To: Land Shark who wrote (88532 ) 5/29/2012 1:19:28 PM From: longnshort 2 Recommendations Respond to of 89467 In a taped interview in 1990, revealed now in "Yours in Truth: A Personal Portrait of Ben Bradlee," the former Washington Post executive editor himself dynamites the myth: "Watergate ... (has) achieved a place in history ... that it really doesn't deserve. ... The crime itself was really not a great deal. Had it not been for the Nixon resignation, it really would have been a blip in history." Buchanan enjoyed how Bob Woodward was put on the other side of the microscope: Still, what is most arresting about "Yours in Truth" is the panic that gripped Bob Woodward when Jeff Himmelman, the author and a protege of Woodward, revealed to him the contents of the Bradlee tapes. Speaking of "All the President's Men," Bradlee had said, "I have a little problem with Deep Throat," Woodward's famous source, played in the movie by Hal Holbrooke, later revealed to be Mark Felt of the FBI. Bradlee was deeply skeptical of the Woodward-Felt signals code and all those secret meetings. He told interviewer Barbara Feinman: "Did that potted palm thing ever happen? ... And meeting in some garage. One meeting in the garage. Fifty meetings in the garage ... there's a residual fear in my soul that that isn't quite straight." Bradlee spoke about that fear gnawing at him: "I just find the flower in the window difficult to believe and the garage scenes. ... "If they could prove that Deep Throat never existed ... that would be a devastating blow to Woodward and to the Post. ... It would be devastating, devastating." When Himmelman showed him the transcript, Woodward "was visibly shaken" and repeated Bradlee's line -- "there's a residual fear in my soul that that isn't quite straight" -- 15 times in 20 minutes. Woodward tried to get Bradlee to retract. He told Himmelman not to include the statements in his book. He pleaded. He threatened. He failed. That Woodward became so alarmed and agitated that Bradlee's bullhockey detector had gone off over the dramatized version of "All the President's Men" suggests a fear in more than just one soul here.