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To: maceng2 who wrote (176744)8/19/2021 6:18:02 AM
From: TobagoJack1 Recommendation

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<<beach>>

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ft.com

Ithaca: the island of many happy returns

Three millennia after Odysseus’s homecoming, the tiny, serene, Ionian island is still drawing people back
August 19 2021


I arrived on Ithaca having decided, out of some writerly cliché-avoiding vanity, to write about the island without mentioning the Odyssey. Already from the boat taxi, we could see the place was beautiful: wooded hills, emerald shores, secluded bays. This island, I thought, might attract tourists thanks to its legendary name, but in substance it will have moved on from that. I expected the Odyssey to be no more than a faded film poster peeling off the back wall of a fast-ferry ticket office.

Ithaca is very green, rugged and hilly. It is also bizarrely shaped: imagine a dumbbell painted by Salvador Dalí. Because of the way it’s often possible to look from its shores across the water and see another part of Ithaca in the distance, I found the island’s geography confusing.

The beautiful place we stayed at, for instance, has the feel of a house perched on the shores of a mountain lake. Without a map, you are never quite sure if you are looking at the mainland, at the much larger neighbouring island of Kefalonia, at Lefkada or back at Ithaca itself.

Our host, Vassilis Lazaris, an enterprising thirtysomething with a kind and infectious smile, dispels the first of my assumptions. Compared to its neighbours, the island has very little tourist activity. For a long time there was only one hotel on Ithaca (boldly called “Hotel”); now there are a couple, some guesthouses, and restaurants and tavernas that, outside the peak summer months, mainly cater to the 3,000-strong local population.



Ithacan waters run from turquoise to indigo © Alamy
One of the island’s villages, Kioni, boasts a postcard-pretty harbour and is popular with sailing boats, but much of the rest of the island is tourist-innocent. Vassilis tells us that when he and his family recently decided to return to Ithaca, after many years in Prague and then Athens, and to invest in tourism, they felt like pioneers. He speaks of trying to corral local stakeholders into committing to schedules, to having regular opening hours; he finds it amusing rather than maddening. During our stay, we overhear him several times good-naturedly trying to lure someone over from a taverna to open the doors of their own establishment for us.

On the first day, we are supposed to go on a tour of the island. We meet our guide, Spyros Couvaras, at breakfast, an affable, mild-mannered man, as interested in where we are from as we are in his island. When asked about the day’s programme he mentions some villages, which sounds innocent enough. But it’s a trap: no sooner are we off than Spyros pulls out ancient maps and printouts with vertigo-inducing timelines (the “recent” end is the Byzantine empire).



The hilltop villages, I realise, are mostly an excuse to reach a high enough vantage point from which to speculate about the possible location of a certain travel-prone busybody’s palace. I ostentatiously turn to taking photos of flowers and butterflies; it’s my friends who ask questions.

I suppose the reason I expected the Odyssey to be irrelevant to Ithaca today was that I assumed historical matters were more or less settled. What I didn’t know was that even after Frank Calvert and Heinrich Schliemann’s discovery of Troy in the late 19th century, there’s still no evidence any of the Homeric characters existed. The only thing archaeologists agree on is that there was a place called Troy that matches the Homeric location and chronology, and it was destroyed by war. That’s the full extent of what has been reasonably proved.



The mountain village of Exogi in the north-west of the island © Alamy
Spyros, who does believe there was an Ithacan king called Odysseus, is fair-minded enough to inform us that there’s no full agreement even about the location of Ithaca, that some historians believe the name, as used by the ancients, refers to another island. That pesky topography, again: at any one point on the island, the view mimics that of other islands.

Fat pickled artichokes sit in jars on the counter, and food is served on metal plates

We interrupt our tour of archaeological sites for late lunch in the sleepy hilltop village of Anogi. The old kafeneion we enter is interesting enough to shift attention from pre-antiquity to pre-tourism. Fat pickled artichokes sit in jars on the counter, and food is served on metal plates. There is a TV and a 1950s fridge, family photos on the walls, books lying about, shelves with bags of flour, sugar and salt for sale, crates of tomatoes with handwritten price tags: I can’t decide if it’s someone’s living room or a grocer’s.

