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Technology Stocks : C-Cube -- Ignore unavailable to you. Want to Upgrade?


To: DiViT who wrote (38086)1/7/1999 4:09:00 PM
From: BillyG  Read Replies (1) | Respond to of 50808
 
Setting a singular path to digital video in China (How do you spell "connected with CUBE"??)
eetimes.com

By Junko Yoshida
EE Times
(01/07/99, 3:23 p.m. EDT)

MILPITAS, Calif. — Virtually free from the industry infighting now
hindering the takeoff of digital TV in the United States, China is marching full
speed ahead into the digital video revolution. The latest efforts include a
homegrown HDTV encoder development, DTV broadcast infrastructure
buildout, plans for HDTV cinemas fed by satellites and the development of
CD-based rewritable video-disk machines, a new breed of consumer
products unknown elsewhere in the world.

These efforts — which could allow China to leapfrog other nations in terms
of penetration of digital video technologies — were sketched out by Du
Baichuan, vice president professor at the Academy of Broadcasting and
Science (Beijing), who is visiting the United States as head of a team of
engineers working on a joint project with C-Cube Microsystems Inc.
, based
here.


Du was the man who pulled the strings as a key consultant to China's digital
Video CD debut in the early 1990s, when he was a professor at the Beijing
Broadcast Institute. He is now responsible for bringing digital broadcast
technologies to China, working at the Academy of Broadcasting Science
, an
R&D arm of China's State Administration of Radio, Film and Television.

"My job is to create the demand and stimulate the consumer market in China
with new digital video technologies people want to buy," Du said in an
interview with EE Times.

Occupying a room tucked away in a corner of C-Cube's main building, Du's
team of young engineers is hard at work developing the academy's own
HDTV encoder system.


The team has come up with a fairly esoteric solution. The method first calls
for dividing a 1,920 x 1,080-pixel HDTV picture into six blocks, each at 640 x
540 resolution. After applying standard-definition (SDTV) encoding in each
of those blocks, it stitches all six together to make one HDTV-encoded
picture. The scheme is so designed that the same HDTV encoding unit can
be used for both standard- and high-definition encoding.

Instead of developing new HDTV encoding silicon or microcode from the
ground up, the Chinese team is using C-Cube's current-generation DVxpert
chip and its SDTV encoding microcode, which were designed for the
professional broadcast market. Du's engineers, however, are implementing
their own HDTV encoding solution in the form of both software and
hardware on top of C-Cube's chip.


The solution may seem like a poor man's HDTV encoder, but it is "a novel
approach whose flexibility and practicality exactly meet Chinese market
demand," according to Du. "We've needed a flexible HD and SDTV
encoding solution in China. The fact is that some Chinese TV stations have
already purchased SDTV encoders, and we don't want to make them
obsolete." Du added, "We already have two patents on this HDTV encoding
method."

Bob Saffari, director of marketing for broadcast and professional products at
C-Cube, described the engineering team Du has brought to Silicon Valley as
"excellent and very competent engineers and scientists" who are no strangers
to HDTV. "They've been studying HDTV more than five years," he said,
although mostly in an academic sense.

C-Cube's role in the project is to train the team on C-Cube's encoding
technology, including features and capabilities of its silicon, underlying
microcode and application programming interface.
"We are also helping them
solve some of the stitching problems," Saffari said.

However, sharing the fruits of the technology development is not a part of
the agreement, according to Saffari. All the intellectual property involved will
belong to the Academy of Broadcasting Science.


Independent of its collaboration with the Chinese, Saffari noted that C-Cube
has been working on its own HDTV encoding microcode, which is expected
to reach the market in the first half of this year.

The Chinese engineers will stay at C-Cube until their HDTV/SDTV encoder
is finished. That should be around midyear, Du predicted.

Strong ties

While many chip vendors are scrambling to move into the Chinese market,
the joint project with China's Academy of Broadcasting and Science
indicates C-Cube's years of experience and strong ties with Chinese
authorities and manufacturers. Saffari said the company hopes to help China
build "an end-to-end digital solution" that extends from broadcasting and
post-production infrastructure to consumer set-top and Super Video CD
players. "We are committed to China in a big way to provide digital video," he
said.


Freedom from the most contentious inter-industry debates over copy
protection of digital video content is bringing China a few new new twists in
the development of digital consumer products. Indeed, the nation appears to
be devising products that have never been considered anywhere else.

Asked to predict the hot digital video trends in China in 1999, Du cited movie
houses to which HDTV-quality films are fed via satellite; "recordable disk
machines" that use CD-recordable technology; and digital cable set-top
boxes.

By far, the most interesting possibilities for the electronics industry are the
recordable-disk machines. Central to such a new product is an MPEG-2
encode/decode IC, designed for the mass consumer market, such as the one
currently in development at C-Cube.


Because there are millions of Video CD and Super Video CD disks available
in China, it's only natural to devise a player — with a tray for multiple disks
— that's capable of recording TV broadcasts or, better yet, a machine that
makes it possible to copy prerecorded Video CDs.

Du noted that VHS VCRs are already a fixture in a large percentage of
Chinese households, but "most of them are kept in the closet today," due to
the lack of prerecorded VHS tapes or rental chains like Blockbuster.
Consumers instead watch movies on Video CD players.

Developing recordable machines for CD rather than DVD could help "China
embrace the recordable-disk machines much faster than the U.S. market,"
projected Du. Worldwide, the consumer electronics industry remains split
over incompatible, competing rewritable DVD formats. Japanese and U.S.
companies apparently see no reason to go back to CD technology when
many have already poured billions into the development of DVD.

On another front, China is quietly rolling out digital-TV broadcasting at a
steady clip. Du said that China expects to see a total of 36 digital channels
launched in 1999, 31 of them operated by different provincial stations and
five reserved for China Central TV for nationwide coverage.

