Assuming that he told any.....
Senor Llosa is not a member of the Administration. He is a novelist and intellectual:
Mario Vargas Llosa (1936-)
Peruvian novelist, playwright, essayist, journalist, literary critic, one of the central writers in the Hispanic world. Vargas Llosa started his literary career in Europe, but most of his novels are set in Peru. From his first works, Vargas Llosa has used a wide variety of avant-garde techniques to create an aesthetic "double of the real world." Although Vargas Llosa has followed the tradition of social protest of Peruvian fiction exposing political corruption, machismo, racial prejudices and violence, he has underlined that a writer should never preach or compromise artistic aims for ideological propaganda.
"His voice was persuasive; it reached a person's soul without passing by way of his head, and even to a being as addlebrained as Big João, it seemed like a balm that healed old and terrible wounds. João stood there listening to him, rooted on the spot, not even blinking, moved to his very bones by what he was hearing and by the music of the voice uttering those words. The figure of the saint was blurred at times by the tears that welled up in João's eyes. When the man went on his way, he began to follow him at a distance, like a timid animal." (from The War of the End of the World, 1981)
Mario Vargas Llosa was born in Arequipa. After his parents separated he was brought up by his mother and maternal grandparents in Cochabamba, Bolivia (1937-45), Piura, northern Peru (1945-46), and then in Lima. When he was about eight years old his parents reconciled. He attended Leoncio Prado Military Academy (1950-52), and Colegio Nacional San Miguel de Piura (1952). In 1955 he married Julia Urquidi; they divorced in 1964. From 1955 to 1957 Vargas Llosa studied literature and law at the University of San Marcos. He then attended graduate school at the University of Madrid, from where he received his Ph.D. in 1959. Vargas Llosa's doctoral dissertation about García Márquez (1971) was followed by several books on literary criticism, among them LA ORGÍA PERPETUA (1975) about Flaubert's masterpiece Madame Bovary. With Julio Cortázar, Carlos Fuentes, and García Márquez, Vargas Llosa was among the most famous writers, whose aim was to revitalize the Latin American novel.
In the 1950s, while still a student, Vargas Llosa worked as a journalist for La Industria. He was a coeditor of the literary journals Cuadernos de Conversación and Literatura, and journalist for Radio Panamericana and La Crónica. His first collection of short stories, LOS JEFES, appeared in 1959. In the same year he moved to Paris because he felt that in Peru he could not earn his living as a serious writer. Although the boom of Latin American fiction in the 1960s opened doors to some authors for commercial success, the great majority of Peruvian writers suffered from the problems of the country's publishing industry.
In France Vargas Llosa worked as Spanish teacher, journalist for Agence-France-Presse, and broadcaster for Radio Télévision Française in early 1960s. From the late 1960s Vargas Llosa worked as a visiting professor at many American and European universities. In 1965 he married Patricia Llosa; they had two sons and one daughter. In 1970 Vargas Llosa moved to Barcelona and five years later he settled back in Peru, ending his self-imposed exile. In 1977 he was elected President of PEN Club International. The military dictatorship, which started in 1968 when General Francisco Morales Bermudez took over the country, ended in 1980.
In 1980 Vargas Llosa lectured and travelled in Japan and in 1990 he was a conservative candidate (Fredemo, the Democratic Front) for the Peruvian presidency. Vargas Llosa was defeated by Alberto Fujimori, an agricultural engineer of Japanese descent, also a political novice. President Fujimori escaped to his ancestral homeland Japan after a corruption scandal in 2000. In 1991 Vargas Llosa worked as a visiting professor at Florida International University, Miami and Wissdenschaftskolleg, Berlin from 1991 to 1992. The author has received several prestigious literary awards, including Leopoldo Alas Prize (1959), Rómulo Gallegos Prize (1967), National Critics' Prize (1967), Peruvian National Prize (1967), Critics' Annual Prize for Theatre (1981), Prince of Asturias Prize (1986) and Miguel de Cervantes Prize (1994).
"¿Cómo ayudamos al sol, a los víos? ¿Cómo ayudamos a este mundo, a lo que vive? Andando. He cumplido la obligación, creo. Mira, ya estará dando resultado. Escucha el suelo bajo tus pies; písalo, hablador. ¡Qué quieto y qué firme está!" (from Hablador)
Vargas Llosa made his debut as a novelist with The Time of the Hero (1962), set in Leoncio Prado military Academy, where he had been a student. The book received an immediate international recognition. According to Vargas Llosa's theory, personal, social or historical daemon gives a meaning to a novel and in the writing process unconscious obsessions are transformed into a novelist's themes. Autobiography and art has been one of the themes in his criticism. One of Vargas Llosa's own obsessions is the conflict between a father and son, which he has approached from the private level or from more universal or social levels. The Time of the Hero is a microcosm of Peruvian society. The murder of an informer is buried due to the codes of honor to protect the academy's reputation. Aunt Julia and the Scriptwriter (1977) is a partly autobiographical story of a courtship and marriage, written with uninhibited humor. The tyrannical father threatens to shoot his son, a novelist named Marito Varguitas, in the middle of the street, because of his marriage to the sexy, sophisticated, older Aunt Julia. Marito is eighteen and the marriage is illegal. Eventually his father accepts the situation. The book started to live its own life when Aunt Julia, Vargas Llosa's first wife, wrote a reply to it.
