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Technology Stocks : Son of SAN - Storage Networking Technologies -- Ignore unavailable to you. Want to Upgrade?


To: Douglas Nordgren who wrote (1144)3/31/1999 6:22:00 PM
From: Douglas Nordgren  Read Replies (1) | Respond to of 4808
 
Tech Data Establishes SAN Business Unit

biz.yahoo.com

Distributor First In The Channel To Offer Value-Added Resellers Dedicated Support Focused On This Rapidly Emerging Enterprise And Workgroup Platform

CLEARWATER, Fla., March 31 /PRNewswire/ -- Tech Data Corp. (Nasdaq: TECD - news) today announced it has created the first channel business development unit dedicated to the rapidly emerging segment known as Storage Area Networks (SANs). In addition to an expanded SAN product set, Tech Data will provide resellers with advanced technical support, educational services and marketing resources for resellers requiring enterprise- and workgroup-level storage solutions. Independent market research firm International Data Corp. (IDC) estimates SANs will generate revenues of approximately $11.4 billion by 2002 and represent roughly 37 percent of all external server storage units sold during this period.

''With the growth of storage-intensive requirements such as data warehousing, data mining and Internet browsing, companies are turning to resellers for assistance in building their next generation of information management solutions,'' said Roy Appelbaum, vice president of product marketing for Tech Data's networking division. ''Tech Data's increased focus on SAN products and services will provide resellers with the added support needed to increase their sales within this market, while helping them to identify incremental opportunities.''

Tech Data's new Storage Area Networks business unit, led by Marketing Manager Allison Porter, features more than 30 of the industry's leading storage manufacturers with products ranging from Disc/RAID and tape technologies to CD/optical and connectivity solutions. ''The multiple protocol support of storage area networks is fueling the growth,'' Porter said. ''This inherent flexibility allows the SAN infrastructure to act as both a server interconnect and as a direct interface to storage devices.''

Tech Data Soars 20.5% on Positive Earnings Surprise

cbs.marketwatch.com




To: Douglas Nordgren who wrote (1144)4/2/1999 10:20:00 AM
From: J Fieb  Read Replies (1) | Respond to of 4808
 
Douglas,

Speaking of NAB, this may be a good bookmark for NAB news....

conventionnews.com

Guess TEK/AVID are already working to update......
the name is AvStar..

AvStar Systems Looks To Tap Emerging
Market

By Michael Murrie

When many users of newsroom systems go to NAB they'll find the name of their
vendor has changed... again. The new name is AvStar, a joint venture of Tektronix
NewStar and AvidNews.

AvStar Systems LLC (Limited Liability Corporation) will have more than 100
employees and remain based in Madison, Wisconsin. Tektronix will manage
sales for AvStar. The enterprise is jointly owned and funded with each partner
contributing $1.5 million.

"The combined enterprise owns 70 to 80 percent of the newsroom computer
seats around the world," the new president of AvStar, Matt Danilowicz, said.

The joint venture represents the fourth generation of ownership shuffling in less
than a decade for some newsroom system users. For example, the old Basys
company was purchased by Digital Equipment Corporation, and then acquired by
Avid Technology (along with another system).

NewStar, once owned by Dynatech Corp., was later acquired by Tektronix. Now
two of the biggest newsroom system competitors are one happy family.

In what some view as a limited market for newsroom systems, two other vendors
joined forces with their systems late last year, too. QTV, best known for its
teleprompters, and DCM, a supplier of newsroom systems, jointly produced a
new Windows NT newsroom system called WinCueNews. It includes two parts,
an automation system to control production equipment and a text/video manager
for the journalist's desktop. It can also search and retrieve low-resolution video
from a server.

The AvidNews/NewStar shuffle is unsettling for some users of newsroom
systems, especially when it comes to customer service. "I have already
experienced having been lost by the AvidNews bureaucracy," Bill Avery, news
and program manager for WOFL-TV in Orlando, FL, stated. "I haven't had any
contact with them unless I initiate it and often not then.

"The downside to these mergers," Avery continued, "is that they combine a
tremendous number of clients and then cut support staff. A companion issue is
the reorganization that inevitably occurs, and you lose your sales and support
contacts entirely. The upside is the ability to combine the best elements from
their product streams."

The existing users of NewStar and AvidNews can expect some improvements to
their systems before NAB. AvidNews will ship version 1.2, and NewStar for
Windows will ship a software release ready for the year 2000--Y2K compliant, as
the computer folks say.

