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To: unclewest who wrote (100949)2/18/2005 8:41:22 AM
From: LindyBill  Respond to of 793758
 
A COMPANY OF SOLDIERS

Here is a sidebar about the show. The dirty *&^%$#@&*

Frontline fights the FCC (Updated)
Posted by Steve Rhodes

Air Wars: The Fight to Reclaim Public Broadcasting
Jerold M. Starr
Book from Beacon Press
Release date: 01 July, 2000

A Company of Soldiers

I had planned to write Monday about the next two Frontline documentaries which both focus on the military in Iraq: A Company of Soliders which follows the 8th Cavalry's Dog Company airs on Tuesday, February 22nd. A Soldier's Heart which looks at the mental impact of the war airs a week later on March 1st (as well as previous excellent shows including Truth, War, and Consequences and Rumsfeld's War) . And I still will.

But PBS has decided to send a version of A Company of Soldiers censoring the language of the soldiers on the hard feed (an uncensored version will be available on a soft feed). Frontline issued a statement today (which is in full below) saying they believe "this is the moment for public television to stand firm and broadcast 'A Company of Soldiers' intact, as it was intended. We believe what is at issue is not the particulars of this case, but the principle of editorial independence. Because overreaching by the FCC is at its heart a First Amendment issue, all programs are at risk, whether art, science, history, culture, or public affairs." A Soldier's Heart has similar language, so I imagine PBS will do the same thing (unless there is enough of an uproar).

I wrote about the impact of the FCC crackdown in POV's broadcast of Wattstax marred by bleeps (which has a bunch of links) last September on TVBarn and Blogcritics last September. If the bill passed by Congress becomes law without any provision for smaller fines for public broadcasting, it will have an even more chilling effect.

I watched the beginning of A Company of Soldiers and the language is completely appropriate. It would be distracting to have bleeps while soldiers are being attacked. I hope most PBS stations will respect the soldiers and their audience and use the uncensored soft feed. At the very least, they should run the uncensored version late at night, so people can record it.

In San Francisco, A Company of Soldiers will air at 10 pm which is during the FCC safe harbor. That, along with FCC ruling on Saving Private Ryan mentioned in the Frontline statement should make it clear no station would be fined.

Update: I've watched the program and bleeps would distract from powerful scenes in a realitistic and moving documentary.

From a good piece in the Seattle Times by Kay McFadden:

Kurt Wimmer, an attorney specializing in [the] First Amendment...advised ABC affiliates on airing "Saving Private Ryan" and recently counseled "Frontline."

He concluded that the contents of "A Company of Soldiers" are valid in the context of news.

"It seems to me that if you have the use of the F-word and S-word in the heat of battle, it's not indecent because they are not sexual or excretory," Wimmer said. Moreover, "This is actual news footage; it really occurred; it is critical to the integrity of the show."

Those words, he added, are "part of life. It almost seems unpatriotic to say you've got to sugar-coat a war that we are paying for and that people are dying for."

Also, from an article in the LA Times (free registration required):

Some PBS member stations said they would air the program after 10 p.m., when children were presumably not watching.

In Los Angeles, KCET will air the edited version at 9 p.m. Tuesday, but viewers who want to see the original broadcast will have the chance to do so at 11:30 p.m. on Feb. 26, according to spokeswoman Laurel Lambert.

KPBS in San Diego will air the unedited show at 10 p.m. Tuesday, according to General Manager Doug Myrland.

Stations in other markets are taking a more conservative approach.

Executives at Mississippi Public Broadcasting and at WKNO in Memphis, Tenn., said they would show only the cleaned-up version of "A Company of Soldiers."

"It's something we actually appreciate," Mississippi Public Broadcasting Executive Director Marie Antoon said of PBS' decision. "We have had [viewer] complaints sent to the FCC because of PBS material."



To: unclewest who wrote (100949)2/18/2005 3:13:41 PM
From: KLP  Read Replies (1) | Respond to of 793758
 
Thanks for the heads up, uw! Here's their Press Release from the site: »Company of Soldiers

Tuesday, February 22, at 9pm, 90 minutes

pbs.org

American troops in Iraq—battling a deadly insurgency—face the risk of death or serious injury every day. In November 2004, a FRONTLINE team embedded itself with the soldiers of the 8th Cavalry's Dog Company in South Baghdad, powerfully documenting a controversial war through the eyes of the men and women fighting it.

In "A Company of Soldiers," airing Tuesday, February 22, at 9 P.M. on PBS (check local listings), FRONTLINE goes beyond the daily headlines from the war in Iraq to document the day-to-day realities of a life-and-death military mission that also includes rebuilding Iraq's infrastructure, promoting its economic development, and building positive relations with its people.

