programming. In essence, by emphasizing the use of standard Internet technologies such as HTML, content will be easily re-usable on a variety of platforms, including TV set-tops, handheld devices, and PCs. This will have the effect of reducing the control any one company can have on the development of interactive television.

Watching AT&T
But big names could still rule. In the cable industry, at least, AT&T's choice of hardware and software could become a de-facto standard. The company's cable arm, dubbed Broadband and Internet services, has increased clout now with its ability to reach such a large portion of the American public through its TCI and MediaOne acquisitions. Where AT&T goes, other cable operators are sure to follow, say industry insiders.

Some insights as to the company's thoughts on interactive television surfaced at the Cable 99 convention this week.

Laurie Priddy, senior vice president of advanced technologies at AT&T Broadband and Internet services, said in a panel discussion that interactive services is "not about the Internet on TV."

"We have to keep it simple, but take risks," she said, offering up a vision of what she called a TV-centric device where AT&T is still making programming selections, both in video and interactive offerings. There needs to be an easier way of getting consumers used to using the remote to respond to text on the screen, and eventually a keyboard, she said.

By focusing on the TV experience, the company's electronic programming guide becomes a key area of focus. It becomes something analogous to a portal for the TV that aggregates and organizes TV content, and becomes the "first screen" that users will interact with on a day to day basis. What arises from this scenario is that the screen real estate AT&T controls becomes more valuable to content providers if there is only a limited amount. Unlimited access to Internet content from the TV diminishes that control.

Development of something as seemingly innocuous as the electronic programming guide then also becomes an order of magnitude more complex as a variety of components are stitched together--and a variety of companies, each with their own interests, are involved.

AT&T, for instance, is working with Excite@Home, Microsoft, and TV Guide interactive on the EPG for its most advanced new TV set-tops, and all parties want to see their logos placed somewhere on a screen.

"The issue is to not make it so overwhelming it starts to look like a race car," said Priddy.

Another issue: how to meld the program guide with interactive content running on Microsoft's WebTV platform, which has an interface with a different look and feel. So far, AT&T has not decided how to solve that issue, say sources at TV Guide.

Just who will be powerful enough to set standards won't really be known until interactive services start commercial deployment. Until then, there will likely be see-saw battles on many fronts, including real estate on a TV screen as small as 1-inch square.



------

Previous





| Previous | ------ | Respond |




To: BridgeTech who wrote (4612)6/17/1999 11:07:00 PM
From: art slott  Respond to of 4748
 
Quote "One asset to keep an eye on is ACTV Inc."
*****************
June 1999

Liberty's bells and whistles
Malone's various assets have metamorphosed into a huge cash cow

By Bob Diddlebock and John M. Higgins

John Malone has billions of dollars in his pocket and he's still not spending it.

Since Tele-Communications Inc. was taken over by AT&T Corp. in March, Malone's primary focus has shifted from the operating portfolio of the cable systems he amassed in his years as the MSO's chief executive, to shaping the massive collection of assets he accumulated at TCI's former parent company--Liberty.

What the media industry and Wall Street executives find so intriguing is not merely Liberty chairman Malone's track record at clever financial engineering. It's that the takeover of TCI left Liberty with a huge war chest for takeovers. Though technically still a subsidiary of AT&T, Liberty maintains a certain independence and sold the long-distance carrier $5.5 billion worth of assets, most notably its 60% stake in high-speed online service Excite@Home. The huge shares in companies that Liberty executives have acknowledged aren't a high priority to hang on to--like Sprint PCS--bring Malone's liquid holdings to about $17 billion. That doesn't count the amount of money Liberty can borrow against its other assets, which Malone has pegged at about $5 billion.

Malone acknowledges that one thing making him uncomfortable is that Liberty has almost no debt. After years of grappling with TCI's debt load, Malone finds himself under-leveraged, a concept that even many other corporate emperors get queasy about. Debt amplifies the key measure of any company--return on equity. After 25 years of preaching to investors about the benefits of leverage, Malone is in foreign territory.

