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To: John Rieman who wrote (19)11/29/1997 7:30:00 AM
From: Maya  Respond to of 324
 
To: +J Fieb (25862 )
From: +John Rieman
Friday, Nov 28 1997 10:58PM EST
Reply # of 25865

The power of content. If you want MTV and VH1 or your digital tier, you must take
the 4 new digital channels. Interesting.......................

multichannel.com

Nets Rock on Digital
MTV, VH1 Join Parade of Programmers

Home

Broadband Week

Subscriptions

Cable-Related Classified

New York -- Programmers, including MTV Networks Inc. and Walt Disney Co., are
rushing to stake their claims in the new digital landscape.

Last week, MTVN laid out plans to roll out a package of seven digital music networks
next July in genres ranging from rap to rock. MTV's announcement came just a day
after Lifetime Television said it plans to launch the Lifetime Movie Network next
September, for analog and digital distribution.

The sudden abundance of digital channels is no coincidence. Programmers are trying to
have product ready that will get them shelf space on the digital-video tiers that MSOs
started rolling out this year.

"If you don't have product in the wings when a cable system starts to provide digital
capacity, you get left behind," said Tom Wolzien, an analyst at Sanford C. Bernstein &
Co. "This [MTV's and Disney's digital networks] makes sense. Think of those as
placeholders."

The land-rush to multiplex is reminiscent of several years ago when programmers such
as MTV made grandiose plans to multiplex. MTV tabled its earlier strategy to launch
three multiplexed services when it found no takers.

Now MTV, jumping on the digital bandwagon along with other programmers,<Picture:
MTVN CEO Tom Freston> is developing "The Suite from MTV and VH1." It will
offer seven music-video services featuring genres that are extensions of MTV: Music
Television and VH1 with one wrinkle: With the exception of M2, operators must take
all six services or none at all.

Lifetime's movie channel is one of four digital networks that Geraldine Laybourne,
president of Disney/ABC Cable Networks, alluded to during a speech last month in
Washington, D.C., according to Lifetime president Douglas McCormick.

The selling point for "The Suite," according to MTVN president and CEO Tom
Freston, is that it can help drive digital distribution for cable operators.

"We've had preliminary talks with virtually all the major MSOs, and what they tell us is
obviously for them it's really important to sell these digital boxes and get them into
homes," Freston said. "One thing that's going to help that is brands -- viable brands.
And MTV and VH1 are certainly viable brands that mean something to people."

However, at least one programming official from an MSO that has already launched
digital -- and is already marketing it to consumers -- was lamenting that MTVN and
Lifetime are so late coming up with digital networks.

"I wish they had come out with this stuff a little bit earlier," said Bob Wilson, Cox
Communications Inc.'s vice president of programming. "It would have helped us plan in
advance. Now it's all a matter of how flexible they're willing to be on the pricing."

Cable operators this year finally started rolling out the digital set-top boxes that will
increase channel capacity, creating additional berths for networks to gain carriage.

Discovery Communications Inc. had four digital networks ready for them at the get-go.
Discovery's services are part of the digital platforms that Tele-Communications Inc.
and Cox launched this year, which have created a cache of new channel capacity.

"There has been a limited amount of real estate [channel capacity for new networks],"
said Gary Farber, an analyst at NatWest Securities. "But with digital, it's as if midtown
Manhattan had three more blocks added."

The model for all the digital networks is the same: to program them inexpensively with
library product.

MTV's The Suite will include as its flagship the existing M2, which will be available as
a stand-alone analog channel as well as part of the digital package, Freston said. The
rest of the digital channels include: "MTV Ritmo," which has a Latin flavor with
dance/pop, Tejano, Cuban and Ranchera music; "MTV Indie," featuring rap and
techno from independent labels; "MTV Rocks," hard rock and heavy metal; "VH1
Soul," with soul and rhythm and blues; "VH1 Country"; and "VH1 Smooth," which
offers jazz, New Age and adult contemporary.

"We think it's [digital networks] a great opportunity to broaden our business and
become a more fully integrated music supplier," Freston said. "This step gives us
businesses in analog, digital and online."

Operators will not be able to pick and choose just a couple of the The Suite's digital
networks, Freston said.

"You can take M2 separately, analog or digital, but we're not allowing 'The Suite' of
six to be broken down," Freston said. "They work well as a package and that's the
way we'd like to market them."

The rate card for The Suite will "be a function of the type of carriage we have for our
analog services" from an operator, Freston said. The license fees for the digital
package will vary roughly from 10 to 20 cents a month per subscriber, with discounts
based on the more MTV services an operator carries.