Sofia Moraiti, the owner and cook, has an air of humble nobility. We have the best mezedes I’ve ever had (simple: artichokes, fresh local cheese, grilled peppers, salami, olives, a cucumber-less tzatziki, and excellent tsipouro), while my photographer friends go absolutely bananas taking photos of the place.


Café owner Sofia Moraiti and?.?.?.

.?.?.?her establishment in Anogi © Giorgos Alifragis

I take the chance to ask Spyros about his background and interest in local history and he tells us he has lived in Athens for most of his life, working as an editor and proofreader, and only returned to Ithaca a decade ago. He supports himself by private tutoring and the guided tours.

He seems happy in a calm, serene way, and unintentionally deadpan: after asking us if we have cigarettes, he concludes ruefully that “everyone I might have borrowed a smoke from is dead”. Spyros is obviously and sweetly a history geek: at any given time, the geography that is at the fore of his mind is the Homeric one. I get the feeling that if someone were to shout “Phrygian invasion!”, he’d know which way to look.

The following day we are due to go on a boat tour (we all note Vassilis’s relief when our boat shows up). We’ve had glimpses of the beaches from the hilltops we visited the previous day, and what seemed suspect from a distance is outright unbelievable from close range. The waters off Ithaca defy anyone’s colour vocabulary: turquoise, ice-blue, emerald, baby-blue, indigo; I could already anticipate having to explain that no, I’ve not messed about with the photo settings. At times we were tantalisingly close even to Homer’s famous “wine-dark” sea.

Our skipper, George Lilas, explains that the diving is excellent here, and the range and intensity of colour has to do with the cleanliness of the water and the colour and texture of the sea floor. He is rightfully proud at having recently helped clean a beach left full of debris near an abandoned fish farm; we visit the cleaned beach and he shows us the sinister “before” photos. George, too, has returned to the island after years abroad, including working in Florida and doing a masters in renewable energy engineering in Edinburgh.


A church door in the village of Anogi © Giorgos Alifragis

Odysseus looks down on the village square in Stavros © Alamy

At the next archaeological site we visit, just outside the northern village of Stavros, Spyros tells us of the attempts at finding Odysseus’s palace, starting with Schliemann, who came to Ithaca emboldened by his Trojan success, and ending with the most recent efforts. The latter unearthed a Mycenaean structure that fits the relevant timeline but which, according to some experts, lacks the grandeur of a royal abode.

We wander among large, pockmarked building blocks that to my eye are almost indistinguishable from boulders. The remains of an arch is the most visibly man-made entity. Odysseus’s palace, if that’s what we’re looking at, is very nearly dust.

For the duration of the trip, I’m too embarrassed to confess to our hosts that I was not going to mention Homer. Instead, I keep my mouth shut and remember Christopher Hitchens’ cautionary anecdote of his trip to communist Prague, his ambition not to mention what every writer knows about Prague: that it used to be Kafka’s home, and that dictatorships are Kafkaesque.

On that trip, Hitchens went on to be arrested for no obvious reason, and was refused an explanation by the Czech authorities: supremely Kafkaesque by anyone’s standards. On Ithaca, listening to Spyros, it feels stupid and naive to have believed that a place’s history would somehow just peel off its present.


A fisherman checks his nets in Vathy harbour © Alamy

I start seeing signs to that effect everywhere. At some point, one of us makes the offhand remark that many shops and tavernas are called Odysseus or Telemachus but none are called Penelope. Vassilis’s earnest answer is that Ithacans suspect Penelope wasn’t entirely faithful to Odysseus, and therefore are less inclined to honour her. This bizarre telescoping of history: imagine still gossiping about Penelope!

The last day we’re at the top of a hill, again with a view of the sea and unidentifiable landmasses, when Spyros starts quoting Homer. Specifically, the parts that reference the surrounding views from Odysseus’s palace. It’s more than a little thrilling to realise that the ancient description fits the landscape before us.