In The Green House (1966) Vargas Llosa returned to formative experiences of his childhood and youth. The complicated novel has two major settings: the first, a provincial city and the second, the jungle, a challenging, hostile and attractive environment, which the author has depicted in several works. In 1957 Varga Llosa travelled with a group of anthropologists into the jungle, and learned how Indian girls were being drafted into prostitution on the coast. The "Green House" of the story is a brothel, which is burned to the ground but rebuilt again. Another storyline follows the fate of the virginal Bonifacia from a jungle mission; she becomes a prostitute in Piura.
"Toñita, Toñita, ten antojos, vómitos, malhumor, sé como las otras, ¿puedes tocarlo?, ¿ya se mueve? Y una última vez pregúntate si fue mejor o peor, si la vida debe ser así, y lo que habría pasado si ella no, si tú y ella, si fue un sueño o si las cosas son siempre distintas a los sueños, y todavía un esfuerzo final y pregúntate si alguna vez te resignaste, y si es porque ella murió o porque eres viejo que estás tan conforme con la idea de morir tú mismo." (from La casa verde, 1966)
The War of the End of the World (1981) is a story of a revolt against the Brazilian government in the late 19th-century and the brutal response of the authorities. A religious fanatic, known as Conselheiro (Counselor), is followed by a huge band of disciples drawn from the fringes of society. Before the army of the Republic wins, the modern rational world suffers several humiliating defeats with the group of outcasts. Vargas Llosa uses Euclides da Cunha's account of the events, Os sertões (1902), as a source. One of the characters, a "nearsighted journalist", is loosely based on da Cunha.
The Real life of Alejandro Mayta (1984) is written on several narrative levels. It deals with a failed Marxist-Leninist insurrection in the Andes, led by an aging Trotskyist Alejandro Mayta. He is captured and his second lieutenant Vallejos executed. The novelist-narrator interviews a number of people who give a contradictory view of Mayta's personality and the events. Finally the reader realizes that in the process of creating a novel within a novel, the narrator has invented Mayta's life and undermined the concepts of writing and reading history.
"¿Creíamos de veras, que el socialismO garantizaría la integridad de nuestras culturas mágico-religiosas? No había ya bastantes pruebas de que el desarrollo industrial, fuera capitalista o comunista, significaba fatídicamente el aniquilamiento de aquéllas? Había una sola excepción en el mundo a esta terrible inexorable ley?" (from El hablador, 1987)
Vargas Llosa's bitter memoir, EL PEZ EN EL AGUA (A Fish in the Water), appeared in 1993. It focused on his run for the presidency in 1990 - he was supposed to win the little-known Alberto Fujimori. LA FIESTA DEL CHIVO (2000, The Feast of the Goat) continued the author's political excursion into the recent history of South America. The story is set in the Dominican Republic in 1961, ruled by the dictator Rafael Leonidas Trujillo. Urania Chabral has returned to the noisy Santo Domingo to visit her father, Agustin Chabral, who is ill. He is a former Dominican senator, a faithful servant of the dictator. "And how many times did you come home saddened because he did not call to you, fearful you were no longer in the circle of the elect, that you had fallen among the censured?" Eventually "Minister Cabral, Egghead Cabral" lost his favor. Urania left the country as a schoolgirl, three and a half decades ago, just before Trujillo's assassination in 1961. Urania wants revenge against father for everything he did not do, and has her own reasons to examine the Trujillo Era. "The most important thing that happened to us in five hundred years. You used to say that with so much conviction. It's true, Papa. During those thirty-one years, all the evil we had carried with us since the Conquest became crystallized." Vargas Llosa portrays Trujillo as a superman intoxicated by his political and sexual powers, and worshipped by his demonic henchmen working in torture dungeons. "Oddly, Vargas Llosa's Trujillo sees himself as having gotten the short end of the bargain. He whipped his pathetic homeland into shape, modernized its attitudes and highways and in return he got -- old." (Walter Kirn in the New York Times, November 25, 2001) Vargal Llosa has structured the story like a thriller, leading the reader into the heart of the darkness. The Feast of the Goat is a highly topical book. The era of strong leaders is not totally over in Latin America, as one of the latest examples, Fujimori, has proved.
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