Wilson stressed that flexibility in pricing will be a key in terms of whether Cox
considers adding these services onto its existing digital tier.

"We've gone with a certain group of services and priced it and packaged it in a certain
way, such that it made financial sense," Wilson said. "We pretty much went out with
what was available at the time. ... There's going to be some evaluation needed as these
new services come out. We can't disrupt too much existing service."

According to Wilson, "As the new stuff comes out, and as compelling stuff comes out,
how do we get it into our packages? They've got to make it fairly easy for us."

The Suite and Lifetime's movie network will be offered to direct-broadcast satellite
providers as well as cable, network officials said.

MTV faces unique competition with its digital package. TCI's Headend in the Sky
service, which delivers digitized programming to TCI and non-TCI systems, already
offers The Box Set, four new digital music multiplex services from The Box. TCI is
also acquiring The Box.

The Box Set includes: Pulse, Top 40/adult contemporary music; Classic, music videos
from the mid-'70s to the '90s; Urban, contemporary rhythm and blues, hip-hop and
reggae; and Edge, cutting edge alternative and modern rock.

Freston said MTV has preliminarily discussed The Suite with TCI. A TCI spokesman
said the MSO would "absolutely" be open to talking to MTV about The Suite for
HITS, even though it's already carrying The Box Set.

"We always keep an open mind," he said.

Alan McGlade, president of The Box's parent, The Box Worldwide Inc., said his four
digital music-video channels have a jump on MTV's lineup.

"We're already up with four digital channels now," McGlade said. "We're aggressively
marketing them. And we've had several good meetings with MSOs outside of TCI."

MTVN, part of Viacom Inc., doesn't expect to cannibalize its MTV or VH1's
viewership with its digital channels, because the programming will be different, Freston
insisted.

"We don't think that's [cannibalization] a big threat," he said. "The programming on
these channels, these formats, has been carefully selected to largely feature the type of
music that is not played to any large extent on MTV or VH1. So the greater part of the
viewership of them would be by people who now don't watch much MTV or VH1 at
all."

MTV won't attempt to sell advertising on its digital networks until they hit a critical
mass in terms of distribution, Freston added.

Following in the footsteps of several other programmers, The Walt Disney Co. plans to
launch four digital networks, reportedly including one with soap operas and another for
kids.



To: John Rieman who wrote (19)11/29/1997 7:31:00 AM
From: Maya  Respond to of 324
 
Diva/Sarnoff's VOD, "OnSet". Just put this box on top of your Divx DVD player,
cable/satellite box, and webTV box. If you still have a VCR, your going to need to
move it..............................

multichannel.com

Valley Co. Perks Up VOD Market

By LESLIE ELLIS

A quiet Silicon Valley company called Diva Systems Inc. emerged last week with a
digital solution attractive enough to breathe new life into video-on-demand.

Last week, Diva, a clandestine Silicon Valley start-up that is already two years old,
came out of the closet with a turnkey VOD system called "OnSet," which is already
operating in Suburban Cable's Philadelphia-area system.

Adelphia Communications Corp., Cablevision Systems Corp., Rifkin & Associates
Inc. and six other, undisclosed MSOs representing a combined 11.6 million homes are
also soon to be takers, reasoning that Diva's combined business, content and
technology plan meets their needs.

"The difference between Diva and the other video-on-demand technologies is that Diva
makes sense for an operator," said Joe DeJulio, vice president of network services for
Suburban. "It's a true digital server, controlling a true bit stream, in real time."

Saying that the system is was doing a slow, controlled launch, DeJulio added, "The
ones who have it are extremely excited," but he declined to say how many are
subscribing.

Diva is funded by over $100 million in private equity and staffed by a widely respected
group of employees -- many formerly with Viacom Cable, and others from Home Box
Office and other industry segments.

"That's one of the factors that impressed us -- a very impressive personnel list," said
Pete Smith, vice president of engineering for Rifkin, who added, "No lightweights
there."

VOD services, which were widely tested in 1994 and 1995, trickled out of the
mainstream last year because of high equipment costs and the enveloping presence of
the Internet as the next means of television interactivity.

But in the interim, disk-storage-space prices dropped sharply, making Diva's
persistence at developing its complete package seem timely, analysts said.

Suburban started connecting employees in Delaware County to the OnSet service in
June, and it moved to a "controlled launch" last month, said DeJulio. Next year,
Suburban will extend the launch to its Harrisburg, Pa., and Wilmington, Del., systems.

In the initial phase of the rollout, OnSet provides "instant access" to hundreds of new
Hollywood titles, as well as classics and a package of children's and family programs,
with VCR functionality like fast-forward, pause and rewind.

