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Pastimes : Deadheads -- Ignore unavailable to you. Want to Upgrade?


To: JakeStraw who wrote (29613)6/5/2002 11:45:02 PM
From: SIer formerly known as Joe B.  Read Replies (1) | Respond to of 49844
 
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To: JakeStraw who wrote (29613)6/6/2002 1:30:18 PM
From: SIer formerly known as Joe B.  Read Replies (1) | Respond to of 49844
 
Five Questions With Mickey Hart
Thu Jun 6,10:12 AM ET
By JOHN ROGERS, Associated Press Writer
story.news.yahoo.com

LOS ANGELES (AP) - Mickey Hart has gone from the Grateful Dead to "Mondo Head."


As one-half of the Dead's two-drummer roster known as the Rhythm Devils, Hart helped bang out the beat that propelled the Dead's ethereal melodies for nearly 30 years.

After lead singer Jerry Garcia's death in 1995, the Dead retired from touring, save for occasional summer performances as The Other Ones, the band's surviving members. The group plans just one such appearance this year, in August at East Troy, Wis.

But the 58-year-old musician hardly remains idle.

Hart has been busy recording albums, including the popular R&B "Mickey Hart's Mystery Box"; writing books about music; producing more than two dozen recordings for Rykodisc's world music series; and working with the endangered music project of the Library of Congress (news - web sites), which he helped start.

The album "Mondo Head," released earlier this year, features the Japanese taiko drum group Kodo, harmonica virtuoso Charlie Musselwhite, Indian percussionist Zakir Hussain, Cuban vocalist Bobi Cespedes, Puerto Rican jazz drummer Giovanni Hidalgo and the Gyuto Monks of India, the Dalai Lama's personal choir.

"It's a new cultural stew, a new gumbo that points the way," Hart said. "I never thought of mixing Tibetan, Japanese and Indian culture before."

1. How did you get together with Kodo?

Hart: I knew them way back in the '70s. I was always a fan of taiko drumming, which is a kind of classical drumming. It's not a real ancient form. It's a fairly modern form, but it uses old Shinto instruments in a kind of classic way. But I didn't want to do that. I wanted to take them out of the box and make them more improvisational. ... I thought if I didn't come up with the compositions, and we weren't thinking too much, that would be an adventure.

2. Where did you record the album?

Hart: At my place here. There's no bigger place anywhere. It's very large because that's what drummers need. We'd all get in one giant room and play, play, play. It was like drum camp (laughing). That's the only way to do something organically like this unless you write it all out ahead of time and everybody plays their part. And that's no fun.

3. Considering the turmoil in the Middle East, is this a good time to bring different cultures together through music?

Hart: I think this is the best time. This is more than just music. This is an example of different cultures talking about very important and complex issues through music, coming together through the groove of music. ... If the Palestinians and Israelis were playing music together right now, I believe it would be an antidote to war. I really do believe that.

4. What else is going on with your life these days?

Hart: Oh, I'm looking at a lot of stuff. I don't really have a plan, I just sort of go and look at things. In fact, I have no particular plan at all (laughing). I've been listening to a lot of Koranic chanting lately, and I've been finding it fascinating. ... One thing I can tell you I won't do is retire. Don't worry, I'll never retire on you.

5. Will the surviving members of the Grateful Dead do a full tour this year?

Hart: Nah. ... My band is what I'm doing this summer, the Mickey Hart Band. That and Kodo, and that's really exciting for me. Bob Hunter (the Grateful Dead lyricist) has written me a bunch of new songs and we'll be taking them out on the road. So it's going to be an exciting summer and fall of music for me. And I'm working with National Geographic (news - web sites). I'll be doing different projects with them, world music projects of course. I'm working on a National Geographic book with them. They realize that music is good geography, and so they want me to be their guide in that world.

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To: JakeStraw who wrote (29613)6/9/2002 11:57:27 PM
From: SIer formerly known as Joe B.  Read Replies (1) | Respond to of 49844
 
Feds Worked to Quash College Protests
Sat Jun 8, 9:34 PM ET
story.news.yahoo.com

SAN FRANCISCO (AP) - The FBI (news - web sites), working covertly with the CIA (news - web sites) and then-Gov. Ronald Reagan (news - web sites), spent years unlawfully trying to quash the voices and careers of students and faculty deemed subversive at the University of California, the San Francisco Chronicle reported.