But Malone is not making decisions in haste. His first post-TCI moves didn't touch his checking account--they were the sale of sports assets, a quick shuffle of Internet assets, a stock-swap acquisition of a longtime backer, and actually raising--not spending--more cash.

With assets around the world, from the United Kingdom to Hollywood to Tokyo, Liberty is a dazzling, sometimes confusing, always growing work in progress. Among its prime assets are stakes in some 100 companies, including new-media investments expected to be trailblazers in interactive video, e-commerce and the convergence of TV sets with personal computers.

Liberty executives hint at no master plan. Malone is merely gardening--spading and pruning. Big moves will come as the opportunities arise.

"We have a great portfolio right now, and we get to see most investment opportunities that come down the pike," Malone told an investment conference in May. "We still have a long list of bits and pieces that are growing rapidly and are designed to go somewhere."

Everyone else is looking for a land grab. Malone expresses his focus purely in financial terms, targeting superior long-term financial growth. "That's what Liberty is all about," he says.

Malone and President Dob Bennett have a lot to work with: Discovery Communications. Malone has described Discovery as one of his favorite investments, in part because it's stimulating. Discovery is in its third phase of development. After building its core channel into a cash flow machine, Discovery Chairman John Hendricks used that cash in the early 1990s to buy The Learning Channel and extend the company's reach overseas, starting networks in Europe and India. After eating through $250 million, TLC is now estimated to be worth $1 billion.

That was the second wave. Hendricks in now on a tear buying up problem networks he believes he can fix, like The Travel Channel and CBS' Eye On People. He has an array of seven digital cable networks, which he hopes to use to take advantage of the channel capacity opening on cable systems deploying digital compression. And Hendricks is committing $350 million to launch Discovery Health, a science-and-medicine channel aimed at taking advantage of consumer interest in health information and the explosion in drug companies' ad spending.

Investment banker Gerard Klauer Mattison pegs the value of Liberty's stake in Discovery at $2.6 billion this year. Next year, that could jump to $2.9 billion.

Liberty's other investments include USA Networks, with a 21.4 % stake, valued at $2.4 billion. USA comprises the Home Shopping Network, Ticketmaster, USA Network, Sci-Fi Channel and 12 broadcast stations--all run by the savvy Barry Diller. Even though his bid to acquire Internet portal Lycos tanked, Diller has the muscle to add $10 to Liberty's share price in the next year, according to Mattison.

There's the company's share in Time Warner: Liberty's 9% stake is Liberty's single largest asset, worth roughly $7.6 billion. Malone has essentially sold it. Liberty got the 114 million shares when Malone agreed to allow Time Warner Chairman Gerald Levin to take over Turner Broadcasting System Inc., of which Liberty owned a 21% stake. Because Time Warner owns so many cable systems, serving 12.9 million subscribers, Liberty was limited in how to exploit the investment. Malone was forced by antitrust regulators to accept a totally passive, nonvoting position after the Turner sale, and Liberty's continuing association with AT&T still leaves Malone hamstrung. He has now hedged the investment in a complicated deal with several institutional investors, lifting Liberty's gain to $158.33 per share (from around $70 now) but limiting its decline to $67.45 per share. A source of cash, but no longer a strategic investment.

The company's investment in News Corp. is a small piece in Liberty's scheme of things. Liberty got an 8% slice of Chairman Rupert Murdoch's operation by unloading its half of Fox Liberty Sports to partner News Corp. for $1.4 billion worth of News Corp. stock. Malone confessed that he exited because of the insane upward spiral of sports rights and the leverage of team owners. Malone and Murdoch have long been close, but this investment looks to analysts a lot like his involvement with Time Warner.

Encore Media Group is virtually Liberty's only wholly owned operation. After having difficulty getting carriage, the seven-year-old pay movie networks Starz! and Encore recently turned a positive cash flow. Thanks to carriage deals with AT&T, DBS and other MSOs, annualized cash flow should grow more than 30% this year. Encore is even more ambitious than Discovery when it comes to digital cable, creating a slate of a dozen different movie networks for digital customers. But Encore and Starz! have fuzzy images. Encore President John Sie has repositioned the marketing of the networks over and over. A first-time ad campaign is on the boards for Encore, which has carried older movies and is now mixing in newer releases. The big bullet comes when rights deals with Hollywood networks come in next year. Think of what happens when sports rights deals come up for renewal. Applying a multiple of 16 to this year's cash flows, Mattison pegs Encore's value at $2.1 billion.

