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To: George Gilder who wrote (209)	2/18/1999 1:20:00 PM
From: MangoBoy	Read Replies (1) \| Respond to of 626

<< I remember Jon Faddis when he was a 17 year old trumpet virtuoso doing impossibly high notes in both the time and frequency domains back in the late 1960s. Perhaps he did spherical harmonics too! >> dizzy atmosphere!

To: George Gilder who wrote (209)	2/18/1999 4:23:00 PM
From: Frank A. Coluccio	Respond to of 626

Oh, my. Someone else who is hung up on the bandwidth of it all... >>I remember Jon Faddis when he was a 17 year old trumpet virtuoso doing impossibly high notes in both the time and frequency domains back in the late 1960s. Perhaps he did spherical harmonics too! Evidently he has joined the establishment. Perhaps Jim Palmer will too. I also remember Fadis, two years ago, putting on one of his best shows ever. In this one he had some rather unusual help, though. Enjoy, Frank C. Message 5626271

To: George Gilder who wrote (209)	2/21/1999 2:10:00 AM
From: Frank A. Coluccio	Respond to of 626

I should have caught this before. Re Fadis, you suggested: >Perhaps he did spherical harmonics too!< The master of dissonance and harmonic manipulation in jazz wasn't Fadis, it was Thelonious *Sphere* Monk, or TSM. That's spooky, isn't it? Monk once said: "It can't be any new note. When you look at the keyboard, all the notes are there already. But if you mean a note enough, it will sound different. You got to pick the notes you really mean." achilles.net:80/~howardm/tsmonk.html itp.ucsb.edu