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To: Humblefrank who wrote (29003)2/1/1998 10:16:00 AM
From: John Rieman  Read Replies (1) | Respond to of 50808
 
Malone's HDTV plans...................................................

multichannel.com

TCI REBUTS CEMA; IS HDTV BY ANY NAME STILL HDTV?

By FRED DAWSON

Tele-Communications Inc. last week clarified its position on HDTV formats with a strong rebuttal to criticism from consumer-electronics companies, amid continuing confusion over which approaches to digital television will prevail in the marketplace.

"The technology in TCI's advanced digital set-top devices allows a television signal in any HDTV format to be transmitted to a customer's high-definition television set," said TCI president and chief operating officer Leo J. Hindery Jr., in a prepared statement.

A week earlier, at the National Association of Television Programming Executives conference in New Orleans, Consumer Electronics Manufacturers Association president Gary Shapiro sharply criticized TCI. Shapiro contended that the new OpenCable digital set-tops ordered by the MSO will not transmit what CEMA defines as true high-definition formats.

"CEMA's information is incorrect, and it was extremely irresponsible for them to mislead the public," Hindery said. "The truth is that TCI has provided for additional choices and flexibility for all involved."

The issue is extremely sensitive, as signaled in Shapiro's reference to the need for must-carry rules that would require cable operators to deliver signals in the HDTV formats chosen by broadcasters.

Members of Congress have already warned broadcasters not to undermine the intent of the free allocation of digital spectrum for HDTV by delivering services exclusively tied to lower-level formats, which has prompted many broadcasters to downplay any plans that wouldn't include at least some HDTV programming.

TCI would much prefer to negotiate format and other issues with broadcasters as a matter of mutual business interests, as opposed to being forced into specific solutions by must-carry rules, said TCI spokeswoman LaRae Marsik.

"We think that the choice of formats should be market-driven, but whatever the market determination is, we have the capability to support it," she said.

TCI has said that its new set-tops, due to be deployed sometime in 1999, will be equipped with the capability to convert signals delivered in what Microsoft Corp. refers to as "HDO," which includes 480P (progressive scan) and 720P/24 frame iterations, to the analog NTSC (National Television System Committee) format for reception on traditional TV sets.

The ability to perform this conversion, thereby opening a vast audience to broadcasters' and other providers' digital programming, could help to sway programmers to operate in this format, as opposed to what CEMA defines as true HDTV, which is either 1080I (interlace) or 780P.

TCI chairman and CEO John Malone alluded to the benefit to broadcasters in this approach during his press conference Jan. 10, saying, "This could turn out to be a very positive aspect for the broadcasting industry as they try to make economic sense out of their entry into HDTV."

Malone added that the 480P approach "will enhance the quality received on any TV set and reach its maximum quality on HDTV receivers."

Such thinking has long inflamed consumer-electronics manufacturers, which have pegged their product strategies to a "bigger is better" stance that says that any display format with less than 1 million pixels won't stand up to consumer expectations when viewed on big screens. While consumer-electronics manufacturers say their HDTV receivers are designed to take in any of the 18 digital TV formats endorsed by the Federal Communications Commission, most are limiting their display capabilities to 1080I, 780P, or both. Some are adding special filtering equipment to enhance lower-level formats so that when they are displayed on the high-end screens, the quality gap will be mitigated somewhat.

"How long will it take a broadcaster that has standard-definition digital [SDTV] on his channels to realize that he's losing market share to the channel that is delivering true high-definition?" asked Lou Lenzi, vice president of multimedia services at Thomson Consumer Electronics Inc. "The name of this game is bigger and better pictures, and that is what will drive market penetration of digital television sets."

TCI officials said that if the broadcast industry ultimately agrees with this view and chooses to go with 1080I as the predominant HDTV format, the company will react accordingly.

Marsik said TCI could specify that its set-tops convert higher-level signals to analog if it turns out that this is the direction that the market takes, but the intention is to only convert the HDO formats to analog at this point.

After Malone announced the MSO's agreement on set-top software and HDTV formatting with Microsoft Jan. 10, there was a widespread perception that the commitment to HDO included a decision to downconvert higher-format signals at the headend so that only the lower, more bandwidth-efficient format options would be passed through to subscribers.

At the TCI press conference, Microsoft senior vice president Craig Mundie appeared to set limits on the signal pass-through capabilities of the planned set-top terminal

"This box, as currently specced, will provide for the original set of video formats up to and including 480P and 720P/24 that was originally proposed by Compaq [Computer Corp.], Intel [Corp.] and Microsoft as the base level for HDTV," Mundie said.