Already, Diva's licensing arrangements include more than 2,000 new movie releases
and other titles from 20 movie studies, among them Warner Bros. (including New Line
Cinema and Turner Pictures), Walt Disney Studios, Columbia/TriStar, Universal
Studios, HBO, Public Broadcasting Service and Children's Television Workshop,
executives said last week.

Suburban's customers who take the OnSet service pay a monthly service fee of $5.95,
then $3.95 per new-release film and lesser amounts for older movies and children's
content, executives said.

Dan Liberatore, vice president of engineering for Adelphia, confirmed a trial for next
year in its Lansdale, Pa., system.

Smith also confirmed a plan to put Diva's OnSet in one or more of Rifkin's systems
next year.

"It's very functional and easy to use, and I think that there are some real incredible
packaging opportunities," said Smith. "It certainly appears that they've got all of the
pieces of the puzzle."

Those puzzle pieces include a scaleable video server, which was initially developed by
Sarnoff Research Inc. to simultaneously test several RCA TV sets. It holds 1,000 films
that can be streamed out eight at a time into a 6-megahertz channel, using 64-QAM
(quadrature amplitude modulation), said Del Heller, vice president of systems
integration for Diva.

With a digital-video-multiplexing ratio of 8-to-1, as few as two 6-MHz channels offer
up to 1,000 titles over a cable system designed to serve 500 homes per node, Heller
said.

In the home, a Sarnoff/Diva digital set-top decodes the incoming bit stream and passes
it off to the television set. Diva contracted Jabil Circuit Inc., a large
consumer-electronics manufacturer, to build the set-tops.

And although Diva executives said they're not interested in manufacturing set-tops in
the long run, the current situation means that subscribers already receiving scrambled
premium channels will need a second set-top if they take the OnSet service.

"It's a bit of a problem, sure," said Smith. "But I've been assured that [Diva] will shift
the technology into other [vendors'] set-tops."

Diva will also have to figure out how it fits into the OpenCable digital set-top
developments, MSO executives said.

Because the system is configured as a turnkey -- meaning that Diva provides, maintains
and owns all key technology pieces -- operators that use OnSet need only to find
headend space for four cabinets, plus dedicate up to four 6-MHz channels of
bandwidth to the on-demand service, Heller said.

The total amount of dedicated bandwidth depends on penetration and buy- rates, as
well as on overall system architecture, he said.

Paul Cook, chairman and CEO of Diva, said last week that Diva's business plan will
work because each carriage agreement spans seven years, "which guarantees us a
revenue stream that covers the capital costs.

"We're going after the midsized and small systems first, and we believe that we can be
successful at 1 million subscribers," Cook said.



To: John Rieman who wrote (19)11/29/1997 7:42:00 AM
From: Maya  Read Replies (2) | Respond to of 324
 
Maybe the predictions are just slow to occur and will happen in the 2000s. Until it takes off, we will never know. Divicom would resemble CISCO.



To: John Rieman who wrote (19)11/29/1997 10:25:00 AM
From: CPAMarty  Respond to of 324
 
Will someone with more technical knowledge that I comment on whether 3Com operations in the cable will compliment or compete with CUBE. Below is a story form barrons 12/1/97 edition
at interactive.wsj.com

The Future is 3Com

This beleaguered firm has an ace up its sleeve: mind-blowing Internet capabilities

<Picture: thin rule>
By Bill Alpert

When I bought my house, I installed a cable TV jack near my personal computer. I was ready for one of the new cable modems that would allow me to surf the Internet hundreds of times faster than the clunker modem that's attached to my phone line. I couldn't wait for waves of full-motion video to come crashing over me. What a relief it would be after years of watching Internet images appear piecemeal on my computer screen, like photos from some deep-space probe.

"What's a cable modem?" asked my cable-service rep, irritably. That was almost two years ago. I'm still waiting. So are lots of other folks, including investors in 3Com Corp., the Santa Clara, California-based networking company that became a leader in the modem business in February by agreeing to acquire US Robotics.

<Picture: [Illo]>

Sales of modems that permit 'Net surfing via cable TV lines may surge before long, but for now, 3Com and its rivals are dependent mainly on sales of traditional modems, meaning the ones that get computer users onto the 'Net via phone lines. And sales of phone modems are sagging. Recent disclosures show, for example, that sales at 3Com's US Robotics operation dropped to an anemic $15 million in April and May of this year, down from $690 million in the previous three months.

