To: Ilaine who wrote (30641 ) 2/20/2004 8:43:17 PM From: E Read Replies (1) | Respond to of 793838 No, not at all. I am commenting on the irrelevance of an historical analysis of "what actually must have happened" in the context of the film. No, actually, you said this, which explains my impression: "I don't expect an atheist to know the Bible, and am not at all surprised that the author's viewpoint. Perhaps if pressed she would disavow the miracles and the Resurrection, as well." But this movie is only about what is portrayed in the Gospels. Nothing more, nothing less. Untrue. According to Gibson, it also draws on an old book Gibson found in his library, "The Dolorous Passion," by Anne Catherine Emmerich (I get the impression that she's some kind of nutty nun, though perhaps a believer in miracles would see her as a sensible woman.) And it's being touted as "the truth" -- "Gibson's Passion for the Truth," etc. And this matters, imo. But maybe the Polish and Russian and Latvian and African audiences, and the audiences all over the Muslim world, will look at this this film as you suggest, as though it were analogous to The Odyssey or The Lady of the Lake. No reason to get all anti-Semitic about what presents itself as a mere fairy tale, after all. One of the Gospels is thought by some to have been written by an eyewitness - Mark. The others are clearly based on eyewitness accounts, from differing witnesses. "By some"? hmmmm. Well, here's what Burton Mack, whose Book N recommended for anyone interested, says of the Gospel of Mark, "As for the author, we know only that we do not know who it was. The Mark to whom the Gospel was attributed is a legendary figure from the second century. " From N.: Unless you're an inerrantist who believes in all of the (contradictory) accounts of the same events, there is no evidence that any of the Gospels represented reference to "eyewitness" accounts. They represented reference to widely inconsistent stories in circulation about the origins of their movement. In fact, the early church was so upset about the manifest inconsistencies between these foundational accounts that a Syrian church man named Tatian (ca.160 C.E.) produced a 'harmonization' called the Diatessaron, meaning "One-through-four," which had "an extensive vogue in Christian circles."