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Politics : Foreign Policy Discussion Thread -- Ignore unavailable to you. Want to Upgrade?


To: Hawkmoon who wrote (7112)12/7/2005 11:19:55 AM
From: paret  Respond to of 15991
 
latimes.com



To: Hawkmoon who wrote (7112)12/9/2005 9:20:48 PM
From: paret  Respond to of 15991
 
"The Death of Captain Waskow" by Ernie Pyle
Texas Military forces Museum ^ | 1944 | Ernie Pyle

AT THE FRONT LINES IN ITALY, January 10, 1944 — In this war I have known a lot of officers who were loved and respected by the soldiers under them. But never have I crossed the trail of any man as beloved as Capt. Henry T. Waskow of Belton, Texas. Capt. Waskow was a company commander in the Thirty-Sixth Division. He had led his company since long before it left the States. He was very young, only in his middle twenties, but he carried in him a sincerity and gentleness that made people want to be guided by him.

"After my own father, he came next," a sergeant told me.

"He always looked after us," a soldier said. "He'd go to bat for us every time."

"I've never knowed him to do anything unfair," another one said.

I was at the foot of the mule trail the night they brought Capt. Waskow's body down. The moon was nearly full at the time, and you could see far up the trail, and even part way across the valley below. Soldiers made shadows in the moonlight as they walked.

Dead men had been coming down the mountain all evening, lashed to the backs of mules. They came lying belly-down across the wooden packsaddles, their heads hanging down on the left side of the mule, their stiffened legs sticking awkwardly from the other side. bobbing up and down as the mule walked.

The Italian mule-skinners were afraid to walk beside the dead men, so Americans had to lead the mules down that night. Even the Americans were reluctant to unlash and lift off the bodies at the bottom, so an officer had to do it himself, and ask others to help.

The first one came early in the morning. They slid him down from the mule and stood him on his feet for a moment, while they got a new grip. In the half light he might have been merely a sick man standing there, leaning on the others. Then they laid him on the ground in the shadow of the low stone wall alongside the road.

I don't know who that first one was. You feel small in the presence of dead men, and ashamed at being alive, and you don't ask silly questions.

We left him there beside the road, that first one, and we all went back into the cowshed and sat on water cans or lay in the straw, waiting for the next batch of mules.

Somebody said the dead soldier had been dead for four days, and then nobody said anything more about it. We talked soldier talk for an hour or more. The dead men lay all alone outside in the shadow of the low stone wall.

Then a soldier came into the cowshed and said there were some more bodies outside. We went out into the road. Four mules stood there, in the moonlight, in the road where the trail came down off the mountain. The soldiers who led them stood there waiting. "This one is Captain Waskow," one of them said quietly.

Two men unlashed his body from the mule and lifted it off and laid it in the shadow beside the low stone wall. Other men took the other bodies off. Finally there were five lying end to end in a long row, alongside the road. You don't cover up dead men in the combat zone. They just lie there in the shadows until somebody else comes after them.

The unburdened mules moved off to their olive orchard. The men in the road seemed reluctant to leave. They stood around, and gradually one by one I could sense them moving close to Capt. Waskow's body. Not so much to look, I think, as to say something in finality to him, and to themselves. I stood close by and I could hear.

One soldier came and looked down, and he said out loud, "God damn it." That's all he said, and then he walked away. Another one came. He said, "God damn it to hell anyway." He looked down for a few last moments, and then he turned and left.

Another man came; I think he was an officer. It was hard to tell officers from men in the half light, for all were bearded and grimy dirty. The man looked down into the dead captain's face, and then he spoke directly to him, as though he were alive. He said: "I sure am sorry, old man."

Then a soldier came and stood beside the officer, and bent over, and he too spoke to his dead captain, not in a whisper but awfully tenderly, and he said:

"I sure am sorry, sir."

Then the first man squatted down, and he reached down and took the dead hand, and he sat there for a full five minutes, holding the dead hand in his own and looking intently into the dead face, and he never uttered a sound all the time he sat there.