This bizarre telescoping of history: imagine still gossiping about Penelope!

Apart from the poetic frisson, this is what makes the hunt for the palace so enticing, even for an amateur: most of the clues are there for all to see and speculate on, in nature and in Homer’s poems. And the clues might really work, given that they once helped unearth Troy. It should feel hopeless to look for the house of someone who may or may not have lived 3,000 years ago, yet here I am, tempted to make off with poor unsuspecting Spyros’s laminated maps and Homeric quotes and embark on a life of scrutinising the Ionian horizon.

We return to Sofia’s for dinner. She has made a traditional dish, chicken and kid slow-cooked in clay pots. It is delicious, Sofia is a little tipsy, and we tourists are again tipsily amazed that this kafeneion exists. It is rare to feel so at ease and present in a place, without ulterior anythings: you really go there to be there.


Turquoise waters at Afales beach on Ithaca © Giorgos Alifragis

And, because by now I expect a certain answer, I ask Sofia whether she has ever left the island. Now and then sneakily tugging at her mask to puff on a cigarette, Sofia delivers the expected answer: she has lived in Italy, France, Canada and is from the tiny village we’re in, Anogi. But when I ask her why she returned, she surprises me: what a question! She was always going to return. Sofia makes her life in other countries and on other continents sound as though she merely popped out for cigarettes.

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So: go to this island that the locals love, that they were dying to return to. They’ve seen the world, and they like it here the most. There’s the parallel with Odysseus’s obsessive journey home, of course, but the other thing that struck me about the Ithacans we met is that they seemed genuinely at peace, in a serene, uncomplicated way.

In a travelling context it’s usually the tourist who is the vulnerable one — there is something childlike about being new in a place, being ignorant of the language and the customs. You are exposed. But on Ithaca, it was we tourists who were left feeling intensely protective of the locals. I would love for others to visit this beautiful island and meet these people, but I also found myself wanting to urge future visitors to be kind to them.

Details
Ithaca has no airport; the easiest way to get there is to fly to neighbouring Kefalonia, from where ferries take 30 minutes or less. For more details see ithaca.gr.

Oana Aristide stayed at the Akasha Suites (apartment for two from €140 a night) in Vathy, the island’s capital. It is available through Vassilis Lazaris’s agency My Ithaca, which can also arrange tours and activities on the island. George Lilas runs Odyssey Outdoor Activities and Odyssey Sea Kayak Club; a five-hour “boat safari” costs €55 per person. History guide Spyros Couvaras can be booked via Odyssey Outdoor Activities or reached at s.couvaras@gmail.com

Oana Aristide is the author of ‘ Under the Blue’ (Serpent’s Tail)

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To: maceng2 who wrote (176744)8/19/2021 6:21:31 AM
From: TobagoJack1 Recommendation

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love the pictures

ft.com

The accidental hotelier: how I quit economics in London for a new life on a Greek island

A sunstruck, spur-of-the-moment decision on the island of Syros led to a radical change of lifestyle

February 23 2021

© Toby Follett | Oana Aristide on SyrosThe decision to become hoteliers was made sitting on a pavement with my mum and sister, shielding our eyes from the Greek sun. There, in front of the neoclassical palazzo we had just visited, the hotel idea somehow presented itself as a solution.

For a year, we had been trying to find a small holiday apartment for ourselves. We had fallen in love with the island, and my sister had a little money she wanted to invest. The estate agent had only mentioned this particular property in a fit of exasperation.

We kept asking about this or that house until he eventually said, “The only one for sale in that area is this” — a monumental building from Syros’s shipping heyday, with Doric columns and spiral marble staircases, five metre-high ceilings, four floors, gardens, 20 rooms. Once the headquarters of the Cycladic tax authorities, it was now abandoned. We asked to see it, just for fun, and he humoured us.

