SI
SI
discoversearch

We've detected that you're using an ad content blocking browser plug-in or feature. Ads provide a critical source of revenue to the continued operation of Silicon Investor.  We ask that you disable ad blocking while on Silicon Investor in the best interests of our community.  If you are not using an ad blocker but are still receiving this message, make sure your browser's tracking protection is set to the 'standard' level.
Pastimes : Come Play With Me - 'Name That Tune' -- Ignore unavailable to you. Want to Upgrade?


To: Nittany Lion who wrote (10447)6/17/2002 1:40:05 AM
From: Justin C  Read Replies (2) | Respond to of 10709
 
Gary, Knowing your keen interest in all things Elvis :), I thought you might be interested in this bit of news ...


Elvis Lives! at Least on Top of UK Pop Charts

LONDON (Reuters) - The King has grabbed the British pop crown, and bested the Beatles to do it.

With a little help from a Dutch DJ and a dash of World Cup fever, Elvis Presley has soared to the top of the British charts 25 years after his death with a new version of an obscure tune that made little splash when it was first released.

Figures from the Official UK Charts Company showed on Sunday that a dance remix by the Amsterdam-based DJ and record producer JXL of Presley's "A Little Less Conversation," came straight into the charts at No. 1.

The result breaks a long-running tie between the U.S. music legend and the Beatles for the most No. 1 hits in the United Kingdom. Until Sunday, it had stood at 17 apiece.

The original version of the song, which Elvis sang in his 1968 film "Live a Little, Love a Lot," reached No. 69 on the U.S. singles charts in 1968 and failed to enter the chart at all in Britain.

The song has caught the public's ear recently because it features in an athletic shoe advertising campaign aired repeatedly in Britain during television coverage of the soccer World Cup. It also was on the soundtrack of the 2001 movie "Ocean's Eleven."

The record books may contain an asterisk since the JXL recording takes some liberties with the song -- there is a minute-long electronic introduction, dance loops and techno tracks.

"If you hear the first minute of the song, you would have no idea that it's Elvis. It sounds like a techno song," RCA general manager Richard Sanders said this week. "And when you hear his voice kick in, it's like, 'Oh, my, that's Elvis!"'

Sanders said it marks the first contemporary remix of Presley's music allowed by RCA, a unit of Bertelsmann AG's BMG. RCA owns rights to the original master recordings of Presley's entire catalog, a spokesman said in Los Angeles this week.