PC-DVD kits reviewed.......................
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Seven DVD-ROM Upgrade Kits Hasten the Digital Revolution
by Matthew Klare Originally published in the December 1997 issue
Some border disputes have evoked less hostility than the development of DVD and have been resolved with less political maneuvering. Indeed, at times, it seemed as though DVD would provide a textbook example of competing interests stopping a promising technology dead in its tracks.
This would-be successor to CD-Audio, CD-ROM, laserdisc, and even VHS technologies resulted from the unification of two initially separate efforts: one by CD developers Sony and Philips Electronics and another led by Toshiba. The new technology gained plenty of attention early in its development largely because of its luxurious capacity--4.7GB for a single-layer, single-sided disc and 8.5GB for a dual-layer, single-sided disc. Double-sided discs increase capacity to 9.4GB for single-layer media and 17GB for dual- layer media. CD-ROM looks decidedly anemic in comparison, with its maximum capacity of 650MB.
Cross-industry compatibility and potential for cross-industry innovation are among its greatest advantages, but they also pose serious threats to DVD's survival. Just as a CD-ROM drive lets you play audio CDs on your computer, a DVD-ROM drive paired with the appropriate DVD decoding capabilities--necessary for translating the MPEG-2 video stream and Dolby AC-3 Digital Surround Sound--lets you play DVD-Video titles at your desk. Keep in mind that you'll need either Dolby Pro Logic speakers, an outboard sound processor, or an AC-3-capable stereo receiver to extract the surround sound. Otherwise, you get just basic two-channel stereo.
The digital nature of DVD helps give the concept of the living-room PC at least a fighting chance: A living-room PC could handle the decoding required to play DVD-Video titles just as well as a stand-alone DVD-Video player. Plus, it would offer other features a dedicated DVD-Video player couldn't, such as the ability to browse the Internet or play 3-D games. But because digital content can be copied with no loss in quality--unlike copies to or from analog VHS tapes--Hollywood balked at the idea of millions of computer users having access to unprotected digital copies of its expensive works. The movie studios insisted that a robust copy-protection mechanism be put in place, and a long standoff ensued between the computer industry and the studios over the nature of the copy protection and other issues. Hollywood largely got its way, so prepare for disappointment if you had hoped to patch together a happier ending for your favorite flick. A multilayer copy-protection scheme ensures that none but the most obsessively determined and unproductively ingenious individual will be able to copy any portion of a DVD-Video title.
Happily, DVD survived. Indeed, at press time, DVD-Video titles from several major studios became available nationwide, emerging from their seven-city introductory market. And as the seven upgrade kits reviewed in the following pages attest, DVD-ROM is also alive and well, if still in its infancy. These first-generation upgrade kits have their share of rough edges, but even so, they crank out MPEG-2 video and Dolby Surround-Sound audio better than any other reasonably priced hardware you can currently find for your PC.
DVD Differences
For this roundup, we requested DVD upgrade kits that included a DVD-ROM drive and a board that could decode DVD-Video title MPEG-2 video.
The seven upgrade kits we tested here range in price from $400 direct for the Diamond Maximum DVD Kit to $899 average by mail for the Hi-Val DVD PC to TV Home Entertainment System. But the average for the group is only $573. The Hi-Val kit ranks as the most expensive by far because it includes a radio-frequency (RF) broadcast system, which adds nearly $300 to its price.
The important differences among these kits begin with the DVD-ROM drive they use. Each of the seven kits has one of three drives, manu- factured by Hitachi, Pioneer, and Toshiba. All three can read single- and double-layer DVD discs, and handle most types of discs that your current CD-ROM drive can read, including CD-ROM discs and audio CDs. Of the three, however, only the Hitachi drive can read CD-R and CD-RW discs, thanks to its inclusion of an additional 780nm laser.