The cost of the property was seven times our budget, and roughly four times our combined savings and assets. This, without taking into account the necessary restoration. We had no wealthy relatives (or, indeed, any relatives) to fall back on. It was 2017 — Greece was still mired in a financial crisis, the banking system was crippled. We had no experience of property investment, restoration or the hospitality industry. That afternoon on the sunny kerbside, we exchanged high fives.


Swimming at Hermoupolis, Syros © Alamy

The remarkable thing about Hermoupolis, Syros’s capital, is that it exists in the first place. Until the early 19th century, the island’s largest settlement was the medieval Catholic village of Ano Syros: quiet, whitewashed Cycladic houses perched on a steep hill. The turning point was when the Greek war of independence broke out and Syros declared itself neutral, suddenly attracting waves of refugees from conflict areas in Asia Minor and from other islands. There seemed to have been a miraculously high concentration of entrepreneurs among them: they took no more than a few decades to create the city of Hermoupolis and turn it into the industrial and mercantile heart of the eastern Mediterranean, the cultural centre of Greece, and its main port.

Vast fortunes were made in shipping, shipbuilding and textiles. Hermoupolis acquired the cultural and societal trimmings of a place of consequence: Greece’s first public high school, a university, banks, stock exchanges, a theatre modelled on La Scala, art galleries, charitable institutions, courts of law, foreign consulates. Town planning was approached methodically and sought to combine Greek classicism with romanticism. Almost overnight, an architecturally homogenous capital was built that today seems too ambitious for an island of less than 40 square miles: a town of marble pavements, palatial buildings and large, neoclassical public squares.


Hermoupolis was a cultural and economic centre but has avoided the mass tourism of neighbouring Mykonos
Back to late 2017: we confirmed to a sceptical seller and our bemused estate agent that we would be buying the property. The money we had set aside for the holiday apartment became a measly deposit, giving us six months to cough up the rest or lose it all. I gave up my London flat and job as an economist and moved to Syros, with a small degree of personal financial security in the form of a freelance contract as an economic journalist.

My sister resolved to spend another exhausting year up in the Swedish Arctic — she had been working gruelling shifts as a locum doctor there for the past 18 months — and it was her pay that was going to finance the bulk of the restoration. We applied for EU regional development funds, and I spent most of my time assiduously petitioning all four of the remaining Greek commercial banks. In May 2018, within weeks of the deadline, we obtained a mortgage. High fives, again. We thought the difficult part was over.

Not many have heard of Syros. Hermoupolis eventually declined in importance once the Corinth canal was built and Athens’s port, Piraeus, took over most of the trade and shipbuilding activity. Geography itself was against our little upstart: there are only a handful of island capitals of countries that are on a continental landmass (the most striking example, in Equatorial Guinea, is currently in the process of being moved to the mainland). Failures on a grand scale followed Hermoupolis’s initial success. Shipbuilding dwindled and companies such as the Greek Steamship Company, the first such enterprise in Greece, went under; the few that survived mostly did so by moving to London or New York. More often than not, the great optimists of history are figures of tragedy.


Hotel Aristide’s lobby?.?.?.?

. . . and art in one of the bedrooms © inbulb.com

The other reason for Syros’s relative anonymity is that the island never invested in mass tourism. Thanks to the many public institutions and various remnants of the old industries, there were employment opportunities outside the tourist sector. There’s also a degree of what might seem snobbery to some, foresight to others: Syros locals had watched the quaint fishing villages of nearby Mykonos become international party hubs, and turned up their noses at that prospect.

The renovation started in mid-2018. We obtained planning permission surprisingly quickly, although I struggled with the vagaries and inconsistencies of Greek law. From the start, matters and finances weren’t helped by the fact that the project morphed yet again, from “let’s make a hotel” to “let’s make our dream hotel”. Where someone with experience might just say “that’s the way to do it”, we thought about everything for ages, did a lot of research, and often stumbled on some novel and costly solution.


