KJ, Have to read the I/O insights quite a few more times b4 it starts to sink in. Thanks.
Since the SGI SAN pr piece mentions Panasonic thought I'd repost the pr from them.......
Riding The DVCPRO Wave
By Michael Grotticelli
Secaucus, NJ--Panasonic Broadcast & Digital Systems Company (PBDSC) unveiled its product offerings for this year's NAB with a clear emphasis on helping broadcasters make a cost-effective transition to digital--and eventually high definition--television production.
Delivering its message under a show theme of "YourVision," it was also evident that the company plans to market its wide variety of DVCPRO-based products to a myriad of users, from broadcasters and post production houses to Business and Industrial (B&I) users.
Panasonic continues to support the DVCPRO platform--that includes 25, 50, and, now, 100 Mbps (DVCPROHD) versions of Panasonic's small-format, digital production equipment--with new products to enhance the line. These include a new DVCPRO-based video production server (AV-SS500), a News and Program Cache server (AJ-DR7000), a new studio editing VTR (the AJ-D850, with three hour record/play time), and several new cameras with and without switchable aspect ratios.
New DVCPRO50 gear features the ability to choose between tape-saving DVCPRO ENG mode or high resolution 4:2:2 EFP mode. These include the AJ-D910WA (2/3-in. IT CCD) camcorder, AJ-D92 field recorder, AJ-D940 slow-motion player, and the AJ-D95DC AC/DC desktop VTR. The AJ-D910WA camcorder-- available with a choice of three different viewfinders--also features selectable 4:3/16:9 operation and optional DVpix Link, Panasonic's exclusive field production system that stores shot logging data in camera memory and records it on tape during the eject cycle. This data can then be read by Panasonic's newsBYTE 4X transfer DVCPRO nonlinear editing system.
While the DVCPRO50 equipment is targeted at digital production resulting in high-quality standard definition (480i) pictures, DVCPROHD is being touted as the "Gold Standard" among HD format equipment for high-quality studio production.
These new studio and EFP cameras represent the first 100 Mb equipment to be shown by the company, although they will not be available until the end of this year. The new additions include the AJ-HDC10 and AJ-HDC20 100 Mb camcorders and the AJ-HD150 studio VTR, and all support the 1080i format.
"Panasonic's showing of affordable HD resolution DVCPRO solutions reflects our stated plan to evolve the DVCPRO family to fulfill the wide variety of requirements of ENG and [ITU-R601] and HD resolution EFP/ENG applications," said Stuart English, the company's new vice president of marketing for the Digital Systems Company. "The DVCPRO recording system's unique resolution scalability provides broadcasters and producers alike an unparalleled protection of their investment dollar as they transition to the digital television future."
Although it was stated that the company is not backing away from its earlier position to develop 720p production equipment (several prototype cameras are being tested), this year's NAB will only see 1080i products in the booth on the show floor. Panasonic is showing two "true 1080i" CCD cameras, the AK-HC880 studio and AK-HC800 portable EFP cameras.
"We feel that the demand for [720p] equipment is not there yet," English stated. "On the flip side, 1080i has a very strong presence on a worldwide basis, so we've decided to offer those products first. Certainly, we will produce 720 equipment as the demand increases."
For HD field recording, they'll introduce the AJ-HD2200 portable D-5 HD field recording deck, designed to complement the AK-HC830 portable camera. The ENG unit offers 12V DC operation and a power consumption of under 50 watts, according to the company. It records 10-bit resolution, full-bandwidth, 4:2:2 sampled HD signals with four audio tracks.
Addressing what has become a hot issue for post production professionals, Panasonic has evolved its D-5 HD processor product to include switchability between 1080 interlaced and progressive modes. The AJ-HD3000 mastering studio VTR is also capable of recording and playback at various frame rates (60i, 50i, 24p, 25p, and 30p).
Panasonic also said they are looking more closely at the B&I "Proline" market and will introduce a range of DVCPRO (25 Mbps)-based products to be known as the Professional Video (PV) series. The first product is the AJ-D400 3-CCD camcorder at a price of just under $9,000 (without lens). Other units in the PV line include the AJ-D215 camcorder and AJ-D440 and AJ-D450 studio VTRs. Availability is targeted for May.
Finally, Panasonic announced the availability ("sometime after NAB") of its AJ-UFC1800 Universal DTV Format Converter--seen at last year's NAB--that enables broadcasters to convert TV signals between all ATSC-compliant DTV formats. The unit can adjust picture aspect ratios with "pan and scan" functions and supports multiple frame rates (such as 60, 50, 30, and 24 Hz).
"Our position about DTV is... we have so many different technologies inside Panasonic that we can address any customer need," English added. "DTV doesn't only mean high definition. Digital means so many different things and we [as a company] are evolving that way... from the high-end HD broadcaster to the guy producing video for the Internet."
For more information, call Panasonic at (800) 528-8601, or visit Panasonic at NAB booth #L22901.
On The Floor...
At NAB '99, Panasonic is teaming with a number of companies that have announced support for the DVCPRO codec in their products to present a DVCPRO Partners Inter-Operability demonstration at booth #L12120 in the LVCC's new North Hall.
The exhibit will feature companies such as Avid Technology, JVC, NDS Americas, Pluto Technologies, SGI, Tektronix, and Quantel displaying their products' DVCPRO-compliant capabilities in a networked (SDTI-based) system within the booth. The idea is to show the seamless transfer of compressed digital video between the different companies' devices. The transfers will all be done using compressed streams, over a combination of SDTI and Fibre Channel. Other companies displaying product include Tiernan, Matrox, Gennum, and Pinnacle Systems/Truevision. |