The new joint venture is supposed to continue to support the existing NewStar
and AvidNews computers and provide a migration path for these customers to
eventually move into the new AvStar.

Danilowicz said the first AvStar computer system should be available in the third
quarter of this year. It will combine the journalist functions of AvidNews with
NewStar's producer lineup. Also, the new system will include the workflow model

of EditStar and the MediaBrowse subsystem.

EditStar is an intuitive system for editing news video while simultaneously writing
news copy. MediaBrowse allows news writers and producers to search and
retrieve low-resolution images from their from their computer work stations and
send edit decision lists to an Avid NewsCutter nonlinear editor.

At NAB, expect AvStar to show enhanced capabilities to interface with Avid
NewsCutter DV.

Ultimately the Avid and Tektronix folks want to offer newsroom systems even
more integrated with their other products, especially Profile video servers and
NewsCutter, to record video feeds, edit video, and play it on air. The company
said that only five percent of the news operations are disk based, as opposed to
videotape. Thus, they see a big potential for sales of disk systems.

So this year look for demonstrations of a more sophisticated networking system,
Fibre Channel, connecting and even switching signals among Avid NewsCutters
and Tektronix Profiles
.

These systems are supposed to include new capabilities with the marketing
names of ContentShare and SimulEdit/SimulPlay. SimulEdit is the ability to
share video among multiple editors. More than one editor can view or edit multiple
versions of a story at one time using the same raw video, provided it is on the
network.

SimulPlay provides the ability to play and even go to air with video without waiting
for an entire file to be transferred to the video server. Only the first 110 frames
must be transferred to begin playing. It seems to resemble video streaming on
the World Wide Web, except, of course, you're dealing with much larger video file
sizes on an in-house system.

For more information on AvStar, call TK.

The Digital Television site will soon start a 12 piece series sponsored by Philips DVS...

The next update of Digital Television: The Site is April 10 with the online version of "The Guide To
Digital Television, second edition" and the 12-part series "Television Today: Business
Opportunities For Digital Television" (sponsored by Philips Digital Video Systems) as well as
our regular monthly features.

digitaltelevision.com

Will track this for FC stuff. Remember they have a partnership with SGI so if they use SANs, they will probably get it from them? .....

Philips Digital Video Systems

For NAB '99, Philips Digital Video Systems offers new technologies that
will define the industry over the next several decades including data
broadcasting, advanced MPEG development, asset
distribution/management, video streaming over the Internet, and more.
Philips' products include Digital Cameras, Film Imaging, Digital Video
Servers, Routing and Master Control, Digital Live Production Switchers,
Data Broadcast Systems, Digital Transmission Systems, and Internet
Transmission.



To: Douglas Nordgren who wrote (1144)4/2/1999 10:49:00 AM
From: J Fieb  Respond to of 4808
 
KJ, Have to read the I/O insights quite a few more times b4 it starts to sink in. Thanks.

Since the SGI SAN pr piece mentions Panasonic thought I'd repost the pr from them.......

Riding The DVCPRO Wave

By Michael Grotticelli

Secaucus, NJ--Panasonic Broadcast & Digital Systems Company (PBDSC)
unveiled its product offerings for this year's NAB with a clear emphasis on helping
broadcasters make a cost-effective transition to digital--and eventually high
definition--television production.

Delivering its message under a show theme of "YourVision," it was also evident
that the company plans to market its wide variety of DVCPRO-based products to
a myriad of users, from broadcasters and post production houses to Business
and Industrial (B&I) users.

Panasonic continues to support the DVCPRO platform--that includes 25, 50, and,
now, 100 Mbps (DVCPROHD) versions of Panasonic's small-format, digital
production equipment--with new products to enhance the line. These include a
new DVCPRO-based video production server (AV-SS500), a News and Program
Cache server (AJ-DR7000), a new studio editing VTR (the AJ-D850, with three
hour record/play time), and several new cameras with and without switchable
aspect ratios.

