Mechanised muscular vodka-extraction.
That. mechanized, also changed the murrican cotton-(labour-)market.
I became exhalted, when hearing how the tequila business got started, supplied the fiber ropes to bind, bundle those tons of cottons.
Note, the fast growing brazilian pulp has short fibers, but the ones here in the north has theose long fibers which are needed to make the glossy paper of Playboy and National Geographics, lots of breasts)
But who needs the Playboy Magazine??
Gene-manipulated fibres, as well as vodka??
gilbertogil.com.br
gilbertogil.com.br
well, as it is said, not so sad, Jose and my worst sister, hopefully soon lost in forrests north of Uruguay....
The king of the trick - ê, Jose
The king of the confusion - ê, João
One worked in the fair - ê, Jose
Another one in the construction - ê, João
Last week, in the end of the week
João decided not to fight
In the sunday of afternoon he left hasty
E was not pra Ribeira to play
Capoeira
Pra Ribeira was not pra there
It was to namorar
Jose as always in the end of the week
He kept the tent and he disappeared
He was to make in the sunday a stroll in the park
There close to the Mouth it River
It was in the park that it sighted
Juliana
It was that it saw
Juliana in the wheel with João
A rose and an ice cream in the hand
Juliana, its dream, an illusion
Juliana and the friend João
The thorn of the rose wounded Zé
E the ice cream froze its heart
The ice cream and the rose - ô, Jose
The rose and the ice cream - ô, Jose
Oi, dancing in the chest - ô, Jose
Of joking Jose - ô, Jose
The ice cream and the rose - ô, Jose
The rose and the ice cream - ô, Jose
Oi, turning in the mind - ô, Jose
Of joking Jose - ô, Jose
Juliana turning - oi, turning
Oi, in the giant wheel - oi, turning
Oi, in the giant wheel - oi, turning
The friend João - João
The ice cream is strawberry - he is red
Oi, turning, and the rose - she is red
Oi, turning, turning - she is red
Oi, turning, turning - the knife looks at!
It looks at the blood in the hand - ê, Jose
Juliana in the soil - ê, Jose
Another fallen body - ê, Jose
Its friend, João - ê, Jose
Tomorrow ê does not have fair -, Jose
Ê does not have more construction -, João
Ê does not have more trick -, Jose
Ê does not have more confusion -, João
© Gege Musical Editions ltda (Brazil and South America)/Black Music (Remaining portion of the world)
60.296.194
Fiche technique of the band
voice: Gilbert Gil
voice: Rita Lee
To mount something different, leaving of regional, bahian elements, for the festival of the TV Record: this age the project of Gil when starting to think the song. "From there the idea", counts it, "to use a touch of berimbau, wheel of capoeira, as in one cantiga folclórica. The beginning of the melody and the letter of music already is taken off in these ways. With the characterization of the capoeirista and the feirante as personages, I already had the clear elements to start the creation of history."
*
"Some people think that she rhymes is alone ornament, but she rhymes it discloses incredible landscapes and universes; suddenly, you come across in the place more nonsense. I, who I look it first in the head, in the internal alphabet - but also I go to the dictionary -, I see three determinative simultaneous factors for the choice of rhymes: beyond the sound, the direction and the necessary displacement.
"In Sunday in the Park, pra to rhyme with ' disappeared ', I arrived at the Mouth of the River (quarter of Salvador). E when I thought about the Mouth of the River, came me a park of diversions that I had seen, does not know how many years before, installed there, and that, since then, it identified to the Mouth of the River pra me: since that day, the souvenir of the place always came together with the giant wheel that I had seen there. There I wanted to use the term and wrote down, laterally, in the paper: ' giant wheel '. It went to have that to come pra history in some way, in instants.
"necessary Age also to make the João and Jose if to find. The João did not have IDO there ' pra ', pra Ribeira; he had IDO ' to namorar ' (pra to rhyme with ' there '). Where? In the Mouth of the River, pra where Jose, of another part of the city, also was. In the park he comes the conformation of the psychological characters of the two. One, audacious, opened, expansivo one. The other, shy, retreating. This, wild for Juliana but without courage of if declaring, lived has times a platonic love, idealizing a chance pra to speak with it. In that day it arrives at the park and he finds it with João, who was there for the first time and he did not know it, but already had sung Juliana and if he amused with it in the giant wheel. Pro is the total disillusionment Jose, who does not resist.
"Age alone to conclude. The funny giant wheel, and the ice cream, until then ice cream alone, already pra is strawberry ice cream power to be red, and the rose, before pink only, is red also, and the red goes well giving to the blood suggestion - American film -, and, in the cut, the knife and the same cut. The sudden impetus, the sudden manifestation of a power in Jose: it shows fort, daring, enough. The courage that it did not have to approach Juliana, it has to kill."
*
"the song was born, therefore, of the will of mimetizar sings it folk and to represent the arquétipos of the music of capoeira with exclusive, specific data: with a romance of this, this Mexican history. It is everything married."
*
"Sunday in the Park, as Luzia Luluza and others of the same period, was made in the Danube Hotel, where I liveed during one year, in São Paulo. Nana [ the singer Nana Caymmi, second woman of Gil ] slept to my side. We had come of the house of painter Clovis Graciano - friend of Caymmi -, where I had recollected very the Bahia and Caymmi. I was impregnated of this, and therefore he left Sunday in the Park: because of Caymmi, of the son of it, the pictures in the wall. To ones two of the morning we were for the hotel and I was with that in the head: ' I go to make a music to la Caymmi, to make of new a Caymmi, Caymmi today ' I caught paper and violão and I worked the night all. Already it was day, when I finished. Of morning, I recorded."
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