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To: afrayem onigwecher who wrote (567)8/4/2003 10:07:18 AM
From: StockDung  Respond to of 609
 
IS YOUR NAME AMONG THEM ISAAC?

Time: Downloader Dragnet; The industry issues hundreds of subpoenas seeking the names of music pirates. Is yours among them?
Tuesday, Jul. 29, 2003

Downloader Dragnet
The industry issues hundreds of subpoenas seeking the names of music pirates. Is yours among them?
By CHRIS TAYLOR

Bob Barnes never dreamed that the long arm of the music industry would reach into his personal computer. Sure, the bus operator from Fresno, Calif., had used Napster to grab music files off the Internet. And when that file-swapping service was put out of business, he switched to its most popular successor, Kazaa. But he was careful not to leave a trace, transferring all his downloaded songs to separate discs. A visiting teenage grandson wasn't so careful, however, and last week Barnes, 50, was slapped with a subpoena from the Recording Industry Association of America (RIAA). It alleged that he had posted online — for the world to steal — digital copies of songs by Savage Garden, Marvin Gaye and the Eagles. "This is like shock and awe," says Barnes. "Blitz them until they submit."

Barnes may be a pirate, but he has plenty of company. An estimated 60 million Americans, more than the number of Bush voters in 2000, are using file-sharing networks on the Internet. Until last week it seemed like a safely anonymous pursuit. But then RIAA started subpoenaing colleges and Internet-service providers (ISPs) for the names and addresses of more than 950 computer owners — some of whom, like Barnes, were trafficking in stolen music without knowing it.

Trouble is, a lot of music downloaders don't realize that they are also distributors. On Kazaa, for example, the tunes you store in the designated download folder are automatically broadcast back to other users. Unless you turn off sharing or move the music to a different place on your hard drive, anybody can reach into your computer and take a copy (as long as you are online and running Kazaa).

How many songs do you have to have in that folder to catch the eye of the music police? A thousand? A dozen? Just one? RIAA, which is trying to put the fear of litigation into as many music pirates as it can, is playing coy. It has declined to say whom it is targeting or how many more subpoenas it plans to issue. So far, though, most of the file sharers it has gone after were dealing in hundreds of tracks, not just a few. "We're focused on the supply side," RIAA president Cary Sherman says. "If you can get at the 10% of people who are offering 90% of the files, that makes a significant dent."

Until recently, getting even that 10% was impossible. Users were hidden behind the long strings of numbers that represent Internet addresses. Only network administrators knew who had been assigned which Internet address, and they were reluctant to share. All that changed in February, when a federal judge ordered Verizon to turn over to RIAA the name of an alleged music pirate. That opened the floodgates. Last week the Federal District courthouse in Washington had to hire extra clerks just to deal with music-industry litigation.

"This is turning into a subpoena mill," says Sarah Deutsch, associate general counsel for Verizon, after receiving more than 200 requests for identities. "We're not just going to roll over and allow this kind of process." Not every ISP feels the same. Comcast, the cable-TV company that sells high-speed Internet access on the side, has announced its intention to cooperate with RIAA. So has Chicago's Loyola University. The Massachusetts Institute of Technology and Boston University, by contrast, have gone to court to protect students' identities.

The cat-and-mouse game between computer programmers and the music industry is heating up. The next generation of file-sharing software, programmers promise, will provide anonymity that not even ISPs will be able to crack. New online services with names like Earth Station 5 and W.A.S.T.E. claim to have done that already, but none are quite ready for prime time.

Happily, there's another alternative: paying for your music, using one of several legal downloading services. The most popular, Apple's 99?a-song iTunes music store, has racked up 5 million downloads in just two months and is scheduled to launch a Windows version in December. It was joined last week by buymusic.com, which offers some of the same songs for 79?apiece. Neither has anything like Kazaa's selection just yet — but both are guaranteed subpoena free.

Copyright © 2003 Time Inc. All rights reserved.



To: afrayem onigwecher who wrote (567)9/8/2003 5:43:13 PM
From: StockDung  Respond to of 609
 
Recording Industry Sues Individual Music File-Sharers (Update3)

Sept. 8 (Bloomberg) -- The music industry sued 261 people who each have distributed 1,000 or more song files on the Web, opening a new legal front against piracy that companies say cost them $700 million in the first six months of the year.

The Recording Industry Association of America, which represents the five largest record labels, is suing what it calls ``egregious infringers'' to discourage them from posting music online that others can copy. The industry says 2.6 billion songs are illegally shared over the Internet each month.

The industry is trying to stem more than three years of falling sales that analysts attribute to piracy and companies' failure to spur demand. Today's suits follow cases against businesses such as Napster Inc. that facilitate file sharing. The industry also is promoting its own online services and Vivendi Universal SA last week cut compact-disc prices.

``There aren't any silver bullets for this problem,'' said Mike McGuire, a research director at Gartner G2.

The RIAA may sue as many as 1,000 people who have posted songs others can pirate in coming weeks, Cary Sherman, president of the RIAA, said on a conference call today.

The RIAA plans to offer amnesty to online file sharers if they agree to erase illegal files and allow their names to be put into a database. Details of the amnesty offer are posted at musicunited.org .

The Washington-based group declined to disclose any details about the people it sued in federal courthouses across the country.

The Offensive

``We think this is part of a comprehensive approach,'' Zach Horowitz, president and chief operating officer of Universal Music Group, said in an interview. ``Ultimately, all of these things are geared toward creating a level playing field for the legal, online music stores.''

