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To: nicewatch who wrote (212700)5/25/2025 6:31:02 PM
From: TobagoJack1 Recommendation

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this is neat
monochrome-watches.com
Portrait The Intricate Work of Chinese Indie Watchmaker Qian GuoBiao?

Summarise?

Uncovering a watchmaking gem from the Orient, known as "The Tourbillon Doctor".
6 days ago

Horological discoveries are the things that fuel a great deal of passion within the MONOCHROME editorial team. We know it gets a lot of people in the watch collecting community excited as well. Put 2 and 2 together, and you can understand why we regularly feature new and potentially never-seen-before watchmakers and other initiatives on our platform. In recent years, we have frequently turned to Asia for some of the most intriguing indie watchmakers, with the latest to be portrayed being Qian GuoBiao. Originating from China, his watches are largely made by hand, often exposing intricate mechanics on the dial side. Here’s what we uncovered by asking him a series of questions.



Robin, MONOCHROME Watches – Qian GuoBiao, you’re a watchmaker from China. Can you introduce yourself briefly?

I am an independent watchmaker born in Ninghai, Zhejiang, and currently working and living in Dongguan, Guangdong. From a young age, I was fascinated by mechanical structures, later channelling this curiosity into watch repair and creation. I am dedicated to crafting unique timepieces that blend aesthetics and functionality, aiming to contribute to the field of independent watchmaking in China.

What triggered you to pursue a profession in watchmaking? Where does the passion come from?

My interest stems from a fascination with mechanics and a love for watches. Years of working in watch repair and maintenance gradually fueled my desire for aesthetic expression and creativity. In recent years, I have transitioned from crafting watches based on my own designs for personal enjoyment to producing works to share with fellow watch enthusiasts and collectors. My passion is rooted in this love, and being able to pursue a career I cherish is truly fulfilling.



How did you learn the knowledge and skills needed to make a watch?

Interest is the greatest teacher. My initial career was as a mould-maker, enabling me to independently craft precision components. Coupled with my deep interest in watches, I taught myself through books, repeatedly disassembling, assembling, and repairing various complex movements, immersing myself in the process. Over time, I gained recognition for my skills as a mechanical watch repairer, affectionately dubbed the “Tourbillon Doctor” by the watch community in China. Exposure to a wide range of watch models from global brands and exchanges with fellow enthusiasts broadened my perspective, refined my aesthetics, and built the foundation for my independent watchmaking.

You’re based in Dongguan City, Guangdong province. What’s the watch culture like there?

Dongguan is renowned for its manufacturing industry, but its watch culture is still in its infancy. Benefiting from its proximity to Hong Kong, Shenzhen, and Guangzhou in the Greater Bay Area, there is a significant community of watch enthusiasts and collectors. However, public awareness of mechanical watches often remains brand-focused. Through my work, I hope to draw greater attention to the intrinsic value of traditional watchmaking craftsmanship.

How would you describe your watchmaking style, and where does inspiration come from?

My style leans toward “modern utilitarianism,” emphasising clear visual hierarchy and wearability. Inspiration often comes from architectural forms and geometric lines found in nature. The “Facing the Sky” is a hallmark of my work, showcasing the beauty of mechanical rhythm. I completed my first “Facing the Sky” piece 20 years ago, and it has been a process of continuous refinement since. It originally came in a 43mm wide case with a small offset dial for the time and a front-mounted balance wheel and goose-neck regulation system.

The Facing The Sky 2.0, with a more compact 39mm steel case and a silver dial.You’ve recently finished the Facing The Sky 2.0. Can you tell us more about that watch?

Compared to the prototype, the “Facing The Sky 2.0” (see above) has been reduced in overall size, with a simplified dial that highlights key elements. From 43mm it’s now down to 39mm. The balance bridge on the dial aligns with the base movement, while the fine adjustment mechanism and gooseneck regulator retain the prototype’s design. The case is in steel and it has a height of 12.5mm, including the crystal. I will make only 12 pieces on a subscription basis.

The construction of the movement looks rather impressive. Do you make it yourself?

All my works are independently completed in my personal watchmaking studio in Dungguan. The “Facing The Sky 2.0” is smaller than the prototype, making it more suitable for wear. The base movement remains unchanged, with the dial design scaled down accordingly. The balance bridge on the dial corresponds with the base movement, maintaining coherence. It runs at 18,000vph and has a power reserve of 40 hours. The distinctive fine adjustment mechanism and gooseneck regulator continue to reflect the prototype’s design.

You’ve also worked with Behrens Watches. Can you tell us about that?

Yes, last year, Behrens and I launched a collaborative piece in the Master Series: the MASTER 1 “Kung Fu” watch. Behrens is a highly innovative and forward-thinking company known for breaking conventions. Our collaboration sparked numerous creative ideas and inspirations, and I hope more watch enthusiasts will discover and appreciate our work.



Is there something you’re working on that you can already share with us?

