To: mauser96 who wrote (32248 ) 9/25/2000 11:08:30 AM From: Thomas Mercer-Hursh Read Replies (1) | Respond to of 54805 In a few years this will probably be around 10 MP or so, Look back in the thread a week or two and you will find my discussion of a 4Kx4K or 16Mp option which should be in professional cameras within a year, possibly in a three chip solution, one per color, or 48Mp. I've had a recent discussion with one of my sources of "wisdom" in this area. One of the things he talked about was a new Fuji professional camera ... not sure of the resolution, but it had some fancy tricks in how the pixels were laid out and on-board software support that resulted in better quality images than equivalent resolution cameras of more standard manufacture. The software also provides some neat value add like highlighting areas of over and underexposure. While no camera has it yet, there is another nice software piece that could be added to change the shape of the response curve, thus providing an solution to some of those difficult exposure problems right in the camera. I think this is an important aspect of digital photography, i.e., that because it is electronics, the potential for value add in additional systems and software control is potentially huge. And, oh yes, the Fuji comes with a 1GB hard disk, not flash. He also had some print samples from the new six color Epson printers. The image source for these was from slide film scanned in a high resolution film scanner, thus far above current digital camera sources, but a gap that is obviously closing. The images were stunning ... difficult to believe that they were not color prints. Whatever happens with digital cameras, the prospects for the digital darkroom are clearly very impressive. The latest Epson's have an option for pigment based inks instead of dye with 100 year archival capability.