And finally he put the hand down, and then he reached up and gently straightened the points of the captain's shirt collar, and then he sort of rearranged the tattered edges of his uniform around the wound. And then he got up and walked away down the road in the moonlight, all alone.

After that the rest of us went back into the cowshed, leaving the five dead men lying in a line, end to end, in the shadow of the low stone wall. We lay down on the straw in the cowshed, and pretty soon we were all asleep.




To: Hawkmoon who wrote (7112)12/10/2005 2:18:31 PM
From: paret  Read Replies (1) | Respond to of 15991
 
Gay cowboys hit U.S. screen, but no rings just yet
Reuters ^ | 12-9-05 | Claudia Parsons

NEW YORK (Reuters) - A gay cowboy movie won rave reviews on Friday as mainstream Hollywood embraced the tale of Marlboro men in love, but for most gay Americans the acceptance symbolized by marriage remains a distant dream.

Based on an Annie Proulx's short story, "Brokeback Mountain" is about two cowboys who meet and fall in love while wrangling sheep in Wyoming in 1963. Their love lasts through two decades as they each get married to women and live "normal" lives.

"Moving and majestic," said The New York Times; "An American masterpiece" said the New York Observer; "Unmissable and unforgettable" said Rolling Stone.

But The Wall Street Journal asked, "Is America ready for Marlboro men who love men?"

One answer delivered by a New York state court this week was "No" -- at least when it comes to marriage.

A lower New York court had ruled in February the rights of five same-sex couples were violated when they were denied marriage licenses.

But in a 4-1 ruling on Thursday, the state appellate court said it was not for judges to redefine the terms "husband" and "wife," which the lower court judge had said should be construed to apply equally between men and women.

Janice Crouse, senior fellow of Concerned Women for America, said the latest court ruling was a victory for common sense despite a powerful and orchestrated campaign to "normalize homosexual behavior," in which entertainment was a powerful weapon.

FROM MASSACHUSETTS TO NEBRASKA

Gay marriage was a big issue in 2004 elections when voters in 11 states overwhelmingly backed state constitutional amendments to define marriage as a union between a man and a woman.

David Buckel, senior counsel for gay rights group Lambda Legal Defense and Education Fund that is fighting gay marriage cases in at least six states, describes that campaign as a complicated patchwork from state to state.

Legal status for gay couples varies widely -- Massachusetts is the only state to allow gay marriages, while Nebraska passed a constitutional amendment in 2000 blocking any same-sex civil union, domestic partnership or marriage from being recognized.

"As with all civil rights movements there's an enormous amount of flux. ... It's familiar, it's dispiriting at times, it's very encouraging at times," Buckel said.

The makers of "Brokeback Mountain" will be hoping the political backlash in some states won't scuttle the $12.5 million movie, which is being rolled out gradually, starting in the liberal cities of New York, Los Angeles and San Francisco.

A recent Pew Research Center poll showed 53 percent of Americans supported gay civil unions, up from 48 percent one year earlier.

But "Brokeback Mountain" still faces a struggle.

Rolling Stone reviewer Peter Travers called it a "a landmark film" but said "with the rise of homophobia as church and state shout down gay marriage, the film is up against it."

Although "Brokeback Mountain" is restricted to audiences 17 or older, Crouse said it was part of a broad campaign to use entertainment to promote a homosexual lifestyle to children.

"Their major agenda is to make this normal," she said. "They know cowboys have this macho image, cowboys are particularly admired by children, cowboys are heroes."

But she said the film would not have broad appeal. "Most parents don't want their children indoctrinated," she said.

Damon Romine, a spokesman for the Gay and Lesbian Alliance against Defamation, compared the film to "Philadelphia," the 1993 film about a gay AIDS sufferer played by Tom Hanks.

"In today's climate, a sweeping romantic epic about two men in love is historic, but when we look back in 20 or 30 years 'Brokeback Mountain' will simply be considered a classic, timeless love story," he said