My daily work in the studio involves repairing high-end, complex watches, while I also dedicate time to refining and assembling my own watches. In my spare time, I plan and innovate, jotting down ideas as they come. When an idea matures, I create a prototype for testing. Over time, this process results in a finished piece.



What do you see your brand evolving into in the future? What can we expect in, say, the coming 3 or 4 years?

My short-term goal is to refine a “studio + small-batch customisation” model. In the future, I may introduce more accessible series without compromising on design or craftsmanship. I hope that in three to four years, my works will be recognised by international collectors as a hallmark of “original Chinese watchmaking.”



To: nicewatch who wrote (212700)5/25/2025 6:36:29 PM
From: TobagoJack1 Recommendation

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also neat
Today most caviar imported by the US is farmed in China, where low labor costs, abundant waterways and government support have helped push down prices


bloomberg.com
Caviar Has Become the Costco Rotisserie Chicken of Fine Dining
Fish eggs are still a menu upsell, but they’re more popular than ever.


Illustration: Maggie Cowles for Bloomberg

By Madison Darbyshire

April 11, 2025 at 8:00 PM GMT+8
Corrected
April 16, 2025 at 2:31 AM GMT+8

Save

Translate

‘Affordable’ Caviar Is Taking over Fine Dining (Audio)

9:06

The gleaming black-and-gold dining room at Coqodac is rowdy, and it isn’t even open for dinner yet. A table of “rappers and podcast hosts” are lingering over a late $4,000 caviar-and-champagne lunch, executive chef Seung Kyu Kim says. He doesn’t mind — he wants his Manhattan restaurant, notorious for its caviar-topped chicken nuggets ($28 per nugget), to be a place people come to celebrate.

As bird flu forces US stores to ration $10-a-dozen chicken eggs, salt-cured fish eggs have become inescapable at high-end restaurants. The slimy, briny spheres can now be found atop $68 sour-cream-and-onion dips in Nashville and $73 egg salads in San Francisco. But while customer perception of caviar as a luxury worth shelling out for has remained remarkably resilient for over a century, the wholesale cost of caviar — specifically, the roe from sturgeon — has dropped considerably in the past few years.

“There’s a caviar craze and each time someone asks me why, I tell them the same thing: an influx of mass-produced Chinese caviar at super low prices,” said Edward Panchernikov, director of operations at Caviar Russe, a caviar restaurant in New York.

Wild-caught caviar is illegal under the Convention on International Trade in Endangered Species. Russian caviar, which accounts for a small percentage of the global supply, is under US sanctions. Today most caviar imported by the US is farmed in China, where low labor costs, abundant waterways and government support have helped push down prices. Accurate data is scarce — caviar makes up a small fraction of commodity imports — but the average price for a kilogram of imported caviar in the US was around $240 in 2020, down from about $440 in 2014, according to the European Market Observatory for Fisheries and Aquaculture Products.


Caviar-topped chicken nuggets at Coqodaq.Photographer: Evan Sung/CoqodaqChina has endured multiple food-safety scandals in recent years, as well as accusations of unfairly competing on price; importers say this has tainted public perception of its caviar industry. But the scale of Chinese aquaculture means there is enormous range in the quality of caviar it sells, even within the same sturgeon farm. The same way top vineyards can produce grapes for the most coveted wines and sell the rest for bottom-shelf grocery store bottles, the same farm can produce the finest osetra fought over by Michelin restaurants to low-grade caviar sold downmarket for cheap.

Indeed, the price of Chinese caviar can range dramatically — chefs quoted wholesale prices (including markups by importers) from $500 to $1,500 per kilogram, and retailers say it can go as low as $400. Price pressures across the market mean it can be very difficult for smaller domestic caviar farms to compete. (Marshallberg Farm, a US producer that supplies caviar to the Plaza Hotel, said its break-even cost to produce a kilogram of caviar is $1,000 to $1,200.)

Chefs note that some of the most expensive and desirable sturgeon roe in the world is coming from China.

“The consistency, the flavor, and the salinity is very, very on point,” said Kim at Coqodaq. And, crucially, chefs can be more generous with their portions, creating an air of indulgence.

The Modern, a two-Michelin-star Danny Meyer restaurant in midtown Manhattan, serves a caviar hot dog on its bar menu: two cocktail wieners, each blanketed in about four grams of Chinese-farmed golden osetra caviar, on mini brioche buns for $39. Bangkok Supper Club in the West Village tops its uni and crab tartlet with the same variety, a one-bite dish for $22.


The Modern’s caviar hot dogs.Photographer: Michelle Giang/The ModernIf caviar is cheaper now, why are diners still paying a premium? Part of the answer is that customers still perceive it as a luxury, and education about varying quality has lagged the market. “Consumers aren’t thinking about it too much,” says Lianne Won, co-owner of Marshallberg Farm. “They’re thinking OK, it’s caviar. Of course it’s expensive. They’re not thinking about where it comes from.”