The hotel before its restorationI learnt that every profession I came across, every area of expertise, is relevant to a hotelier. Firemen, sound engineers, graphic designers, sommeliers, skippers, pharmacists, gardeners — all are potentially useful partners or advisers. We used to joke that the only person I would fail to find a task for was a nuclear scientist. I learnt that a large restoration project involves tens of thousands of decisions; something like 500 separate decisions just for the windows and doors. By the end of the first six months, I had such a bad case of decision fatigue I couldn’t even look at restaurant menus.

And I learnt not to take local gossip seriously. Several workers claimed there was an ancient smugglers’ tunnel going from our house to a secluded cove; two men even insisted they had been inside the tunnel. The problem was that not one of them could remember the point of entry. So I, being a 10-year-old boy scout and not a grown woman, duly had holes drilled in every plausible place. The garden, the basement, the cistern. I can report zero smugglers’ tunnels, but many bricks bearing the inscription “British made” — apparently, Hermoupolis was wealthy enough back in the day to import bricks from the UK.


Naturally, my life changed compared to London. When I first moved to Syros, I had imagined my days something like this: I would wake up early and go for a swim at the beach just beneath the hotel. It’s the place that first made me fall in love with Hermoupolis. The backdrop of the neoclassical architecture is glorious, and in combination with the perfectly clear water and the quiet time of day, it’s balm for the soul. Then I would go check on the construction site, and later on work on my novel. It seemed the ideal life.

What happened is that years went by when I didn’t swim once. Partly it was the lack of time — the hotel needed constant attention — but also the stress got to me in a way that seemed anathema to swimming in that peaceful spot. I felt like a bomb floating in the water.

The only way I was able to relax was by walking. The north of the island is a nature reserve, and instead of being littered with half-finished concrete bungalows, as happens so often on Mediterranean islands (and as is the case for the southern half of Syros), it is pristine and open. The walking trails take you along the coast, the inner valleys, or to the many sandy beaches that can only be reached on foot and where you can find yourself alone, even in August.

The landscape is rugged and dramatic, the cliffs covered in spiky shrubs and the odd long-suffering tree, sculpted by the wind. It was a surprise to me that, unlike the Europe I was used to, Syros is most colourful in winter: there are flowers everywhere, enormous butterflies, and the round, spiky shrubs create an undulating pattern of shades of green. There’s fresh grass, and something implausibly fleshy for the climate that looks like clover. For two to three months, this mostly rather dry island becomes a little bit Irish.

A Syros local is almost as likely to quote Foucault as do some clichéd Greek islander thing

I miss my London friends, I miss the theatre. Sometimes I miss things like Korean restaurants, or anonymity. But it hasn’t been the culture shock that might have been expected. The island is full of interesting people, its history has seen to that. There is a stable population of about 25,000, there are festivals throughout the year — international film, jazz, street art, animation and many more. There is a university and so there are student bars, and art galleries. A Syros local is almost as likely to quote Foucault at you as to do some clichéd Greek islander thing.


There is a strong tradition of music on the islandThe preferred art form on the island is undoubtedly music. In my early days on the island I was repeatedly taken aback to come across our accountant playing the accordion in a taverna, our estate agent killing it on the violin in some square, or civil servants singing on the mini-La Scala stage. Syros, it turned out, loves music.

It could also be that my affinity for the place runs deeper than arts and culture, and has something to do with the psychological make-up of the island. The three of us were refugees, too, once (from communist Romania to Sweden); maybe there’s some element of recognition at play.

There are not many construction site anecdotes: mostly, works went well. Contractors were generally reliable, workers competent. Sourcing was not unduly complicated. It’s just the financing that was a nightmare throughout. Again, partly it was our fault: it’s too depressing to look at the numbers, but I suspect we went between two and a half and three times over budget. There were times when we didn’t see a way out of the financial hole we had dug ourselves in.