New DVCPRO50 gear features the ability to choose between tape-saving
DVCPRO ENG mode or high resolution 4:2:2 EFP mode. These include the
AJ-D910WA (2/3-in. IT CCD) camcorder, AJ-D92 field recorder, AJ-D940
slow-motion player, and the AJ-D95DC AC/DC desktop VTR. The AJ-D910WA
camcorder-- available with a choice of three different viewfinders--also features
selectable 4:3/16:9 operation and optional DVpix Link, Panasonic's exclusive field
production system that stores shot logging data in camera memory and records
it on tape during the eject cycle. This data can then be read by Panasonic's
newsBYTE 4X transfer DVCPRO nonlinear editing system.

While the DVCPRO50 equipment is targeted at digital production resulting in
high-quality standard definition (480i) pictures, DVCPROHD is being touted as
the "Gold Standard" among HD format equipment for high-quality studio
production.

These new studio and EFP cameras represent the first 100 Mb equipment to be
shown by the company, although they will not be available until the end of this
year. The new additions include the AJ-HDC10 and AJ-HDC20 100 Mb
camcorders and the AJ-HD150 studio VTR, and all support the 1080i format.

"Panasonic's showing of affordable HD resolution DVCPRO solutions reflects our
stated plan to evolve the DVCPRO family to fulfill the wide variety of requirements
of ENG and [ITU-R601] and HD resolution EFP/ENG applications," said Stuart
English, the company's new vice president of marketing for the Digital Systems
Company. "The DVCPRO recording system's unique resolution scalability
provides broadcasters and producers alike an unparalleled protection of their
investment dollar as they transition to the digital television future."

Although it was stated that the company is not backing away from its earlier
position to develop 720p production equipment (several prototype cameras are
being tested), this year's NAB will only see 1080i products in the booth on the
show floor. Panasonic is showing two "true 1080i" CCD cameras, the AK-HC880
studio and AK-HC800 portable EFP cameras.

"We feel that the demand for [720p] equipment is not there yet," English stated.
"On the flip side, 1080i has a very strong presence on a worldwide basis, so
we've decided to offer those products first. Certainly, we will produce 720
equipment as the demand increases."

For HD field recording, they'll introduce the AJ-HD2200 portable D-5 HD field
recording deck, designed to complement the AK-HC830 portable camera. The
ENG unit offers 12V DC operation and a power consumption of under 50 watts,
according to the company. It records 10-bit resolution, full-bandwidth, 4:2:2
sampled HD signals with four audio tracks.

Addressing what has become a hot issue for post production professionals,
Panasonic has evolved its D-5 HD processor product to include switchability
between 1080 interlaced and progressive modes. The AJ-HD3000 mastering
studio VTR is also capable of recording and playback at various frame rates (60i,
50i, 24p, 25p, and 30p).

Panasonic also said they are looking more closely at the B&I "Proline" market
and will introduce a range of DVCPRO (25 Mbps)-based products to be known as
the Professional Video (PV) series. The first product is the AJ-D400 3-CCD
camcorder at a price of just under $9,000 (without lens). Other units in the PV
line include the AJ-D215 camcorder and AJ-D440 and AJ-D450 studio VTRs.
Availability is targeted for May.

Finally, Panasonic announced the availability ("sometime after NAB") of its
AJ-UFC1800 Universal DTV Format Converter--seen at last year's NAB--that
enables broadcasters to convert TV signals between all ATSC-compliant DTV
formats. The unit can adjust picture aspect ratios with "pan and scan" functions
and supports multiple frame rates (such as 60, 50, 30, and 24 Hz).

"Our position about DTV is... we have so many different technologies inside
Panasonic that we can address any customer need," English added. "DTV
doesn't only mean high definition. Digital means so many different things and we
[as a company] are evolving that way... from the high-end HD broadcaster to the
guy producing video for the Internet."

For more information, call Panasonic at (800) 528-8601, or visit Panasonic at
NAB booth #L22901.

On The Floor...

At NAB '99, Panasonic is teaming with a number of companies that have
announced support for the DVCPRO codec in their products to present a
DVCPRO Partners Inter-Operability demonstration at booth #L12120 in the
LVCC's new North Hall.

The exhibit will feature companies such as Avid Technology, JVC, NDS
Americas, Pluto Technologies, SGI, Tektronix, and Quantel displaying their
products' DVCPRO-compliant capabilities in a networked (SDTI-based) system
within the booth. The idea is to show the seamless transfer of compressed digital
video between the different companies' devices. The transfers will all be done
using compressed streams, over a combination of SDTI and Fibre Channel. Other
companies displaying product include Tiernan, Matrox, Gennum, and Pinnacle
Systems/Truevision.