SI
SI
discoversearch

We've detected that you're using an ad content blocking browser plug-in or feature. Ads provide a critical source of revenue to the continued operation of Silicon Investor.  We ask that you disable ad blocking while on Silicon Investor in the best interests of our community.  If you are not using an ad blocker but are still receiving this message, make sure your browser's tracking protection is set to the 'standard' level.
Technology Stocks : Concurrent Computer (CCUR) -- Ignore unavailable to you. Want to Upgrade?


To: Don Hand who wrote (10296)7/26/1999 8:38:00 AM
From: Christiaan McDonald  Read Replies (1) | Respond to of 21143
 
THE NEXT BIG THING: VIDEO ON DEMAND
July 26, 1999

--------------------------------------------------------------------------------

Electronic Media via NewsEdge Corporation : Video on demand will help drive a ninefold increase in pay-per-view revenue for the cable industry over the next 10 years. A study by Paul Kagan Associates projects the average subscriber will spend $7.26 each month for PPV in 2008, up from about 80 cents last year.

Cable operators will benefit most from the move toward true video on demand, experts believe, with satellite providers struggling to keep up.

The Kagan study projects that buy rates for true video on demand will be two to three times higher than today's scheduled PPV services, or so-called ''near video on demand,'' which offer programming such as movies at staggered starting times.

Cable has the edge, experts say, because its design is local in nature and because cable systems are rapidly moving toward two-way capability.

''We can divide and get incremental bandwidth more easily at the node level,'' explained Judi Allen, senior vice president, video services at MediaOne Group, which plans a limited test of a video-on-demand service later this year.

''The fact that you can work it with the digital set-top and you don't need another box is an extremely important turn of events,'' said Bill Bresnan, CEO of Bresnan Communications. ''At the same time, digital compression makes it possible to provide a lot of choice in terms of titles. It makes for an extremely attractive product.''

Video on demand has often been called the ''Holy Grail'' of TV entertainment. The ability for viewers to watch what they want, when they want has long been a goal of video visionaries.

''There's certainly been no shortage of pent-up demand for VOD in the home,'' said Brian Steel, president and chief operating officer of On Command, which offers video on demand in 900,000 hotel rooms worldwide. ''A shortage of components and lack of an economic model have made it unfeasible until now.''

Only recently has the confluence of factors made true video on demand possible. Cable operators have spent billions to upgrade their systems to high- bandwidth, two-way capability.

The cost of storing massive amounts of data -- a full-length motion picture requires about two gigabytes of disk space -- has become much more reasonable.

Four years ago, storage cost about $1 per megabyte, so a two gigabyte data drive would have cost about $2,000. Today, larger servers can store data for about 3 cents to 8 cents per gigabyte.

Finally, the long-awaited digital set-top with its relatively massive computer processing power presents video providers the ability to deliver the ultimate couch potato's dream.

Will the consumer bite?

In spite of the promise, there is no assurance that true video on demand will actually drive the kinds of buy rates to which cable operators aspire.

''Consumers have been hearing about this wonderful thing for many years, but do they really want and need it?'' asks Jeff Crosby, senior vice president, engineering, at DirecTV, the nation's largest direct broadcast satellite service.

Limited somewhat by bandwidth considerations and hampered by a national footprint that makes it more difficult to customize program delivery, the DBS providers have chosen the near video-on-demand route.

DirecTV, for example, offers about 60 PPV channels and staggers the start times of its movies so that they are available every 15 to 30 minutes.

''The need of a consumer to watch a chosen movie at 7:53 p.m. is not a big concern if they can watch it at 8 p.m.,'' Mr. Crosby said.

Paul Kagan Associates estimates that satellite PPV, which is mostly near video on demand, revenue will top $400 million this year, up from $302 million in 1997.

DirecTV will try to get around the ''on demand'' dilemma through its partnership with TiVo, a service that automatically records programs the viewer wants to see so that they can be played back at the viewer's convenience.

''There is a happy medium between what we have now with NVOD and the ultimate VOD nirvana that makes good business sense for us,'' Mr. Crosby said.

Obstacle course

The video-on-demand promise notwithstanding, there are still obstacles to overcome, not the least of which are competing technologies.

The Internet, for example, already permits users with broadband connections to download near full-motion video clips and high-quality audio. Advances in video streaming will only improve that capability.