In an interview at that time, a Microsoft official indicated that this was the case, and that's how the HDTV-format decision was reported.

By leaving its options open, TCI avoids the controversies that a more limited approach to HDTV might provoke -- not only with consumer-electronics manufacturers, but within the cable industry, as well.

At the same time, however, it remains to be seen whether the manufacturers will ultimately prevail in pushing the full HDTV format over other options, given the uncertainties surrounding consumer perceptions of differences in quality among the various formats.

That uncertainty was reflected in the initial broadcast-digital product being shipped through the new strategic partnership involving Lucent Technologies Inc. and Harris Corp.

"We're shipping chips supporting 480I [standard-definition] at this point," said Paul Wolford, an executive in Lucent's new digital video group.

Harris and Lucent have teamed up to create a completely integrated encoding and transmission system for broadcasters that allows them to start out with the SDTV format and to later migrate to full HDTV without having to add a separate system.

As the encoding capabilities are upgraded to include full HDTV, broadcasters will be able to shift from one format to the other, as programming needs warrant, using the same chip set, Wolford said. He added that Lucent will demonstrate full HDTV capability over the chip set starting in April, and that it will begin shipping the multiformat version by midsummer.

Initial customers for the SDTV chip set are A.H. Belo Broadcasting of Dallas and Cox Broadcasting station WSB-TV in Atlanta. Most broadcasters have not indicated detailed plans as to what portion of their airtime will go to full HDTV and which formats they'll use.



To: Humblefrank who wrote (29003)2/1/1998 10:59:00 AM
From: CPAMarty  Read Replies (1) | Respond to of 50808
 
Coming Attractions Digital Tv Arrives, Dvd Tries to Take Off in '98
infoseek.com
The Hartford Courant
Thu, Jan 29 1998

High-definition television, the must-see digital TV, transformed the recent Consumer Electronics Show into the largest show-and-tell session in the hemisphere.

Although the first digital sets are not expected in stores until late this year, more than a dozen manufacturers lined up monstrous working prototypes. By Vegas standards, the demonstrations were understated, even dignified. But to draw attention to the breathtaking clarity and depth of digital TV -- or to the equally stunning prices, $5,000 to $10,000 -- did not require a hip-wiggling Elvis impersonator.

It was easy to work up a froth while taking in the crystalline images. People stood five minutes, 10 minutes and more, mesmerized by stock nature scenes. Thomson Consumer Electronics showed a few plays from a football game between the Dallas Cowboys and Pittsburgh Steelers shot in high-definition and recorded off a DirecTv digital satellite transmission. The viewing angle was so expansive that the entire field seemed to unfold on the screen in startling depth and detail.

It was hard to keep the fingers from reaching for a credit card. But with such high sticker prices, there will be no mad rush for the digital sets this year. Instead, the displays were intended as picture-perfect snapshots of television's future.

The federal government has established 2006 as the target for the switchover from analog to digital. The Consumer Electronics Manufacturers Association estimates, as prices and set size drop, 30 percent of American households will own a digital TV by then. Everyone else must add a set-top box, costing about $150, to make the digital signal playable on their analog sets. The picture, unfortunately, will not be high definition. And until cable catches up, an antenna will be the only way to receive HDTV signals.

Despite more than 10 years of development and $1 billion in research, HDTV remains an unfinished work. Because high-definition projectors are easier to manufacture than building HDTV into the "direct-view" picture-tube set found in most homes, the digital sets on display were rear-projection models that looked like the hull of the Titanic.

Typical screen sizes, measured diagonally, were 55, 61 and 64 inches. Thomson, makers of RCA and ProScan sets, will manufacture a 61-inch model that will sell for about $7,000. Zenith (about $10,000) and Philips (price undetermined) will have 64-inch models. Sony was the first to announce it will make a direct-view digital set.

HDTV sets also need more elbow room than today's televisions. The aspect ratio -- measuring the relationship between the screen's width and height -- of the typical analog set is 4:3, or 12:9. For HDTV, it's 16:9, a shape more like a movie theater screen. To get an idea, today's 35-inch set (measured diagonally) and a 42-inch HDTV set each have a screen 21 inches high.

In both screen shape and picture quality, HDTV's closest cousin in video presentation is the cinema. HDTV is five times sharper than today's digital media, such as DVD and direct satellite broadcasting, and 10 times better than videotape.

There will be at least two grades of digital television, high definition and standard definition, and several data broadcasting applications. To be classified high definition, according to Consumer Electronics Manufacturers Assocation guidelines, a digital set must have at least 720 lines of horizontal resolution (today's sets have 480), display a 16:9 image and be equipped with Dolby Digital audio. A standard-definition set would have lower resolution -- about the same as today's digital satellite reception -- no specified aspect ratio and only "usable" audio.