With unsold phone modems stacking up in retail stores, Wall Street has started to worry that 3Com's earnings will suffer. For the quarter ended November 30, analysts have reduced their earnings expectations to $160 million, or 44 cents a share, down from $190 million, or 53 cents. The lowered expectations are quite a comedown from the quarter ended August 30, when 3Com earned $172 million, or 48 cents a share, excluding merger charges, on revenues of $1.6 billion.

The earnings shortfall certainly seems to indicate that 3Com overpaid when it bought US Robotics for $8 billion. Indeed, for the current fiscal year, ending next May, 3Com will be lucky to earn $750 million, or $2 a share, on revenues of perhaps $7 billion. Little wonder that 3Com's shares in the past six weeks have been pounded down from the mid-50s to a recent 36.

But what's been obscured in all the hand-wringing is the tremendous potential of the modems that 3Com will soon sell to allow folks to get on the Internet through their cable-TV lines. By the year 2003, cable-TV modems alone could make 3Com more than $2 billion in annual revenues.

Such optimistic predictions are based in part on the phenomenal performance of these modems. They will allow personal computers to take in data from the Internet 100 times faster than do today's 28.8-kilobit-per-second modems. This is the breakthrough I've been waiting for, the one that will allow personal computers to take in video and audio feeds that are clear, crisp and lifelike.

Right now only about 50,000 people are tapping into the Internet via their cable-TV lines. But the rollout of such service should accelerate in the next year or so, particularly after cable modems start appearing on the shelves of computer retailers in the second half of 1998. The new modems will be made by 3Com as well as by rivals such as Motorola, Samsung, Sony and Matsushita's Panasonic unit. The spread of cable modems will also prod cable-TV operators to buy more networking gear, and those purchases should benefit 3Com, Bay Networks and Cisco Systems, among others.

What should make the market for cable-TV modems explosive is the fact that manufacturers have already agreed to a common standard. By contrast, sales of phone modems have been lame because there is no common standard for high-speed modems, making it difficult for PCs to rapidly communicate with one another and with online services.

To understand 3Com's potential in this area, you first have to understand the current situation in the Internet access field. Most homes in North America nowadays have two wires running into them: a phone line and a cable TV line. Until this year, many folks predicted that the first high-speed Internet service available to homeowners would be a technology called Digital Subscriber Line, from the telephone companies. Although "DSL" service is available in a few locales from such telephone companies as U S West Communications and SBC Communications, squabbles on standards and tariffs have delayed industry plans for widespread deployment into 1999 and beyond. Even where it is available today, DSL service ain't cheap, with U S West charging $145 per month for 704 kilobit-per-second Internet service, which is about 25 times faster than today's typical modem links.

Cable-TV wires are fatter, so it has been quicker and cheaper to hammer out that industry's high-speed data technology. Through cable's big pipe, goodies can flow downstream from the Internet to the subscriber's home at rates that average a few thousand kilobits per second-100 times the speed of most phone modems.

Pushed by three large providers, Internet access via cable TV started a slow rollout in the last year. The biggest promoter is the At Home Corp., a Redwood City, California, firm whose shares popped from $10.50 to $25 on the day of its Nasdaq debut this past July. That put a momentary valuation of $3 billion on the firm, whose cumulative revenues were under $3 million. At Home has a lock on providing Internet service to the nearly 50 million customers of Tele-Communications Inc., Comcast Corp., Cox Communications and Cablevision, among others, and those cable firms remain At Home's controlling shareholders.

Next in size is the Road Runner Group, a Stamford, Connecticut, joint venture of Time Warner Cable and Time Inc. that has first dibs on Time Warner's 13 million cable homes. Third-largest in cable modem service, with a market of five million homes, is MediaOne, now part of US West Media Group.

<Picture: [graph]>
3Com has lost billions in market value since its US Robotics merger in February. Can its new modems repair the damage?

For Internet geeks like me, the price of accessing the Internet via cable TV represents a great value. Most operators charge $40 a month, modem included. My old-fashioned Internet service seems thrifty, at $20, but I'm paying telephone charges in addition to my Internet service payment, and most heavy users pay for a second phone line, too.

And that doesn't factor in the blow-your-hair-back experience of fast access. According to the December issue of Windows Magazine, downloading a 10 megabyte file with today's best 56-kilobit telephone modem took 30 minutes, under ideal circumstances. With ISDN service, which is a faster and much more expensive telephone service, the download took just over 10 minutes. On a T-1 phone line, which costs $500-$1,000 a month, the download took 52 seconds. And on a $40-a-month cable modem service, the file download was less than 27 seconds.

"Very few people give up the service once they have it," says Steve Hill, a former broadband data services executive at MediaOne. In the year since the introduction of MediaOne's two-way data service, there have been almost no subscriber defections, Hill says.

