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Politics : Sioux Nation -- Ignore unavailable to you. Want to Upgrade?


To: T L Comiskey who wrote (108630)6/26/2007 1:13:49 AM
From: Wharf Rat  Read Replies (1) | Respond to of 361360
 
Don't worry about it. Those guys are only from Santa Barbara, not Berserkeley. It's a party school, eh?

Taking tiny steps toward capturing the power of wind
San Francisco startup offers small turbines as one way to offset the cost of electricity
Kelly Zito, Chronicle Staff Writer

Sunday, June 24, 2007

On many afternoons, the wind saws so strongly through Chris Beaudoin's neighborhood above the Castro district that he can lean directly into it and not fall over. So, after 20 years of watching the trees whip and bundling up in thick sweaters to walk the dogs, he's buying a residential wind energy system he hopes will cut his power bill by 30 percent.

The heart of this system will be two graceful turbines that look like oversize Ikea lamps. They are the brainchild of Todd Pelman, a marine and energy engineer by training and a resident of another of San Francisco's notoriously windy neighborhoods. His new Bernal Heights business, Blue Green Pacific, seeks to capitalize not only on San Francisco's wind, but on its other plentiful natural resources -- open-minded residents like Beaudoin and the desire to be one of the greenest cities around.

Whether Pelman's "micro-wind" project is successful may also depend on something else San Francisco has in abundance -- red tape and high costs.

"When you're doing something like this, you continually doubt," Pelman said. "But I know a lot of successes in our marketplace have been just that -- disruptive technology or trying to create demand for something that doesn't quite exist."

Pelman, a 34-year-old with thick, black sideburns who looks more like a lead guitarist than an engineer, spends a lot of time in the garage. Not ripping power chords, but monitoring the performance of the first and only working Blue Green Pacific wind turbine. Installed on his roof, the prototype's name is Maggie, after the youngest child from "The Simpsons." The production model, which Pelman is working on now, will be Lisa, the next-oldest Simpson.

The road to the turbine-topped yellow house on Roscoe Street began in Germany, where Pelman worked as an engineer on consumer products. Knowing he and his wife would be moving to the blustery neighborhood above the Interstate 280 gulch, he started shopping for a wind turbine in a part of the world known for its use of renewable resources. But, after finding few options, he decided to build his own.

Rather than the typical, horizontal-axis, windmill-style turbines most people think of -- the Altamont Pass wind farm is a prime example -- Pelman's steel, aluminum and plastic machine has a vertical axis and no sharp blades.

It looks as though someone has sliced a hollow cylinder from top to bottom and twisted the two pieces around a pole, reminiscent of the double-helix of a DNA strand.

The 7-foot-tall turbine and generator on the roof capture the power and send it to an inverter that converts direct current to alternating current. From there, it feeds into the electrical panel, where it helps offset power supplied by PG&E.

If Pelman can reach his efficiency targets, a one-turbine system could contribute about 10 percent of a typical home's annual energy needs, or about 300 to 600 kilowatt hours per year. Adding more turbines -- Beaudoin is scheduled to have two -- increases the energy output.

It also increases the price, particularly for startup technology that requires expensive manufacturing in a high-cost place of business. Pelman estimates he will have sunk $200,000 of his own money into the project by the time he starts production, he hopes within the next year. The target price for a one-turbine system is $5,000 (not including state and federal rebates that could knock about $1,500 off the price).

Beaudoin will pay about $18,000 for his system. However, he will receive technological updates down the line, and his unit will provide Pelman and San Francisco with valuable data about the viability and scale of the system. Armed with that information, Pelman anticipates that he can raise money from Silicon Valley, where alternative-energy technology is the latest thing.

"A solar unit to take care of all my electrical needs would be about $75,000," said Beaudoin, a flight attendant whose work brings him to countries where wind and solar energy sources are the norm. "I figured why not experiment with wind and see where it goes? I think there's more flexibility there, and although it doesn't generate as much, you don't know where it will go."

"We have to start stepping up to the plate on this micro-scale," he added. "This resource that we use is finite."

For the average household, a $5,000 system would pay for itself in eight to 11 years, depending on the price of conventional energy, Pelman said.

San Francisco officials are publicizing their push to harness as much wind and sun -- and even tidal -- power as possible in a bid to reduce carbon emissions and become known as the most eco-friendly city in the United States.

Last week, Mayor Gavin Newsom announced the third city-supported study of tidal power in two years and the Board of Supervisors approved measures requiring that 51 percent of San Francisco's power come from renewable sources by 2017. Next year, the city's Public Utilities Commission plans to break ground on a 12-story headquarters using wind and solar power to satisfy nearly all of its energy needs.

But while solar has been used in urban and suburban environments for decades, wind power is less proven.

Renewable energy designer Reinhold Ziegler, who is working on the PUC building and who helped develop the Altamont Pass project, argues that in cities, wind power may be better suited for commercial buildings, which reach higher into dependable wind streams and have more surface area for turbines.