Flowers bloom profusely in Syros’s winterAnd then, the pandemic hit. Because we were a new hotel and had no operating track record, we didn’t qualify for any of the financial assistance offered by the government. We opened anyway, in late July, with just the five rooms we had managed to finish, and while opening was wise in terms of obtaining the first reviews and valuable experience, financially it was yet more hole-digging. The previous year I had signed a publishing contract for my novel, and on some particularly desperate days I found myself at the absurd junction of hoping that the novelist folly would help pay for the hotelier folly. On a less amusing note, my sister’s one-year exile in the north of Sweden is on its fourth year. The last time we talked about her having to extend her stay and keep working at that insane pace, she cried. She’s still up there.

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Paradoxically, I am much more relaxed now, even though we are still in the midst of a pandemic. At least the hotel is finished, and we are happy with the result. We did everything we could do. Should the pandemic rage on, the attendant tragedies will dwarf any business concerns anyway.

It’s been a dramatic four years. We are in a debt of gratitude to our friends, who have been supportive, and even helped out financially at crucial moments. To our serene and patient estate agent who stuck with the mad foreigners through the renovation, and without whose help we would have had to give up. I also like to think that the island’s patron deity, Hermes, smiled on us, that this was a project to appeal to the god of travel, mischief and commerce. He always struck me as an approachable, down-to-earth figure, far less inclined to take offence than other members of his divine family. All in all, we have been lucky.

Oana Aristide is the author of “ Under the Blue”, to be published by Serpent’s Tail on March 11

Details
Direct flights from Athens ( skyexpress.gr) to Syros take 35 minutes, or there are frequent ferries that take about two hours. Alternatively, neighbouring Mykonos is served by numerous international flights; from there, Syros is 30 minutes by ferry. For more on the writer’s hotel, see hotelaristide.com

Greece's borders are currently open to residents of the EU and certain other countries, including Australia and Japan, but subject to testing and potential quarantine; for details see travel.gov.gr

More hideaways in the Cyclades
Coco-mat Eco Residences, Serifos On sleepy Serifos, a row of humble miners’ cottages has been converted into a stylish, stripped-back boutique hotel just metres from Vagia Bay. Rooms have whitewashed stone walls, exposed rafters and are flooded with natural light; a bar is set into the hillside, open on one side to the sound of the waves. Doubles from €315; coco-matserifos.com


Villa Fanya, SyrosVilla Fanya, Syros A very different option to the neoclassical mansions of Hermoupolis, Villa Fanya is a newly built, single-storey villa on the island’s south coast with extensive outdoor sitting, eating and lounging areas around its gardens and infinity pool. Stone steps lead down to a private rocky cove. Sleeps up to 12, from €15,000 per week; whitekeyvillas.com

Onar, Andros This collection of 14 stone cottages lies in a secluded valley on the east side of rugged Andros, the northernmost island of the Cyclades archipelago. Guests can eat breakfast under a plane tree, then stroll beside the river to the delightful Ahla Beach. One-bedroom houses from €180 per night; onar-andros.gr. Also available via i-escape.com, which has a good selection of Cycladic accommodation


Villa AT, IosVilla AT, Ios At the end of a dirt road high above Mylopotas Bay is a strikingly modern villa, set in to the barren mountainside. Big glass doors open on to two wide pool terraces, with views over the Aegean to Sikinos and Santorini. Sleeps eight, from €8,400 per week; fivestargreece.com

Listen to our podcast Culture Call, where FT editors and special guests discuss life and art in the time of coronavirus. Subscribe on Apple, Spotify, or wherever you listen



To: maceng2 who wrote (176744)8/19/2021 5:54:59 PM
From: sense  Respond to of 218083
 
If I ever do go surfing near a beach, it will be with waves under three feet. At six feet they are already beyond a point where I would play in them.

I grew up in the water, so not afraid of it, but do have a health respect. Was waterskiing by 13 and competing with an older brother, and a family friend who was world champion then... mostly in California's big lakes, often on the Petaluma River... that scary in itself, often just inches of water over mud... sometimes in San Pablo Bay or from there out to the Pacific Ocean on calm days... In a fast boat with calm water a crazy driver making a hard turn, you can easily hit 120mph... making a small patch of rough water or a wake into a dicey affair. A good reason to ski where others won't. And, a fall at that speed, if you're not in control, can be almost as violent as that wave was... a lot shorter ride, though easily causing a concussion when your head hits the water. I've strained joints that way, but never really got hurt more than just a bit sore for a while.