By government regulation, the four major network affiliates (CBS, NBC, ABC and Fox) in each of the nation's top 10 markets must construct digital TV facilities by May 1999. By this November, broadcasters are promising at least one functioning digital station in each of those markets. (The next 20 largest markets, including Hartford/New Haven, must be equipped for digital broadcasting by November 1999.)

HBO and PBS say they will offer high-definition programming by the end of the year. DirecTv's decision to transmit two HDTV channels to digital satellite system customers later this year could pressure other broadcasters to follow. Some shows, including NBC's "ER," already are shot in high definition.

Many broadcasters, however, are considering "multicasting" -- squeezing up to five standard-definition channels into the bandwidth otherwise occupied by the single high-definition signal.

Although HDTV stole the show, there was plenty more going on in Las Vegas. Plasma televisions, less than 6 inches thick with 42-inch screens and suitable for hanging on the wall, displayed pictures almost as commanding, and expensive, as HDTV's. These flat-panel analog sets are still a few years away from offering a full-bloom high-definition picture.

Other news from the show: The DVD outlook is even more confusing, the MiniDisc might be here to stay and Microsoft goes for a joy ride.

DVD, The Sequel

DVD is evolving like any other hideous inbreeding experiment gone terribly wrong.

Here's a rundown of what's new:

* Divx, or Digital Video Express, arrives this summer.

It's an idea, almost unanimously condemned as braindead, that assumes consumers will rent something (DVD movies) that they would not buy. But it's more than that. A user must first buy a specially equipped DVD player for at least $500, then buy Divx movies for about $7 each.

The catch is that the movies can be watched only for 48 hours. After that, the user pays for another viewing period, or buys the disc outright, by using an on-screen menu linked to the Divx home office via a modem built into the player.

If you don't renew, the disc is unplayable, a pancake of polycarbonate waste even less valuable than Pat Boone's "In a Metal Mood."

Divx players will play all DVD movies. But no current DVD player will accept the Divx discs. The dueling DVDs are bound to confuse people. Retailers aren't too happy about it, either, because Divx chairman Richard Sharp also owns their competition, Circuit City. Sharp started Divx with $100 million from Circuit City.

Zenith will manufacture the first Divx DVD player, with Thomson (RCA) and Panasonic to follow.

But what happens to Divx when more video stores start renting standard DVD movies for $3 a night?

* Recordable DVDs for computersarrive in several flavors.

A group of manufacturers that organized as the DVD Forum agreed last year on a DVD-RAM format. (A DVD can store more than 10 times the information of a CD-ROM.) But Sony and Philips abstained from the final vote and established their own format, DVD+RW. Pioneer and NEC also are working on their own, separate formats. Panasonic's LF-D101 DVD-RAM drive ($799), which follows the DVD Forum's guidelines, should start showing up in desktop computers by April.

The good news is that though all these formats apply to computers, the technology has moved that much closer to bringing recordable DVD audio and video into the home.

* An audio DVD standard arrives, perhaps by summertime.

Although a few DVD audio discs are being sold by small, independent labels, agreement on a formal DVD audio standard is not expected before summer at the earliest.

What it's likely to be is uncertain, but the Super Audio CD, with super-fidelity two-channel and multichannel mixes on one layer of a bonded disc and today's two-channel audio standard on another, is still alive. The first DVD audio players could arrive in 1999.

For those who live in the present, DVD movie players for '98 tend to include 1) Dolby Digital processors to match the "Dolby Digital-ready" receivers now available and 2) souped-up digital-to-analog convertors in anticipation of the higher-fidelity DVD audio standard.

The hands-down winner for highest va-va-voom quotient in Las Vegas, however, was Panasonic's piping-hot DVD-L10 portable laptop DVD with pop-up screen. The L10 is actually smaller than a laptop, with a 6-inch LCD screen, built-in speakers, Dolby Digital circuitry and a two-hour rechargeable battery. For the movie fanatic/showoff on the go; it should be availble by spring for $1,300.

Dolby Digital

As with desktop computers, Dolby Digital prices are in a freefall. Sherwood promises a $400 Dolby Digital receiver this summer and Pioneer will drop the price on its VSX-D557 Dolby Digital receiver to $500 from $800. Dolby Digital-ready receivers, which can be hooked up to a separate Dolby Digital processor or a DVD player with Dolby Digital built in, will approach $250. Any of these receivers can still play Dolby Pro Logic material, which, unlike Dolby Digital, does not feature rear-channel stereo.