Video retailers, already facing the challenge from PPV, will fight harder to retain their share of the market and will resist any effort to shorten the window during which they have exclusive rights to top movie titles.

Digital video recorders and personal video servers, such as those offered by Diva Systems, Menlo Park, Calif., let consumers download programs from a variety of sources. Diva has struck programming agreements with many program providers and offers its service through five cable systems.

The issue of copyright protection remains unresolved. Production studios want assurances that consumers won't be able to duplicate digitized copies of movies and other programs.

Costs add up

And even though cable operators have spent a lot to make their systems video on demand-ready, they'll have to shell out even more for additional headend equipment.

''Based on the amount of memory, how many titles you have, the number of simultaneous video streams you want to run, those things add up,'' said Jim Ramo, president of TVN, which delivers 35 channels of near video-on-demand programming to cable operators.

The rule of thumb dictates that operators build their systems with sufficient video streams to permit 10 percent of their customers to view simultaneous feeds. A 10,000-subscriber cable system, for example, would need 1,000 separate video streams, at a cost of about $400 per stream.

Offering more titles requires more memory, which can run the price up. ''You can pretty quickly get up to $1 million per headend,'' Mr. Ramo said.

That kind of expense will likely force operators to look for more than just movie revenue to make their investment pay off.

''When you start to dedicate several channels, you can't expect the payback to be on movies only,'' said Caroline Beck, chief operating officer, Intertainer, which offers movies, music videos, children's programming and electronic commerce over high-speed data lines. The company is owned in part by Comcast Corp., US West, Sony Corp., Intel Corp. and NBC.

''Movies is one of the primary drivers, but if you think about what it's going to take to pay back a cable operator's investment, he's got to look at multiple revenue streams,'' Ms. Beck said.

It remains to be seen whether consumers can really afford all the video-on- demand service they claim to want.

''When you buy all this stuff, it shows up on your bill,'' said On Command's Mr. Steel. ''You get the sticker shock thing, and you may find yourself hesitating a bit the next time because you have this consciousness that you never had before.''

<<Electronic Media -- 07-19-99, p. 1>>

[Copyright 1999, Crain Communications]




To: Don Hand who wrote (10296)7/26/1999 8:41:00 AM
From: Christiaan McDonald  Respond to of 21143
 
TWO ROUTES TO VOD REVENUES
July 26, 1999

--------------------------------------------------------------------------------

Electronic Media via NewsEdge Corporation : Video-on-demand companies have used two business models to get a piece of the cable market: by limiting their involvement to just hardware or by going the soup-to-nuts route, offering full video-on-demand service.

Companies that take the first approach -- nCube, Sea Change International and Concurrent Computer Corp. -- let their cable customers handle content and marketing.

Those that take the full-service route -- Diva, Intertainer and TVN Entertainment Co. -- handle nearly every aspect of service, from technology at the headend server to network control, administration management software, content acquisition and marketing.

Of that group, Diva has been the most prominent force in this business over the past two years, said industry analyst Stewart Schley of Paul Kagan Associates.

Diva's full-service package includes patented hardware, a suite of software that enables video on demand and manages the business and support services ranging from content encoding, licensing and distribution as well as asset management, navigation and marketing.

All seven deployments to date bought some variation of the package at a negotiated split of variable revenues. But that's about to change.

''I don't anticipate us doing much more variable revenue splitting going forth,'' said company President David Zucker. ''It will be a more flexible business model, customized to meet the needs and skills of the MSO -- more of an a la carte pricing.'' #

<<Electronic Media -- 07-19-99, p. 18>>

[Copyright 1999, Crain Communications]




To: Don Hand who wrote (10296)7/26/1999 8:43:00 AM
From: Christiaan McDonald  Read Replies (1) | Respond to of 21143
 
PREMIUM SERVICES SET TO COUNTER VOD
July 26, 1999

--------------------------------------------------------------------------------

Electronic Media via NewsEdge Corporation : The battle for at-home movie fans is under way even though true video on demand isn't expected to be a widespread competitive force for several years.

But the notion of empowering consumers to order up any movie they want when they want with a click of a remote control is proving a potent force among premium movie services.

''Video on demand will change everything,'' said John Sie, chairman and CEO of Encore Media Group. ''But it isn't going to make our business obsolete. We will change to compete. We already are. We're not sure just how many consumers will initially buy into it. But VOD will be an intoxicating option.''