Already, 24 provincial stations are in operation with DTV. The next stage of
rollout is mainly focused on big cities. The game plan is to first transmit DTV
programs via satellite to local cable head ends, and then — assuming that
many people in big cities live in huge apartment complexes — to string a
cable to each building for digital cable broadcast. Cable delivery of DTV
programming is the initial goal for China, according to Du, since "tall buildings
within big cities create huge signal-interference problems, producing not just
ghosts but literally no picture."

Yet terrestrial DTV broadcasting is also part of the Academy of
Broadcasting and Science's R&D work. China's final transmission format
and standard, however, will need to be discussed further in 1999, according
to Du. Acknowledging heavy lobbying from Europe's Digital Video
Broadcast Project as well as the U.S. Advanced Television Systems
Committee to endorse their respective standards, Du indicated that China's
final decision may come down to royalty issues between the two.

At a time when the U.S. DTV market faces uncertainty, largely created by
never-ending debate among broadcasters, system vendors and service
providers over the fragmented HDTV and SDTV video formats, Du noted
that regional Chinese TV stations today are demanding 1,080-interlaced
format HDTV in addition to SDTV.

Chinese broadcasters appear eager to jump onto MPEG-2 Main Profile @
High Level-based HDTV, rather than sticking to SDTV.

The reason? "TV stations are always looking for a way to make more
money," Du said. "They see HDTV as a perfect opportunity for starting
pay-per-view service in China."

The idea is that Chinese consumers already know how good digital video
looks, based on their extensive experience with Video CD and Super Video
CD. Broadcasters, if they want to wow consumers and make extra money,
must take a clear step beyond SDTV.



To: DiViT who wrote (38086)1/7/1999 4:18:00 PM
From: BillyG  Read Replies (1) | Respond to of 50808
 
Sony Digital8 format to share key circuitry with DV camcorders ("transcoder-ready")
eetimes.com

By Yoshiko Hara
EE Times
(01/07/99, 3:00 p.m. EDT)

TOKYO — Sony Corp. has announced a digital 8-mm camcorder format
that employs the same video-bit-stream specs as 6.5-mm Digital Video (DV)
while promising full backward compatibility with 8-mm analog tape. Sony is
betting its strategy will convince cost-conscious analog-camcorder users to
go digital while increasing the cost-competitiveness of both DV and Digital8
camcorders via their use of a common chip set and other shared
components.


Though based on the DV signal specs introduced in 1995, Digital8 employs
an 8-mm video mechanism, records on conventional 8-mm tape (Hi8 is
recommended) and assures playback of 8-mm analog videotape. It will also
be priced far closer to the analog 8-mm camcorder's retail price of about
$1,330 in the Japanese market than to the DV camcorder's typical selling
price in Japan of $1,770.

Sony is betting Digital8's mix of digital features and backward compatibility
will appeal to a middle-ground consumer market that puts more emphasis on
price/performance than on form-factor miniaturization.

"Sony will place even [marketing] weight on the DV and Digital8 format,"
said Shizuo Takashino, president of Sony Personal AV Products Co. "In
Japan, compactness is highly valued, and DV camcorders already account
for about 80 percent [of the home market] despite their relatively high prices.
But overseas, it takes time for a new format to penetrate. The 8-mm and
VHS formats will continue to exist for a while. In such markets, Digital8 will
have some impact on DV penetration."

Indeed, Sony acknowledges that some consumers may bypass the DV
format altogether and move directly from Digital8 to the next-generation disk
format.


As of September, Sony had shipped about 6 million 8-mm camcorders in
Japan and about 30 million units worldwide. Since the introduction of 8-mm
video in 1985, Sony estimates the industry has shipped roughly 50 million units
globally.

Shared elements
Digital8's video bit stream is identical to the video stream specified for DV
camcorders. To achieve roughly double the signal bandwidth of its analog
counterpart, the 8-mm digital format specifies a drum rotation of roughly
4,500 rpm, compared with 1,800 for analog 8-mm video. A new tape
transport mechanism devised by Sony for Digital8 accommodates both
drum-rotation rates to enable seamless playback of tapes containing a
mixture of digital and analog content.

Analog 8-mm video employs two tracks to record one frame of information;
Digital8 uses five tracks per frame. Therefore, Digital8's recording time is
about half that of 8-mm analog video when the same tape is used.

Since Digital8 and DV employ the same digital signal-processing scheme,
Sony was able to use the same three-piece chip set for the new spec as for
the 6.5-mm format. Tsutomu Niimura, senior general manager of the
Personal Video Division at Sony Personal AV Products, cited extensive
component sharing between the two formats, predicting benefits in cost
reduction.

Sony will introduce two Digital8 camcorder models to the Japanese market in
March and will follow up shortly thereafter with market introductions in the
United States and the rest of the world.

The company also revealed plans to license the Digital8 format to interested
manufacturers of 8-mm video products.



To: DiViT who wrote (38086)1/22/1999 10:08:00 AM
From: Stoctrash  Respond to of 50808
 
Remember this....where is the surprise???
Oh.,...no I get it...it was a joke,
"man is our stock gunna get toasted once that day comes"

+++++++++++++++++++++++
To: +BillyG (38085 )
From: +DiViT Thursday, Jan 7 1999 3:10PM ET
Reply # of 38452

You might be surprised
C-Cube technology shows up in some unexpected places. Check out our website starting January 21 for a special feature on C-Cube's pervasive presence in the digital video world.

c-cube.com

Here's a Preview : c-cube.com

Video is going digital and C-Cube is making it happen

In the home entertainment center
In broadcast and distribution facilities
In production and postproduction studios