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To: Ausdauer who wrote (7748)10/18/1999 5:43:00 PM
From: Binx Bolling  Read Replies (3) | Respond to of 60323
 
Aus, you wish The Memory Stick Good Luck.

It already has good theater.

The November 1999 issue of Wired is dedicated to Sony
and the Memory Stick.

Reminded me of the following quote:

quotations from John Sculley's Odyssey-Pepsi to Apple - A
Journey of Adventure, Ideas, and the Future:

"Marketing, after all, is really theater, It's like
staging a performance. The way to motivate people is get
them interested in your product, to entertain them, and to
turn your product into an incredibly important event."

Marketing is theater. In theater you think of the audience
as having a role. They may laugh and applaud or they may get
up and walkout. When you show a Pepsi Generation campaign,
your're trying to reach their emotions and touch their
hearts. In a Pepsi Challenge, we tried to lure them into our
campaign to pull them across the line between where
commercial ends and reality begins.

The Super Bowl is evidence of this. It has nothing to do
with athletics, really. The athletes are mere actors on a
stage. Most people don't care who wins or loses the Super
Bowl because it's not their hometown team anyway. What they
care about is the Super Bowl event and all the pagaentry that
goes with it. It is a stage production, marketing as theater
at its best.

Marketing is an art form. When I go through the Musuem of
Modern Art, I see not only paintings but artists who were
driven by powerful ideas and who went through the identical
process to what we do in marketing as theater. The power of
it was not trying to duplicate an image realistically like a
phototgraph, but trying to capture the feeling of a striking
idea or moment and then presenting an image of that feeling
in a powerful way. The canvas becomes a mini-stage
production alive in a different medium.

The other reason there are so few good marketers is that the
discipline has been falsely chasing the god of science, when
it is really an art. Market analysis, to take one false
god, has failed to predict all the intereresting and high-
impact technological innovations of the twentieth century
because it tends to look at trends.