While a 1x CD-ROM drive has a maximum data rate of only 150K/sec, a 1x DVD-ROM drive can dish out data at 1,250K/sec, which is just over the speed of an 8x CD-ROM drive. Surprisingly, although the Pioneer and Toshiba drives use 1x mechanisms, Hitachi has already made the jump to 2x. The Hitachi drive's faster spin rates won't improve DVD-Video playback--all the drives tested here can keep MPEG-2 video streaming from discs at sufficient speeds. However, the rates will improve performance with DVD-ROM titles at least in some circumstances, such as when reading new scenes to memory or a hard drive.
The three drives used by these kits also differ in CD-ROM performance. All three spin at a constant linear velocity (CLV) when functioning in DVD modes: They vary rotational speed to keep data flowing past the laser at a constant rate. But they use a variety of approaches when reading CD-ROMs. The Toshiba drive subscribes to the tried-and-true CLV method, delivering a constant 8x CD-ROM throughput. To improve both CD-ROM access time and maximum throughput, the Hitachi maintains a constant angular velocity (CAV), providing 8x to 20x CD-ROM throughput. The Pioneer employs partial CAV (pCAV), which uses CAV near the inner portion of the disc and CLV near the outer. Its CD-ROM throughput ranges from about 8x to 10x.
The Decoder Choice
The decoder boards packaged with the upgrade kits in this roundup use one of two strategies for delivering MPEG-2 video. The board in the Diamond kit and the Sigma Designs RealMagic Hollywood board in the Utobia kit use a technique called analog overlay, also referred to as video overlay or simply overlay. The five kits using Quadrant International's Cine- Master board employ the VGA-inlay approach, which Quadrant refers to as VideoInlay. Both methods display video in a window or at full screen, but they take different approaches. VideoInlay relies on your PC's graphics adapter to scale the video and output it to your monitor. In contrast, the overlay boards provide their own hardware scaling and output the video themselves, overlaying it with graphics output passed through from your VGA card. With these boards, an included cable runs from the VGA connect of your display adapter to an input on the bracket of the decoder board.
The major drawback of the CineMaster's approach is the load it places on your system. While pushing 30 frames of video per second might not saturate the PCI bus, it does keep bus utilization high. When playing scenes encoded at a high bit rate, the CineMaster boards tended to overwhelm most display adapters with too much data. To get an acceptable picture with some cards, we had to reduce the maximum number of horizontal pixels displayed from 720 to about 535.
Before buying a VGA-inlay-based card, check with the manufacturer of the upgrade kit or decoder board to ensure that your display adapter will be able to handle the load. As we worked on this article, the CineMaster boards reported compatibility with the following chip sets: ATI Technologies' Mach 64 and Rage 2+; Matrox Graphics' MGA chip sets; Number Nine Visual Technology's Imagine and Imagine II; S3's Vision 868, Vision 968, Virge/DX, Virge/VX, and Trio 64 II; and Tseng Labs ET6000. We used an ATI Xpert@Play VGA card in the subjective DVD-Video testing. Note that even if your display adapter uses one of these chip sets, you may still have to lower video quality to get a stable image.
Requiring a bit more work to install and configure than VGA-inlay boards, video-overlay boards also demand less of your system and tolerate a wider variety of hardware. You should be able to use nearly any video card with these boards and still achieve decent performance. The video output of the two overlay solutions tested wasn't as sharp as that displayed by the VGA-inlay boards. Then again, unless you're already accustomed to watching movies played by a living-room DVD player, you probably wouldn't notice the difference.
As usual, don't forget to check out the software bundled with each product as you narrow your choices. Some kits provide several DVD-ROM titles and even a DVD-Video sampler or two; others provide none. Also keep the supplied DVD utilities in mind. These utilities are linked to the decoder board used in a system. So while the Diamond and Utobia kits provide their own utilities, the five CineMaster-based kits use the same Quadrant International utilities.
Finally, to deliver the best MPEG-2 video and AC-3 audio simultaneously, you'll probably need at least a 133MHz Pentium system with at least 16MB of RAM. And here, we subscribe to the more-is-better theory. Particularly if you opt for a CineMaster-based kit, the more horsepower the PC has, the happier you'll probably be with its performance. |