After barely a month, it's already a great year for DTS (Digital Theater Systems), a surround-sound rival of Dolby Digital previously known only to those familiar with laserdiscs and high-priced audio equipment. A new Motorola chip that packages several home theater functions, including Dolby Digital, DTS and THX processing, will give consumers a choice in home theater listening and greater flexibility when buying software. It should also lower the price of the best-available home theater technology.

Meanwhile, Technics will offer a combination Dolby Digital/DTS decoder, the SH-AC500D, for $400.

The first DTS-encoded movies on DVD arrive in April, with more than 100 expected to be released this year.

Minidisc

A couple of years ago, the MiniDisc was a candidate for a consumer electronics industry's funniest-bloopers segment. Sony, almost singlehandedly, kept the MD alive. No one's laughing now. Soon Denon and Yamaha plan to release their first MiniDisc products, JVC will return with two home decks after dropping out of the MD business and Kenwood, Sharp and Aiwa will increase their MD offerings.

The venerable cassette could be vulnerable. Sales of home cassette decks continue to drop about 25 percent each year and sales of prerecorded tapes also are down. Sony, hoping for a breakthrough, begins a major marketing push in February, targeting 18- to 34-year-olds raised in the instant-access, video-game era. Anyone else with a short attention span also qualifies. It worked in Japan.

Though inferior to CD, MiniDisc sound quality easily surpasses the cassette. The digital format's recording flexibility and long life ultimately might earn the MiniDisc a spot in the marketplace. An MD looks like an undersized floppy disk, and stores songs as a floppy might. The user can alter the sequence of songs or erase individual tracks.

The new CD-RW, or CD-ReWritable, audio recorders offer slightly better fidelity but little of the MD's flexibility. Example: Although a CD-RW disc can be recorded many times over, the recorder cannot erase, say, the first track on a disc without erasing every track after that.

Sony will increase the MiniDisc's anti-shock memory to 40 seconds, from 10, on two new portables but still says heavy plodders might make the players skip while jogging. Portables with up to 22 hours playback with a rechargeable lithium battery also will be available.

The low end of MD pricing is still about $300. Kenwood has the most extravagant package, a mid-size MD recorder in a Series 21 setup that also includes a CD player, DVD player, six-channel amplifier, loudspeakers and a tuner-preamp with Dolby Digital processing. Price: $3,000.

Car Talk

Transportation or home away from home? That 409 was real fine, but today's automobiles are becoming portable living pods. As if cruise control weren't enough. Now a driver can get the names of the next five tropical storms, directions to the nearest McDonald's, catch up with "Days of Our Lives" and answer e-mail while on the way to Grandma's. (Coming in '99: the driverless car.)

Clarion's AutoPC extends Microsoft's reach even further, putting the Windows CE operating system into your car's dashboard. It combines a car stereo, PC and navigation system in an unassuming unit operated largely by voice command. Clarion will be the only AutoPC manufacturer for the first year. The AutoPC is expected to be ready by the summer, $1,300 each.

If auto life is dullsville even with an AutoPC, there's Kenwood's "wide-screen" LCD TV made specifically for cars. The LZ-700W ($1,300) has a 7-inch screen with a 16:9 aspect ratio. The set can be used with a VCR or DVD player, even a satellite dish. It will also play the kids' video games.

And JVC is putting together a complete entertainment system for the road, featuring AM/FM radio, a 12-disc CD player, a color TV with LCD screen and a mobile VCR.

Are we there yet? Who cares?

Car stereo, a Cro-Magnon on wheels, is emerging from the four-channel-mono era. DTS, a competitor with Dolby Digital in the home-theater business, comes to the car with Sherwood's XDTS-80 DTS/Circle Surround Decoder ($600). It will play discrete multichannel music -- separate signals for up to five speakers -- off DTS discs and synthesize multichannel sound from any standard two-channel CD.

Multichannel stereo is also available in Alpine's Mobile MultiMedia system, which features a DVD player and pop-up LCD screens for the front and back seats. The audio system plays DVD discs, standard CDs and anything with Dolby Digital or Dolby Pro Logic. It won't be available until 1999 at the earliest.

PalmPC

In the computer world's version of hand-to-hand combat, the copycat PalmPC using the Windows CE operating system will challenge the established Palm Pilot, the popular pocket-size appointment-keeper that can hook up to desktop computers. Let's not forget Apple pioneered the idea a few years ago with Newton, which quickly became the computer world's Edsel.

The big boys for the home, meanwhile, keep dropping in price. Compaq and Hewlett-Packard each introduced full-featured 200-megahertz machines that will sell for $799 without a monitor. Similar packages for $699, even $599, can be expected by the end of the year.

(Copyright @ The Hartford Courant 1998)