"These men and women in Dog Company grasp the realities of their position and the complexity of the problems they face. And they're a very tough group," says director Tom Roberts. "This is not an army hiding timidly behind their fortifications. They fight hard on the streets."

"It's kind of weird because you don't really think about people... actually trying to kill you, and... I mean, you see a guy and he's running away and he has an RPG and you just, it sounds kind of mean or kind of savage, I guess, you just want to kill him because if you don't kill him, he's going to kill you," says Private Josue Reyes. "You just, you just lose everything, or... just get numb."

Filming began three days after the Fallujah campaign was launched in November 2004. There was a surge in violence as an insurgent group, thought to have come from Ramadi, launched a series of ambushes and attacks in Dog Company's sector.

The campaign of violence began when two huge car bombs exploded at Christian churches in South Baghdad. The unit responded immediately but found both churches virtually destroyed. As they returned to base, they were ambushed and came under attack from gunfire and rocket propelled grenades. They fired back, forcing the insurgents to flee, but in the process a civilian was hit by a ricochet and fatally wounded.

The next day, the situation escalated further. A Dog Company patrol was ambushed and in the fighting Specialist Travis Babbitt, a gunner, was hit. Despite being mortally wounded he managed to return fire before collapsing, killing several insurgents and saving the lives of his fellow soldiers in the process.

Back at base, patrol leader Captain Jason Whiteley called his men together to break the news.

"Babbitt was a superb soldier, and he was a great friend to all of us, and he died like he should. He went out fighting," says Captain Whiteley. "We all loved him like a brother, and it's going to be very, very difficult for all of us, including me. But what we have to do now is be strong for the guys who are on the team, for each other... .Because later on tonight, tomorrow morning, we're going to be back on the same road, we're going to be going back into another ambush."

The loss hit the unit hard.

"I don't have a wife or kids. I don't have somebody waiting for me back home, so sometimes I wish it was me, and not Babbitt," says Private Reyes.

Later the same patrol was ambushed again, this time with an improvised explosive device known as an IED. One soldier was injured in the attack.

The unit learned that Captain Whiteley had been personally targeted by the insurgents. He briefed his men on the threat.

"The source stated that due to the killing of a local Iraqi, Captain Whiteley had been blamed for the death. The relatives had sworn revenge against Captain Whiteley," Whiteley says, before adding, "I think we've been dealing with an elevated threat level even before this little love note... and we're just going to do things normally. There's no need to get excited about it. People are trying to kill you."

Over the following days another soldier was killed, and several more injured as the unit embarked on a series of running gun battles and were repeatedly ambushed. The base was hit again and again by mortars and rockets.

The unit went on the offensive in an area that had supported many of the attacks against them, killing at least 24 insurgents.

Senior officers put pressure on local power brokers, telling them in no uncertain terms they must stop the attacks—or face the full might of the U.S. Army. Rebuilding came to a standstill as the military diverted its resources to destroying the enemy.

Then a lucky break: the Iraqi National Guard found a large weapons cache—and suspects—near one of the mosques which had been at the heart of the many ambushes, including the one which claimed the life of Specialist Babbitt.

Violence began to die down, and the unit returned to the challenging task of nation-building in a hostile land.

"It's kind of like your big brother coming into your room and saying you need to clean your room, and you know how to clean your room and you know, you want to do it yourself, you don't want anybody telling you what to do. Kind of think that's one thing," says Private Reyes.

But the soldiers of Dog Company remained committed.

"After the incident with Babbitt, I was asked if I needed a break, if I wanted to come off the team for a while," says Captain Gabriel Garcia. "That's not even a question for me. There's no way I'd leave the team. No way."

"You build a bond here, when you go through life-threatening things every day, when you spend all your time with the same group of people; you sleep with them, you eat with them, you clean with them, you cry with them," says Sergeant Shane Carpenter. "I mean, there's a bond between the men and women I work with out here that I've never felt with anyone else in my life."



"A Company of Soldiers" is an October Films production for WGBH/FRONTLINE and BBC. The producer is Edward Jarvis. The director is Tom Roberts.

FRONTLINE is produced by WGBH Boston and is broadcast nationwide on PBS.

Funding for FRONTLINE is provided through the support of PBS viewers.

FRONTLINE is closed-captioned for deaf and hard-of-hearing viewers.

FRONTLINE is a registered trademark of WGBH Educational Foundation.

The executive producer of special projects for FRONTLINE is Michael Sullivan.

The executive producer for FRONTLINE is David Fanning.



Press contacts:
Chris Kelly
(617) 300-3500
frontline_promotion@wgbh.org

FRONTLINE XXIII/February 2005