Encore, Showtime, HBO, The Movie Channel and other premium movie services are cautious about detailing their plans to counter a video-on-demand rush that could begin next year as digital cable takes hold.

''VOD could hurt our business if consumers flock to VOD before they sign on to our new services,'' Mr. Sie said. ''If it quickly becomes widespread, our value could decrease and there will be price pressures for new releases.''

More intense brand marketing and the launch of theme multiplex channels -- from Encore's mystery and romance; to Showtime's selections for Generation Y; to Starz! family premieres; and HBO comedy -- are the start of a defensive attack.

The next step -- subscription on demand -- will surface by late this year or early in 2000.

Subscription on demand will go a step further by allowing premium movie service subscribers to select from a crop of several hundred movie titles for a single fee. Subscribers can access the titles any time and manipulate them with VCR-like options.

''We can use the same server technology as VOD,'' Mr. Sie said.

Premium movie providers also are working closely with consumer electronics manufacturers to produce devices, such as the Philips Electronics' Personal TV receiver and the TiVo Personal TV service, that enhance TV experiences by providing easier ways to choose and record films.

By solidifying ties with direct broadcast satellite operators, premium movie services are betting that consumers will stick with their branded products even with an aggressive video on demand rollout.

''Multiplexing should allow the premium services to offset the potential erosion from enhanced pay-per-view,'' Morgan Stanley Dean Witter analysts conclude in a report titled ''The Digital Decade.''

In that sense, multiplexing could prove a financial boon to companies rich with movies and other attractive content by ''enabling cable operators to create a separate digital tier of premium channel packages, which should boost subscriber growth,'' the report states.

Digital cable PPV revenues are expected to grow from $39 million in 1998 to $1.5 billion in 2003 and to $3.6 billion by 2008, the report says.

Subscribers will pay more for premium services: from an average $3.20 a month in 1998 to $8.14 a month in 2003.

Inverted cost pyramid

Premium service executives say that economics could work in their favor.

Video on demand has a potentially onerous inverted cost pyramid that requires heavy investment of tens of thousands of dollars in upfront movie storage to meet customer requests, they say.

There are only about 5,000 titles, or about 5 percent of all films, most often demanded by consumers, most of which are recent releases, Mr. Sie said.

But early signs are encouraging. Trials have demonstrated video-on-demand movie buy rates have exceeded existing PPV buy rates by 350 percent to 500 percent.

At the same time, multiplexing is boosting subscriber counts and revenues. For instance, 35 percent of Encore's estimated $55 million in profits this year will be generated by multiplex services.

HBO, which is furthest along in the movie multiplexing game, demonstrated the value of such tiering. Between 1992 and 1996, cable systems with multiple HBO screens generated 40 percent higher audience ratings and 10 percent higher subscriptions.

The 'killer application'

A sure winner in the video-on-demand game will be cable operators, whose costly system upgrades will allow them to reap the benefits of a new revenue stream from video on demand as well as an improved competitive response to DBS.

Many cable operators expect video on demand to be an initial ''killer application'' driving the growth of overall digital cable.

Merrill Lynch analyst Jessica Reif Cohen predicts video-on-demand penetration could ramp up to 28 million, or 60 percent of digital cable subscribers, over 10 years. Video on demand could generate between $3 billion and $6 billion in incremental cable revenues by 2009, Ms. Cohen said.

The nearest thing to a sure loser is the home video rental business, which already is scurrying to hedge its bets.

''Initially, VOD will not have a significant negative impact on pay-per-view services, although they could be replaced within 10 years by VOD,'' said Laura Martin, analyst for Credit Suisse First Boston.

Overall, video-on-demand's impact may be less onerous. Ms. Martin points out that leading PPV movie services are owned by larger media companies that will hedge their bets with new interactive movie services. As one business phases out, they will be ready to step into another.

Executives at pay cable movie and satellite services insist they have plenty of time -- at least two years -- to ''figure it out.'' It could take video on demand until 2008 to grow to a $2 billion a year business, according to Paul Kagan Associates.

Still, premium movie services say they do not expect video on demand to do too much damage to their bottom lines. The cost of competing, however, could tighten or stunt existing premium movie service profit margins of an estimated 25 percent for HBO, about 20 percent for Encore and less than 15 percent for Showtime, according to industry sources.

<<Electronic Media -- 07-19-99, p. 16>>

[Copyright 1999, Crain Communications]