To: Michael who wrote (34061 ) 7/6/1999 12:49:00 AM From: Clarksterh Read Replies (1) | Respond to of 152472
Cinecomm and The Phantom Menace . A post from the yahoo board that I was asked to pass along, and is pretty good:I thought that you might want to pass along some facts and opinions of the CineComm digital Star Wars movie. I just saw it about 20 minutes ago at the Paramus, NJ theater... At the start of the movie, a representative of CineComm talked for about 4-5 minutes about the technology and at the same time, the 41'x17' screen was illuminated with the CineComm logo and nice sized logo's of Hughes-JVC in the lower left corner and Qualcomm in the lower right corner. He talked about future movies being sent via satellite and the fact that this technology provides a much closer representation of what the director actually through the camera lens during filming. He said the digital technology is a second generation of the original, while the standard 35mm film is about 6 generations of copied celluloid. The presentation itself was stunning. The difference in brightness, clarity, crispness, and color is just incredible. Not a single glitch, scratch or blip anywhere. The detail is so precise that you could see the individual pores of the actor's skin without too much of a closeup shot (head and shoulders). At the end, everyone applauded, and I got a feeling they were mostly there to see the technology. As we ushered out, the projector room was open for a tour....The unit itself is about the size of a washer/dryer stacked on top of each other, color: black. Next to it was a rack of computer equipment, monitors, and a single mouse. Here are some of the more interesting specs.: Distance fron lens to screen: 125' Projector: Hughes-JVC 12K Light Source: 7000 watt Xenon Arc Lamp. Brightness: 10 Footlamberts. Color Temperature: 5600 K (Kelvin). Resolution (Source): 1920 x 1080i (Interlaced). Contrast Ratio: 1300 x 1. Image Aspect Ratio: Anamorphic 2.39 to 1. Audio: 24 bit discrete digital audio 6 channel uncompressed, sourced from a 9 gigabyte hard drive MMR8 Player. Storage System: Pluto Hyperspace RAID Array - 360 gigabytes. Movie is stored on 19 of 20 hard drives. Compression ratio for demo is 4 to 1. Compression Ratio for future is 50 to 1 (QUALCOMM). The actual telecine transfer took three weeks. using a Philips High Definition D5/Spirit Datacine. Thats about it. I was really impressed, and can't wait for this to be the norm. Hope this adds to the debate. Long on Q! pstmose2. The most impressive thing in here is that they expect to get 50:1 compression ratio - standard MPEG is perhaps 10:1 for low fidelity, low motion. So 50:1 is enormous. I wonder what the schedule is for that? Clark