"There's so much turbulence and obstruction in San Francisco, it's unclear how these (residential turbines) will work," Ziegler said.

Clearly, wind turbines won't work in every neighborhood. In fact, Pelman received a call from a would-be customer in the Mission District, but there wasn't enough wind to make it feasible.

"There's not going to be hundreds of megawatts of small wind coming out of San Francisco," said Johanna Partin, renewable energy program manager for San Francisco's Department of Environment. "But if it does become affordable for building owners and allow them to offset their entire electricity usage, it's a good thing."

San Francisco's topography, which helps create the gusts and microclimates Pelman and others so covet, also creates its well-known views. That means clearing planning and building hurdles and overcoming any neighborhood opposition.

Pelman worked closely for more than a year with his neighbors, his city supervisor and planning officials to win approval for his turbine in Bernal Heights, which has among the strictest rules on height requirements.

Although Pelman points to the "visual noise" of satellite dishes, chimneys, vents and antennas, it is clear that until specific codes governing turbines are written, wind turbines and their impacts will have to be dealt with on a case-by-case basis.

Pelman and the Audubon Society are also monitoring his turbine to see whether it kills any birds (there have been none so far). Pelman said the vertical axis and opaque appearance of his turbine are safer for birds than traditional turbines.

Building a business, building a market, building community support are just some of the challenges Pelman faces.

He acknowledges the rise and fall of the renewable- energy revolution after the 1970s oil crisis. But his sense as a businessman, a power engineer and a consumer tell him that this time, it's different.

"There's certainly the possibility that it's a trendy thing, especially if energy prices stay low and go dormant," he said.

"But the reality is it's undeniable that the way we conventionally make and use electricity and our relationship with energy are not sustainable. In the end we have no choice," he said.

"I know our efforts have an impact in opening this market up. The extent of that impact will have to be determined, but we have to try."
sfgate.com.



To: T L Comiskey who wrote (108630)6/26/2007 1:38:05 AM
From: Wharf Rat  Read Replies (2) | Respond to of 361360
 
Boy, that really ties in nicely with the Dryas theory and the change in drainage patterns.

"This is what happens when you do interdisciplinary science,"

A similar thing happened with the dinosaur extinction. The asteroid idea originally came from a nuclear physicist whose son was a geologist. The only thing they had in common, besides DNA, was, of course, Cal :>)

It Came From Outer Space
By TIMOTHY FERRIS

--------------------------------------------------------------------------------
Walter Alvarez's scientific detective story makes the case that a giant impact killed the dinosaurs
Read the First Chapter
T. REX AND THE CRATER OF DOOM
By Walter Alvarez.
Illustrated. 185 pp. Princeton, N.J.:
Princeton University Press. $24.95.

--------------------------------------------------------------------------------


Walter ALVAREZ has been on the faculty at the University of California, Berkeley, for 20 years. For a couple of semesters in the early 1990's he happened to teach geology in North Gate Hall, across from the room where I was conducting a graduate research seminar. In those days, I would sometimes amble across the corridor, slip in by the back door and listen in on part of his lectures. I picked up a little geology, and with it a deepening respect for Mr. Alvarez as a teacher. An amiable, rail-thin redhead with faded blue eyes, he has a rambling, easygoing speaking style that can seem disorganized until one realizes that his anecdotes and asides arise from a considered vision of his research, and of geology in general, as a dynamic part of the larger process of human inquiry as a totality. In his lectures, he came across as a kind of working philosopher, constantly pausing to ask himself and his students just what it is scientists do, how they learn and to what extent they are justified in believing the stories they piece together and delight in telling one another.

Mr. Alvarez is highly regarded in University of California scientific circles -- no small feat on a campus that's dotted with parking marked 'NL,' reserved for its many Nobel laureates -- and even the undergraduates in his class who were not especially interested in science knew him as the man who discovered what killed the dinosaurs. But the full story was, of course, rather more tangled than that.

One of those parking spaces had belonged to Mr. Alvarez's father, the physicist Luis Alvarez, who won the prize in 1968 for his development of hydrogen bubble-chamber experiments and who recounted many of his other glittering attainments -- from X-raying the Pyramids of Egypt to analyzing the Zapruder movie of the Kennedy assassination -- in a widely read memoir, 'Alvarez: Adventures of a Physicist.' While he was alive (he died in 1988) his prominence made his son seem as inconspicuous as a small planet circling a brilliant star. The contrast was heightened by Walter Alvarez's choice of fields: geology wasn't physics, and Mr. Alvarez himself confessed, in his disarming way, that he was 'a little bit embarrassed' to be working in what was regarded at the time as a backwater science. Ironically, one of the things that made geology so dull was its habit of acting as if the cause of dinosaur extinction, rather than amounting to a monumental piece of scientific ignorance, could be dealt with by hiding it behind a cloud of pompous generalities. 'Mass extinction was treated as a nonproblem,' Mr. Alvarez writes in his deft and readable new book, 'T. Rex and the Crater of Doom.' The account in a leading textbook was typical. It declared, in self-congratulatory language, that 'whatever the cause, the latest Mesozoic was a time of trial' when many species 'were 'tried in the balance and found wanting' -- wanting in adaptiveness to the new environment.'