Cable-TV Internet systems weren't born with all the advantages. Cable television was invented as a one-way medium, so upstream transmission from the home to the Internet is just rotten over a traditional cable system. An inexpensive stopgap approach uses an old-fashioned telephone modem to carry signals back upstream, but such schemes give up some speed. They also do away with one of the most appealing features of Internet service via cable, the "always on" capability.

As users know all too well, it can take five minutes to dial up a conventional online service to get E-mail. With cableTV modems, subscribers get their E-mail instantly. The same goes for stock prices, traffic reports or basketball scores. To deliver "always on" service, cable operators have to upgrade their cable systems for two-way traffic, laying down a network that's a hybrid of fiber optics and cable.

These system upgrades cost plenty, averaging as much as $1,400 per subscriber, so any cable modem deployment has to leap some economic hurdles.

After putting in a two-way pipe, the remaining pieces of a cable data network are two: the companies' "head end" boxes and the homeowners' cable modems. At the head end, the hardware is quite similar to that of a traditional online-service provider, with racks of modems, routers and computer servers. A head-end setup that can handle a few thousand subscribers costs $500,000-$1 million.

A much bigger expenditure will loom at the other end of the pipe as the number of subscribers climbs. To date, cable Internet services have followed the tradition they established with set-top boxes and rented subscribers their cable modems. At $400$500 a modem, this cost would weigh heavily on cable firms' balance sheets, far exceeding the hardware at their headends. That's why cable companies want to encourage consumers to buy their modems at retail stores.

Any major bout of capital spending might have seemed impossible for the cash-strapped cable-TV industry to handle before Microsoft invested $1 billion in Comcast this past June. The infusion was intended to finance Comcast's upgrade to allow Internet access, among other things. Microsoft's investment has also had a multibillion-dollar multiplier effect by making cable-TV stocks rise, by 50% in some cases. A rich stock price, of course, makes it easier to finance upgrades.

Through September, cable firms linked by At Home had upgraded cable operations serving 2.7 million homes, says At Home Chief Financial Officer Ken Goldman, with the total expected to approach five million by year-end. That's 10% of those systems' homes. Next year Goldman expects upgrades in systems serving an additional six million homes.

Time Warner's Road Runner will be nearing two million homes by year-end. The Time Warner system hopes to be entirely spruced up for two-way service by the year 2000. Meanwhile, a million homes in MediaOne's franchises are passed by upgraded cable networks.

As noted, only about 50,000 North American homes had actually signed up with the major cable modem services through September: 26,000 with At Home; 20,000 with Road Runner; and 10,000 with MediaOne. That's a small start, but most systems have only recently turned on. In the four markets that Road Runner has had in operation for at least six months, penetration averages 2.5%, with Portland, Maine, already at 4.2%.

Roger Keating, who runs Comcast's online operation, says that the Comcast-At Home venture will become a financial success when it signs up roughly 5% of Comcast's cable TV homes. At Home Network should start showing net profits in 1999, at somewhere between 5% and 10% penetration of its cable affiliates.

Cable modems will sell through computer and electronics stores, and eventually cost less than $200. Mail-order personal computers will come with the modems pre-installed. 3Com and other manufacturers aim to provide modems to both retailers and computer makers. Although the cable guy will continue to show up at homes to install the gear, eventually there will be plug-and-play modems that subscribers can install themselves.

"Retail distribution for modems is going to be a huge boost," says Henry T. Nicholas, chief executive of Broadcom Corp., an Irvine, California, firm that makes microchips for cable modems.

With its dominant share of telephone modem sales to retail outlets, 3Com predicts that its US Robotics brand will also become the No. 1-selling cable modem in 1998. "This is our home turf," declares 3Com Senior Vice President Rick Edson.

Edson hopes that by 2003, 3Com will be selling cable modems at the same rate it sells phone modems today, that is, a million units a month, making for potential annual revenue of more than $2 billion. It's true that the other two-thirds of 3Com's business, meaning network cards and local-area-network systems, are encountering some price competition. But the company is gaining market share in these areas, and its customers must continually upgrade their networks, says UBS Securities analyst Scott Heritage.

Let's face it, the coming surge in cable-modem sales at 3Com may not come quickly enough to gracefully pick up where phone-modem sales are leaving off. But the cable-modem market will surely be a huge one. And that fact isn't fully reflected in 3Com's current stock price.

<Picture>
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To: John Rieman who wrote (19)11/29/1997 10:44:00 AM
From: CPAMarty  Read Replies (1) | Respond to of 324
 
The question raised in my previous post is whether a CUBE chip would also be required in addition to 3Com's modem