For years the FBI denied engaging in such activities at the university. But a 17-year legal challenge brought by a Chronicle reporter under the Freedom of Information Act forced the agency to release more than 200,000 pages of confidential records covering the 1940s to the 1970s, the newspaper reported in a special section for its Sunday editions.

Those documents describe the sweeping nature of the FBI's activities and show they ranged far beyond the campus and into state politics as the agency plotted to end the career of UC President Clark Kerr while aiding Reagan's political career.

Only after federal judges repeatedly ruled that the FBI had drifted unlawfully from intelligence gathering into politics — and the case was about to be heard by the Supreme Court — did the FBI settle, removing much of the blacked-out material in the files.

In its unsuccessful battle to keep them secret, the agency had said its actions had been proper — that it had merely tried to protect civil order and national security during a time when the nation feared Communism and waged war in Vietnam.

"Things are done a lot differently today," FBI spokesman Bill Carter told the Chronicle. "The files speak for themselves."

The broad outlines of the illegal FBI campaigns became public in the 1970s as Congress held hearings that showed the FBI and CIA had disrupted the lives of law-abiding citizens and organizations engaging in legitimate dissent.

The documents obtained by the Chronicle show just how extensive these activities were in California, how Kerr and others were targeted, and how eagerly Reagan worked to quash protests.

Gov. Reagan intended to mount a "psychological warfare campaign" against subversives, file tax evasion and other charges against them, and do anything else it could to restore moral order, Herbert Ellingwood, Reagan's legal affairs secretary, told the FBI in a request for confidential information about people on campus.

The records show FBI director J. Edgar Hoover agreed to provide such information from the agency's files.

"This has been done in the past," the director said, "and has worked quite successfully."

The Office of Ronald Reagan referred the Chronicle's questions to Edwin Meese III, Reagan's chief of staff as governor. Meese said the FBI, as far as he knew, gave Reagan no special political help, and that he did not remember planning any activities against "subversives."

"There was never any concentrated strategy to do these things," he said.

The documents also show that the FBI tried to protect Reagan from being implicated for lying about his own past as a member of several groups officially deemed subversive by altering his security clearance.

Reports that Reagan informed on his fellow actors at a time when the FBI was trying to root out suspected subversives have surfaced before, but were downplayed. In 1985, when the FBI released some documents about Reagan, a Reagan spokesman said he had only a "very minor" involvement with the bureau at a time when he was president of the Screen Actors Guild (news - web sites).

The records obtained by the Chronicle reveal who it was that Reagan and his first wife, Jane Wyman, named during a 1947 meeting with FBI agents: Larry Parks ("The Jolson Story"), Howard Da Silva ("The Lost Weekend") and Alexander Knox ("Wilson"). Each was later called before the House Un-American Activities Committee and blacklisted in Hollywood.

The new documents also show Reagan's contacts with the bureau were more extensive than he acknowledged or has been reported: Files show he repeatedly gave the FBI names of people he suspected of being communist over the years.

Hoover, meanwhile, ordered agents to investigate the 6,000 UC faculty members and top administrators. The resulting report in 1960 listed professors' political activities, and said many had engaged in "illicit love affairs, homosexuality, sexual perversion, excessive drinking or other instances of conduct reflecting mental instability."

CIA Director John McCone also was involved, meeting with Hoover in January 1965 after the Free Speech Movement held its first sit-ins. Records show they decided to leak information to conservative UC Regent Edwin Pauley, who would "use his influence to curtail, harass and at times eliminate" liberal faculty members. Pauley had hoped to fire Kerr.

The FBI blamed the liberal Kerr for allowing the campus protests to grow, and Hoover himself wanted a crackdown at Berkeley before student protests grew nationwide.

When, to Hoover's dismay, President Lyndon Johnson picked Kerr to become his secretary of Health, Education and Welfare, the FBI background check included damaging information the agency knew to be false, and Johnson withdrew the nomination, the documents show.

Reagan was elected California's governor in 1966 after repeatedly consulting with the FBI while campaigning against "campus malcontents and filthy speech advocates" at Berkeley. One of his first moves was to fire Kerr, who never received another White House appointment.

Kerr, whose own FOIA request was denied by the FBI, said he was unaware of the plots against him. "Maybe I was too naive, but I never assumed they were taking efforts to get rid of me," he told The Chronicle.

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