Liberty owns 43% of QVC, the shopping networks, leaving the 57% majority owner to run it. Barry Diller gets all the sizzle at rival Home Shopping Network, but QVC has chugged along with strong, steady growth. Revenue and cash flow has grown annually at 17% and 22%, respectively, since 1995. And the company has aggressively moved into overseas markets, as well as to the Internet. But President Doug Briggs has shown no desire to create any more domestic channels after getting burned by an expensive failure when Diller was running QVC. Mattison pegs Liberty's QVC stake at $3.9 billion.

Liberty Digital has been dubbed Malone's home for dogs and cats, but really expensive ones. When it merged with another of TCI's spawn, TCI Ventures, Liberty picked up all sorts of investments in various interactive and Internet ventures, including Priceline.com, iVillage, Sportsline USA and Drugstore.com. In January, it created Liberty Digital, hiring former E! Entertainment Television President Lee Masters to make sense of the portfolio and expand it by pursuing interactive TV programming and digital deals.

Liberty startled investors by deciding to merge the digital unit into another, publicly traded arm, TCI Music. That company held two of Liberty's weakest investments over the years: The Box, a sort-of-interactive music video service, and DMX, a digital audio service for cable subscribers. TCI Music also held a more promising Internet music site, SonicNet. The effect was to make Liberty Digital a public company without a formal initial public offering that would raise cash, something Liberty doesn't need.

Internet sizzle being what it is, TCI Music's stock jumped tenfold from $6 per share to $57, before scaling back to $26. That boosted the company's valuation past $10 billion at one point. As Liberty's Bennett says of Internet assets, "They trade on a different dynamic."

So far Masters has cleaned up the portfolio by pushing most of TCI Music's operations into an online venture with MTV, which may in turn go public. He was stuck with DMX, a company that has burned through $170 million with only a small commercial music business to show for it.

One asset to keep an eye on is ACTV Inc. Though the interactive programming company has been around for almost a decade and generates very little revenue, ACTV recently bought a patent for an embedding process that works inside a TV program, a key element of interactive TV plans. ACTV is now positioning itself as a provider of software tools to interactive programmers.

Liberty's stake in TV Guide Inc., 44%, is valued at $2.5 billion. This could be the real sleeper in the bunch, an asset that Bennett has called "gigantic." CEO Pete Boylan's portfolio has it all: brand names, underutilized database assets, and interactivity sizzle. The portfolio includes TV Guide magazine; the TV Guide Channel; TV Guide Interactive; Superstar/Netlink, the C-band satellite programmer; and TV Gaming, an interactive horseracing channel that's a particular favorite of Malone's.

The company has a 24% stake in Sprint PCS, which is building the first nationwide, all-digital wireless telephone system. It already counts more than 2.5 million customers and was re-capitalized late last year.



Next

Previous





| Previous | Next | Respond | View 2 replies to this message

Quotes - 100-Day Chart - News - Discussion - Software
View SubjectMarks Bookmark this Subject

ACTV INC (NASDAQ: IATV)




To: BridgeTech who wrote (4612)6/17/1999 11:33:00 PM
From: art slott  Read Replies (1) | Respond to of 4748
 
Interactive-TV Firms ACTV, Intertainer Make Splash At Cable Confab

06/14/1999
Dow Jones Business News
(Copyright (c) 1999, Dow Jones & Company, Inc.)

NEW YORK -(Dow Jones)- Two small interactive-television companies, ACTV, Inc. and Intertainer Inc., are looking to grab attention from the big boys at the annual convention of the National Cable Television
Association in Chicago.