Universal, owned by Vivendi, is the world's biggest music company. Music labels currently are selling songs online with services such as Apple Computer Inc.'s iTunes Music Store, AOL Time Warner's MusicNet and RealNetworks Inc.'s Rhapsody.

The industry's first legal efforts to cut piracy targeted companies that facilitated file sharing. The RIAA's suit against Napster helped drive the company to bankruptcy.

The industry has sued the other companies, which use peer-to- peer systems that lack a centralized server, that have stepped into the vacuum.

Earlier this year, a federal judge in Los Angeles ruled that file-sharing-software companies Morpheus and Grokster aren't liable for contributing to copyright infringement. That loss, the entertainment companies' first in court after shutting down Napster and Aimster, prompted them to reevaluate their legal strategy.

Weapons

In January, a federal judge gave them the means to sue individuals, ruling that Internet service providers such as Verizon Communications Inc. must reveal the identity of any subscriber suspected of pirating songs and movies over the Web. The RIAA has since sent out more than 1,500 subpoenas to ISPs.

The RIAA earlier this year took four university students who operated what it called ``Napster-like'' Internet sites to court. The four students each agreed to pay amounts ranging from $12,000 to $17,500 and shut down their file-sharing Web sites.

The music and movie industries are also trying to change a culture that has tolerated, and in some cases celebrated, music- sharing pioneers such as Shawn Fanning, who created Napster's software.

The companies have run advertisements in newspapers, magazines and movie trailers. They've sent more than 4 million instant messages to file-swappers to warn them that their activities are illegal.

Anonymity

The suits announced today are part of the program to keep music pirates from feeling they're anonymous. It's an effort to ``affect deterrence,'' Sherman said.

``It's really a public relations campaign more than anything else -- 261 lawsuit aren't going to solve the problem,'' said Gary Benton, a lawyer with Coudert Brothers in Palo Alto, California.

The Electronic Frontier Foundation, a civil liberties group that has opposed the RIAA's efforts against file-sharing services, said it would prefer the industry look into alternative solutions such as a compulsory license or a flat fee that would be divided among artists.

`Scaring People'

With potential fines of $150,000 per copyrighted work, the RIAA lawsuits are ``aimed at scaring people,'' said Wendy Seltzer, a staff attorney for the foundation. ``Instead of treating customers like criminals, they should appreciate that 60 million people appreciate the flexibility of file sharing services,'' Seltzer said.

Sony Music spokesman John McKay didn't immediately comment on the lawsuit; Sony is the second biggest by music sales in North America. Patrick Reilly, a spokesman for Bertelsmann AG's BMG unit, which is the fourth largest, didn't immediately return calls seeking comment.

AOL Time Warner Inc.'s Warner Music ranks third and Warner spokesman Will Tanos declined to comment. Amanda Conroy, a spokeswoman for EMI Group Plc, the fifth-largest and the only independent, publicly traded music company, didn't immediately return a call.

Last Updated: September 8, 2003 17:17 EDT



To: afrayem onigwecher who wrote (567)9/9/2003 9:11:40 AM
From: StockDung  Respond to of 609
 
12-Year-Old Sued for Music Downloading
foxnews.com



To: afrayem onigwecher who wrote (567)10/10/2003 12:35:18 AM
From: StockDung  Read Replies (1) | Respond to of 609
 
Princeton Student Sued Over Paper on CD Copying

By Ben Berkowitz

LOS ANGELES (Reuters) - Three days after a Princeton graduate student posted a paper on his Web site detailing how to defeat the copy-protection software on a new music CD by pressing a single computer key, the maker of the software said on Thursday it would sue him.

In a statement, SunnComm Technologies Inc. said it would sue Alex Halderman over the paper, which said SunnComm's MediaMax CD-3 software could be blocked by holding down the "Shift" key on a computer keyboard as a CD using the software was inserted into a disc drive.

"SunnComm believes that by making erroneous assumptions in putting together his critical review of the MediaMax CD-3 technology, Halderman came to false conclusions concerning the robustness and efficacy of SunnComm's MediaMax technology," it said.

SunnComm, which trades on the Over-the-Counter Bulletin Board, said it has lost more than $10 million of its market value since Halderman published his report.

The software was used on a CD, Anthony Hamilton's "Comin' From Where I'm From," released last month. Halderman, who has done research in the past on other CD protection technologies, said the software could also be disabled by stopping a driver the software loads on the computer when the CD is played.

SunnComm alleged Halderman violated criminal provisions of the Digital Millennium Copyright Act in disclosing the existence of those driver files.

Halderman -- who received an undergraduate degree from Princeton earlier this year and is now pursuing a doctorate in computer science with an emphasis on computer security -- said he had not yet heard directly from SunnComm in regards to litigation but was unconcerned.

"I'm still not very worried about litigation under the DMCA, I don't think there's any case," he told Reuters. "I don't think telling people to press the 'Shift' key is a violation of the DMCA."

A spokesman for BMG, the unit of Bertelsmann AG that licensed SunnComm's software and released the Hamilton CD, declined to comment on the planned suit.

The music industry, claiming a sharp decline in CD sales is the result of digital piracy through online file-sharing services, has worked to develop methods to secure music on discs and restrict its copying.

Halderman's graduate advisor at Princeton is Ed Felten, a computer science professor who once sued the Recording Industry Association of America in a challenge to the constitutionality of the DMCA.

The RIAA had threatened action under the DMCA against Felten and colleagues after they said they would publish a paper disclosing flaws in an industry security initiative. That suit was eventually dismissed.