Out at sea, rogue waves happen and are to be expected.

I've seen that, too... in a big ship, in a typhoon... with a wave that left nothing but the bridge above water... sort of... The wave slapped the bridge with a thump and put a foot thick layer of water up over the windscreen. The ship actually shimmied back and forth floating back up to the surface. Glad I was on the bridge to see it.

I feel a lot more comfortable in a sail boat then a motor only driven boat when the weather gets rough.

Worst of that I've seen was in a little 16 foot runabout... a small deep V with an outboard, open hull with a windscreen. Belonged to my college roommate's dad. On spring break, with four big guys, we took the boat out of Coral Gables into Biscayne Bay... Not a great day for it... a persistent chop up to 3 to 4 feet. An hour out a small thunderstorm popped up... and we headed back. It was faster than we were, between us and where we wanted to go, and it took less than 10 minutes to become HUGE. We weren't going to make it back, so headed out for Elliiott Key. The water got rough... which meant it retained the characteristics of "chop"... no discernible pattern, just waves that popped straight up out of the water, then dropped back down... only they grew to 10 feet... and then 16 feet. Crazy. Had never seen that before and haven't since. Going slow, the boat was at risk of being swamped any moment... tilting crazily in random directions, throwing us around.

So, my roomie went full throttle... and we wallowed into a wave, accelerated, lifted up, and then lept from one wave to the next... slamming hard into each successive wave... each taller than the boat was long... going fully airborne between each one and the next... but at least retaining control that way. The flex of the boat removed the windscreen, first, which was awkward... and then it cracked the main beam and split the hull stem to stern... making it "flexible"... but not overly leaky. We limped into harbor glad to have made it alive... one of four boats that made it there... we the only ones totally unprepared... having to spend the night in the open on the island. But, what a great impromptu party it turned into. I grew up down there doing stuff like that, so know... but, good god, do they have a few mosquitoes. Never had a more fun / wonderful / miserable night anywhere. In the morning, the other two caught a ride back to the mainland with the big boat full of girls (a whole nother story)... I agreed to help my roomie get his dad's boat back to Coral Gables, so he could at least salvage the motor off of it... Once it got moving, got bailed out, and up on plane, it wasn't that much of a problem.

Sixteen feet is good for a small ski boat, in shore... or a small freshwater fishing boat. Won't catch me out touring in anything that small again...

The keel and the force of the wind in the reefed sails makes the motion through waves better.

Totally agree about preferring sail boats. Motorboats are cars on water... transportation to get you to some activity you've planned... and back... quickly. And, great for that... Sailboats aren't about the destination as much as about integrating the destination with the journey... more like hiking than driving a car...

Might still end up sailing again, perhaps soon...

Anything above gale force 8, and including earthquakes, and I would rather not be there. You are going where the wind and the waves have decided your going whether you like it or not.


I think there are two critical lines... one between being aware, and prepared... and unaware/unprepared... And another line, between being challenged, at, to and a bit beyond your ability within and beyond comfort zones, out to the untested limit of your practiced ability... and, beyond that where your ability might still matter... but it isn't sufficient in itself to actually have you be in control of the situation. On one side, you're a man with a plan, however frighteningly tenuous and dependent on perfection in execution... on the other side, you're along for the ride, hoping to get lucky, or perhaps facing certain death... it not really being your choice.


I've been at and across that second line more than a few times... never without learning a lot... about the nature of things, about other people, and about myself. But, it turns out, the difference between the two lines does tend to blur quickly from unaware/unprepared to outside control quite abruptly... more often leaving the unprepared stuck with choices to make between "this is a stupid idea" and "certain death".

Worth noting that, in the same circumstance, the people you're with may not all be on the same side of those lines as you are, at the same time... and learning occurs....