And despite the ascendency of Chinese caviar, when selling directly to customers, many importers still prefer not to specify country of origin. Retailer websites will claim the caviar washarvested in the immaculately clean waters of the Thousand Islands Lake, but never mention China. (China’s Qiandao Lake, which translates to “thousand islands” is where Kaluga Queen, the world’s largest supplier of caviar, is based.) “There is still some prejudice,” said Hossein Aimani, the head of Paramount Caviar, who supplies Chinese caviar to restaurants such as Le Bernardin in New York.

Snobbery about provenance as a way to drive demand, and prices, is also a sacred tradition, as old as the caviar trade itself. In the 19th century, when the American sturgeon supply was abundant, the only caviar said to be worth paying top dollar for was from the Caspian Sea. American bars put domestic caviar out for free like nuts, while industrious exporters to Europe pretended their supply was Caspian, Richard Carey wrote in his 2005 caviar history, The Philosopher Fish: Sturgeon, Caviar, and the Geography of Desire.

But while caviar is having a moment, caviar in abundance, and increasingly downmarket, could threaten the industry itself. The luxurious and rare history of sturgeon roe is “under attack a bit,” said Panchernikov of Caviar Russe. “People are trying to pedestrianize it, and rid caviar of that specialness.” Menu prices stay high not just because dealers still make good margins but because — as with all things luxury — the price is the point. “Affordable caviar is oxymoronic,” said David Stephen, an aquaculture scientist and caviar industry consultant.


Osetra caviar on a spoon, a classic.Source: Paramount CaviarThe roe’s true power for chefs is less about its cost than its ability to titillate. When New York’s Temple Bar started offering $20 caviar “bumps” in late 2021, they got attention “not because they were serving caviar, but because they were doing them as bumps, making fun of it,” said Rachel Harrison, a longtime hospitality industry publicist. It made customers laugh; they took pictures for social media, which brought in more customers. For $20, it felt more like ordering another drink than splashing out $200 for a caviar service.

Thomas Allan, the chef at The Modern, says the role of its caviar-topped hot dog is to capitalize on the ingredient’s ability to generate customer excitement, not margins. They make the cost up elsewhere, on alcohol or dessert. “The hot dog is like a feel-good moment that makes you smile,” he said. “Chances are you’re not just going to order that, you’re going to order other things. You’re going to order some wine.” Rather than being a cash cow, “It’s more like our Costco rotisserie chicken,” Allan said, referencing the retailer’s famously inflation-proof $4.99 product.

Chef Max Wittawat at Bangkok Supper Club calls the uni tartlet a “hero dish.” The restaurant isn’t making much margin on it, but it drives foot traffic, looks good on social media and — because it won’t fill you up — increases spend per customer. “China has made caviar more affordable for everyone. But at the restaurant, customers still appreciate it, they still see caviar as a luxury,” he said.

Similarly Coqodac’s chef knows people won’t order one chicken nugget and call it dinner, so he keeps the price in (relative) bounds while using fine caviar, and almost everyone wants to order one. “We’re not really making money out of this. This is just to bring excitement,” Kim said.“It’s about sustainability.”



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The appeal of caviar has always been that it’s a little outrageous. Like great champagne, the cost, the history and the sheer fiscal irresponsibility has always been an erotic undercurrent beneath its culinary appeal, the reason we reach for it when the occasion feels special. But now that caviar is no longer so rare, chefs are playing with it, treating it like it’s just another ingredient, albeit one with low labor costs (they only need to open a tin). And in the case of an economic downturn, they need dishes that can draw in customers and drive spending with prices that aren’t totally out of reach.

Still, the relative affordability of high-quality caviar could soon change as tariffs on China hit importers, while scaled-up Chinese aquaculture threatens to push supply of mid-tier caviar above what the market can bear. “I hope there’s not going to be a glut, but there is a lot of caviar in the market right now,” Aimani said. It is likely, he said, that more restaurants will start buying up lower quality, cheaper caviar to bridge the gap.

In the meantime, caviar remains ubiquitous. “Caviar has been pigeonholed by society as a luxury ingredient,” said Mike Bagale, executive chef of New York restaurant Sip & Guzzle. “I try to serve it almost at cost. I don’t want to buy into the idea of overcharging for a commodity that costs a lot, serving it in small amounts.” He serves it in a koji cool ranch “party dip” with puffed chicken skin ($125). The relative affordability of caviar today means he can be generous.

“They’re fish eggs. It doesn’t have to be super embellished or dainty or tweezered onto fish filets at a fine dining restaurant anymore,” said Bagale. He serves Greek caviar on ice cream, $70 for 10 grams. “At the end of the day, it’s salt.”



To: nicewatch who wrote (212700)5/25/2025 6:37:55 PM
From: TobagoJack1 Recommendation

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nicewatch

  Respond to of 217560
 
just as neat



To: nicewatch who wrote (212700)5/25/2025 6:39:31 PM
From: TobagoJack1 Recommendation

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nicewatch

  Respond to of 217560
 
as good as neat