The promised convergence of TV and the Internet has attracted the
attention of the biggest names in broadcasting, cable, hardware and
software. But the giants are looking to smaller firms to lead the way to content that actually will fuel demand for such costly services.

ACTV (IATV) announced a deal Monday with General Instrument Corp. (GIC), one of the leading makers of cable set-top boxes, to develop a way to deliver addressable, targeted advertising via digital cable, satellite and broadcast television. Terms of the deal weren't disclosed.

ACTV 's HyperTV software enables the broadcast of targeted Internet
content and chat simultaneously with a related TV program. HyperTV
embeds a stream of Web addresses and other interactive content into the video signal, and/or streams them over the Internet directly to a user's computer. ACTV already has deals to supply interactive programming to General Instrument and Scientific-Atlanta Inc., another major maker of set-top boxes.

Under the new deal, ACTV and General Instrument will create a system to enable advertisers to target commercial advertising to specific
households and individuals. The system also will offer electronic-commerce and interactive-TV opportunites, such as couponing.

Meanwhile, Intertainer, which offers "on-demand" viewing of movies and
other programs, announced a deal with Microsoft Corp. (MSFT), which on
Monday unveiled a software platform for interactive television.
Microsoft's new platform will incorporate Intertainer's technology,
which aims to deliver video content directly to consumers' TVs whenever they want - posing a big threat to video-store chains like Viacom Inc.'s Blockbuster.

Like ACTV , Intertainer also has deals with General Instrument and
Scientific-Atlanta. Privately held Intertainer also has attracted key
minority investments from General Electric Co.'s NBC, U S West Inc.,
Comcast Corp., Sony Corp. and Intel Corp.

The Los Angeles Times said Monday that Intertainer plans to announce a
series of deals at this week's cable-industry convention. According to
the paper, Intertainer has landed agreements with Walt Disney Co.'s
Disney Channel and ESPN, News Corp.'s 20th Century Fox and with the
Public Broadcasting Service to develop interactive content and
e-commerce opportunities.

Copyright (c) 1999 Dow Jones & Company, Inc.



Next

Previous





| Previous | Next | Respond |



To: BridgeTech who wrote (4612)7/6/1999 11:11:00 PM
From: art slott  Read Replies (1) | Respond to of 4748
 
Actv's TV Guide application is being demo'ed at TVGIA's website!
tvguideinc.com

Actv has verified that the Sept. release is Actv technology.

Good to see TVGIA saying publicly what the release date is.



To: BridgeTech who wrote (4612)7/27/1999 5:53:00 PM
From: art slott  Read Replies (1) | Respond to of 4748
 
Surf the 'Net on TV
Study says interactive television headed for boom


By MARC GRASER, July 27, 1999



The interactive television service industry, driven by players like DirecTV to OpenTV, could generate $5 billion in sales by 2006, according to a new study released Monday by Silicon Valley-based marketing consultant Frost & Sullivan.

As popularity grows and prices fall, interactive TV services are expected to become commonplace in households in the U.S. and Canada, the report said.

Subscriber growth is expected to take off around 2001 with the launch of an open-cable standard, reaching 20 million people by 2010.

Interactive TV services allow viewers to use digital set-top devices and onscreen displays to get more information on actors or purchase show-related items, as well as order movies, send and receive e-mail, play interactive games — many of the things currently available on the 'Net.

"As the general public becomes increasingly technology literate, pay-TV service providers are currently marketing comparable products targeting this new generation of customers who are technology-savvy," said Frost & Sullivan telecommunications industry analyst Tess Peng. "Web surfing and e-commerce have become second nature to this generation that looks forward to the next trend in technology, especially if it involves their televisions."

Hook-up hurdles

The report said the lack of user-friendly interfaces and a dearth of customer awareness and education about interactive TV services added to the high cost of equipment could be restraints. A slow approach by established cable TV operators to market the new services also could keep away would-be subscribers.

According to the study, more than 70% of TV households in North America are connected to a cable network. These cable customers are expected to be the key potential market for interactive TV.

Get the full story. Subscribe to VarietyExtra!

Front Page | Search | Subscribe