Stabbed in the Back!
The past and future of a right-wing myth
Friday, July 14, 2006. By Kevin Baker.
First drink, hero, from my horn: I spiced the draught well for you To waken your memory clearly So that the past shall not slip your mind!
—Hagen to Siegfried Die Götterdämmerung
Every state must have its enemies. Great powers must have especially monstrous foes. Above all, these foes must arise from within, for national pride does not admit that a great nation can be defeated by any outside force. That is why, though its origins are elsewhere, the stab in the back has become the sustaining myth of modern American nationalism. Since the end of World War II it has been the device by which the American right wing has both revitalized itself and repeatedly avoided responsibility for its own worst blunders. Indeed, the right has distilled its tale of betrayal into a formula: Advocate some momentarily popular but reckless policy. Deny culpability when that policy is exposed as disastrous. Blame the disaster on internal enemies who hate America. Repeat, always making sure to increase the number of internal enemies.
As the United States staggers past the third anniversary of its misadventure in Iraq, the dagger is already poised, the myth is already being perpetuated. To understand just how this strategy is likely to unfold—and why this time it may well fail—we must return to the birth of a legend.
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The stab in the back first gained currency in Germany, as a means of explaining the nation's stunning defeat in World War I. It was Field Marshal Paul von Hindenburg himself, the leading German hero of the war, who told the National Assembly, “As an English general has very truly said, the German army was ‘stabbed in the back.’”
Like everything else associated with the stab-in-the-back myth, this claim was disingenuous. The “English general” in question was one Maj. Gen. Neill Malcolm, head of the British Military Mission in Berlin after the war, who put forward this suggestion merely to politely summarize how Field Marshal Erich von Ludendorff—the force behind Hindenburg—was characterizing the German army's alleged lack of support from its civilian government.
“Ludendorff's eyes lit up, and he leapt upon the phrase like a dog on a bone,” wrote Hindenburg biographer John Wheeler-Bennett. “‘Stabbed in the back?’ he repeated. ‘Yes, that's it exactly. We were stabbed in the back.’”
Ludendorff's enthusiasm was understandable, for, as he must have known, the phrase already had great resonance in Germany. The word dolchstoss—“dagger thrust”—had been popularized almost fifty years before in Wagner's Götterdämmerung. After swallowing a potion that causes him to reveal a shocking truth, the invincible Teutonic hero, Siegfried, is fatally stabbed in the back by Hagen, son of the archvillain, Alberich.
Wagner had himself lifted his plot device from a medieval German poem, which was inspired in turn by Old Norse folklore, and of course the same story can be found in a slew of ancient mythologies, whether it's the fate of the Greek heroes Achilles and Hercules or the story of Jesus and Judas. The hero cannot be defeated by fair means or outside forces but only by someone close to him, resorting to treachery.
The Siegfried legend in particular, though, has nuances that would mesh perfectly with right-wing mythology in the twentieth century, both in Germany and in the United States. At the end of Wagner's Ring Cycle, the downfall of the gods is followed by the rise of the Germanic people. The mythological hero has been transformed into the volk, just as heroic stature is granted to the modern state. Siegfried is killed just after revealing an unwelcome truth—much as the right, when pressed for evidence about its conspiracy theories, will often claim that these are hidden truths their enemies have a vested interest in concealing. Hagen, as a half-breed, an outsider posing as a friend, stands in for something worse yet—the assimilated Jew, able to betray the great warrior of the volk by posing as his boon companion.
It was an iconography easily transferable to Germany's new, postwar republic. Hitler himself would claim that while recuperating behind the lines from a leg wound, he found Jewish “slackers” dominating the war-production bureaucracy and that “the Jew robbed the whole nation and pressed it beneath his domination.” The rape imagery is revolting but vivid; Hitler was already attuned to the zeitgeist of his adopted country. Even before the war had been decided, a soldier in his company recalled how Corporal Hitler would “leap up and, running about excitedly, say that in spite of our big guns, victory would be denied us, for the invisible foes of the German people were a greater danger than the biggest cannon of the enemy.”
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