All that began to change when Luis and Walter Alvarez, in collaboration with a few of their Berkeley colleagues, proposed that what killed the dinosaurs, along with nine-tenths of all species then extant, was the impact of a major comet or asteroid. Their theory, widely disputed at first, enlivened and then transformed geology, and eventually helped revolutionize broader notions of how life on Earth evolved. Its triumph came with the discovery, in 1991, of the crater evidently formed by the fatal impact. Known today by the arresting if unpronounceable Mayan name Chicxulub, the crater straddles the coast of the Yucatan peninsula in Mexico. It is buried deep under hundreds of feet of sediment and measures more than 125 miles in diameter. (Estimates of its exact size vary, depending on how researchers read the deviations in local gravitational and magnetic field lines used to map it.)

The story of its discovery begins in the early 1970's, when Walter Alvarez was puzzling over the composition of a layer of rocks he'd chipped away in a gorge in Italy, near the city of Gubbio. The stratum dated back 65 million years, to the time when the long-glorious dinosaurs had suddenly disappeared. Oddly, it was rich in iridium, an element rare on Earth but common in comets and asteroids. Walter and Luis Alvarez pondered the matter for a year, then came up with the notion that the iridium had been splashed all over the planet by a killer impact. Their theory made headlines but scandalized many geologists who saw in it an unwelcome resurgence of catastrophism, the creationist doctrine that science had been obliged to defeat in the course of establishing gradual, long-term change as the engine behind Darwinian evolution.

The first test was to see whether the iridium was merely local or was to be found in strata of the same antiquity around the world, as would be expected had it been ejected by an enormous impact. This test the theory survived: strata excavated in Spain, Denmark, New Zealand and on the Pacific floor north of Hawaii yielded abnormally high iridium concentrations, as well as the 'shocked quartz,' globules, grains of soot and tiny spheres of fused silicates characteristic of an impact. Then geologists traced the ghostly outlines of the buried Chicxulub crater, and the Alvarez theory became so widely accepted that the menace of death from above is now part of popular lore. This year alone, it has been the subject of at least three televised documentaries and a television movie, 'Asteroid.'

As its tongue-in-cheek title suggests, 'T. Rex and the Crater of Doom' gets the facts across in a lighthearted, almost playful manner. But it's also solid science, a clear and efficient exposition that conveys plenty of cogent detail while keeping an eye on the subtle interplay of thought, action and personality that makes scientific research such arresting human behavior.

A good example is Mr. Alvarez's discussion of two riddles encountered by scientists investigating the global distribution of iridium and other debris thought to have been excavated by the Chicxulub impact. First, more shocked-quartz impact debris was found west of the crater -- in sediment cores taken from the Pacific Ocean floor -- than at the same distance to the east. This seemed very strange, but the solution turned out to be forehead-slappingly simple: the Earth's rotation had carried the impact site eastward while the debris was lofting high up and falling back down again, so that most of the stuff landed to the west of the crater. In a classic case of blinkering caused by knowing too much, the experts were delayed in hitting on the answer because most of them had learned about cratering by studying the moon, which rotates too slowly (only once every 28 days) to display any such effect.

The other riddle was that in the Western United States two kinds of ejecta -- shocked quartz and melted rock -- are not intermingled but segregated: the quartz is layered just above the melted rock. This could be explained if the quartz had been blown away from the impact site at a steeper angle than the melted ejecta, as the solution to the first puzzle also required. But twin patterns seemed to imply twin impacts from just one crater. How could that have happened?

Mr. Alvarez and a colleague, Philippe Claeys, consulted an impact dynamics expert, Susan Kieffer, who was then visiting Berkeley and who had 'studied all kinds of fast moving geologic processes,' Mr. Alvarez writes. 'Sue is a fine musician, and she once told me that the slow passages labeled adagio always bored her -- she likes her music presto or allegro molto vivace, and she likes geologic processes that move fast.' Mr. Alvarez and Mr. Claeys told her that they could explain both the 'shocked quartz pattern and the double ejecta layer if there was some way to launch the quartz on steeper trajectories than those of the melt droplets.' Her answer? The Chicxulub region is rich in limestone, which when vaporized would have released an enormous cloud of carbon dioxide. 'There must have been not one, but two gaseous fireballs -- the first a cloud of extremely hot, vaporized rock, and the second a cloud of CO2 vapor at a less elevated temperature, given off by more lightly shocked limestone,' Mr. Alvarez explains. Two fireballs, two patterns of debris fallout. 'It was satisfying to see details of the impact event fall into place so neatly.'

It is also satisfying to read about it, both in detail and in broad, confident generality, in this estimable account from the world's leading authority on death from above.

--------------------------------------------------------------------------------
Timothy Ferris is an emeritus professor of journalism at the University of California, Berkeley. His latest book is 'The Whole Shebang: A State-of-the-Universe(s) Report.'

nytimes.com